Earlier this week I joked that, after Sunday’s episode of Mad Men, I wouldn’t be surprised if John Slattery (who directed the episode) was picked to make his feature directing debut with Fifty Shades of Grey.
As it turns out, the Cannes market this week does bring news of Slattery making his first feature film, and it will almost certainly be a much better thing than Fifty Shades. (Which, jokes aside, I’m very glad he’s not making.)
The film is God’s Pocket, adapted from Pete Dexter‘s novel of the same name. Slattery co-wrote with Alex Metcalf, and the production has lined up a killer cast: Philip Seymour Hoffman will star (and produce), and Richard Jenkins, Christina Hendricks and John Turturro are co-starring. Read More »
Please Recommend /Film on Facebook
Posted on Wednesday, March 20th, 2013 by Angie Han
What does it take for a snail to become fast enough to compete in the Indy 500? According to this new trailer for DreamWorks Animation’s Turbo, a terrible car accident and a nitrous oxide wash ought to do the trick.
Ryan Reynolds voices the lead, an ordinary garden snail with not-so-ordinary dreams. While the first trailer focused mostly on his burning desire to race — an apparent impossibility considering it takes him 17 minutes to travel one yard — the second offers a better look at how he might actually achieve that goal, and the friends who’ll be there to help him. Watch the new trailer after the jump.
Read More »
With three days remaining, A.C.O.D. is my favorite film of the 2013 Sundance Film Festival. Directed by first-timer Stuart Zicherman, it’s about “Adult Children of Divorce” and stars Adam Scott as Carter, a man whose parents (Richard Jenkins and Catherine O’Hara) had a brutal breakup on his 9th birthday. Decades later his brother (Clark Duke) decides to take the plunge into matrimony and it brings up some major issues caused by the traumatic breakup. Amy Poehler, Mary Elizabeth Winstead, Jessica Alba and Jane Lynch are also along for the ride.
Co-written by Zicherman and Ben Karlin, the script for A.C.O.D. is a Swiss watch. Everything is economical, hilarious, perfectly-paced and never in-your-face obvious. There are loads of big laughs wrapped around unexpected plot points, resonant emotion and great character development. The cast all bring such vigorous life to the film that it almost makes a sad and touchy subject, divorce, into something to be envious of.
A.C.O.D. is a special, miraculous film and the exact reason why you come to the Sundance Film Festival. It’ll leave you happy and high on the power of comedic cinema. Read more after the jump and watch a video blog. Read More »
It’s weird to see a trailer for a film that feels like it has to throw out a recap definition of the Weather Underground, that group of radical leftists who in the early ’70s embraced violent tactics (riots, bomb attacks on banks and government buildings) in order to protest government actions and argue for revolution. But time marches on, and audiences don’t remember everything.
That said, the trailer for The Company You Keep actually argues that time does not march on, as it follows the efforts of a dogged young newspaper reporter (Shia LaBeouf) as he tracks an at-large WU member (Robert Redford) after the arrest of another formerly free suspect (Susan Sarandon). Redford directed based on a script by Lem Dobbs (The Limey, Haywire) and the trailer makes it look like a pastiche of classic Redford political thriller hits All the President’s Men, and Three Days of the Condor.
There’s an appeal to that classic thriller style, however, and the large cast (Julie Christie, Sam Elliott, Brendan Gleeson, Terrence Howard, Richard Jenkins, Anna Kendrick, Brit Marling, Stanley Tucci, Nick Nolte, and Chris Cooper also appear) lends a real prestige feel to the proceedings. Check out the first trailer below. Read More »
How I Met Your Mother star Josh Radnor made his feature writing and directorial debut with Happythankyoumoreplease. The film is charming and “cutesy” and while it won the Audience Award at the Sundance Film Festival that year, I didn’t love it (the film was later critically panned, receiving a 40% on Rotten tomatoes).
Radnor’s second feature Liberal Arts premiered at the 2012 Sundance Film Festival and impressed me much more. The film stars Radnor as a 35-year old bookworm who develops a relationship with a College sophomore played by Elizabeth Olsen. The movie also features Richard Jenkins, Allison Janney, John Magaro, and Elizabeth Reaser. It was met with a long standing ovation at the premiere. Germain Lussier, who was at the festival with me, compared Radnor to Cameron Crowe. High praise, eh? Good enough to earn a quote in the official trailer, which is now online and can be consumed embedded after the jump.
Read More »
With Cannes just around the corner we’re going to start seeing even more clips and trailer from some of our most anticipated movies of the year. One of the big ones is Killing Them Softly, the third feature film from Andrew Dominik (Chopper, The Assassination of Jesse James by the Coward Robert Ford) that was formerly titled Cogan’s Trade. We haven’t seen any footage at all from this one yet, so the clip below is a first look.
The film features Brad Pitt as a mob enforcer on the trail of a couple guys (Scoot McNairy, Ben Mendelsohn) who ripped off the wrong card game. None of those guys are in this first footage from the film, however. Rather, we see Sam Shepard and Slaine showing up at Ray Liotta‘s house, where they rough him up for some reason. The scene is pretty basic, but the way the camera moves past the action really marks this as Dominik’s work — he’s not a guy to engage a scene in the obvious manner. It’s a great little shot. Read More »
When Alfred Hitchcock’s Psycho opened in 1960 it was carried into theaters on a wave of advertising that commanded audiences to keep mum about the story’s surprising elements. Thanks in part to that ad campaign, Psycho became a hit that changed horror films even as it legitimized them. The mainstream horror genre quickly developed around a codified set of tropes, character archetypes and specific rules that, fifty years later, are tiresome in their predictability.
Marketing for The Cabin in the Woods, from director Drew Goddard and his co-writer Joss Whedon, exploits some of that same “don’t tell friends how it ends!” PR mode. But that’s just a smokescreen. Goddard and Whedon aim to demolish the archetypes born in the wake of that early popularization of horror, and in doing so bring a sense of spontaneous fun back to the genre.
The pair succeeds spectacularly. The Cabin in the Woods is a blast. It’s a film for anyone who feels the spark has gone out of horror. This movie is clever and quite self-aware, and it has very specific ideas about what caused horror to fall into rote patterns. As they get around to explaining just how horror turned into what it is today, Goddard and Whedon give the audience a chum bucket full of the thrills it wants, but also argues that playing by the rules is the wrong way to go. Read More »
Cool Posts From Around the Web:
Posted on Thursday, March 22nd, 2012 by Angie Han
Brad Anderson‘s The Hive has cast its first non-Halle Berry role. Abigail Breslin has just signed on to the Rich D’Ovidio-scripted thriller, which will enter production in Los Angeles this summer. Berry plays a 911 call operator who comes face-to-face with her own worst fears as she tries to save a teenage girl (Breslin) from a vicious killer.
Breslin’s switched easily between genres over the course of her career, but she has relatively few straight-up thrillers under her belt so The Hive represents a bit of a change of pace for her. Breslin is currently shooting Ender’s Game, from director Gavin Hood. [Variety]
After the jump, the stellar comedic cast of A.C.O.D. somehow gets even better, and Marcia Gay Harden gets a job in Get a Job.
Read More »