YouTube user TheToaster2006 has created a supercut of film characters reciting the alphabet, one movie for each letter of the alphabet. Hit the jump to watch the video now.
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With Oscar nominations less than two weeks away, one of the films that’s slowly been gaining momentum is Ben Affleck‘s fall hit The Town. The Boston-set heist movie was a hit with audiences and critics alike and, due to the fact that it’s been on DVD for a few weeks, it’s getting more buzz as a possible Best Picture nominee and for its supporting performances, most notably that of last year’s Best Actor nominee Jeremy Renner.
Being as it’s that time of year to not only give out awards, but also do top ten lists, Affleck – who not only starred in, but directed the film – put together his top eleven heist films of all time for The Daily Beast. It’s a very cool list that not only has a bunch of more modern films, but a few more obscure ones as well. Read More »
Posted on Thursday, December 30th, 2010 by Russ Fischer
“Dick, dick, dick, dick, dick, dick, dick, dick, dick.” “How many dicks is that?” “A lot.”
Quentin Tarantino pretty much embedded the idea of a porn version of Reservoir Dogs in the dialog for the film’s talky opening sequence. And while the idea of porn parodies of popular films is all but comically bankrupt, I’ll admit there’s some brief amusement value in thinking about the porn version of, for instance, the sequence where Mr. Orange is bleeding like a pig all over the back seat of Mr. White’s car. (Or did Catherine Breillat already do that in Anatomy of Hell?)
Still: a porn Reservoir Dogs? Yawn. But then this became post-worthy when I saw that the running time of the film is planned for three hours. I guess that’s what happens when you try to smash together a 99-minute dialogue-heavy story and a full-length porn film. If you want the dirty details, they’re after the break. Read More »
Posted on Thursday, July 8th, 2010 by Peter Sciretta
If you’ve been reading /Film for a while, then you know that I love good movie-inspired art. And the superbowl of movie art is Crazy4Cult, an art show put on every year by Gallery 1988 in Los Angeles. This year’s show will open on July 9th, and we have seen the first batch of artwork premiere online. For years I’ve been writing about the show, and posting and buying the art online. I’m super excited because this year I’ll be able to attend the event since I now live in Los Angeles.
Last week I posted the first compilation of the artwork from the show, including new pieces from Eric Tan, Dave Perillo, Tom Whalen and more. Click here to see Part 1!
Today I’ve returned to bring you a collection of art pieces which have since come online. Believe me, if you like movie art, hit the jump!
Pajiba has edited another wonderful montage of movie clips, this time compiling the 100 greatest movie insults of all time in under 10 minutes. Watch the video now embedded after the jump.
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Current TV’s Rotten Tomatoes internet show takes a look at Quentin Tarantino‘s Reservoir Dogs and the similarities to the Chung Yun-Fat‘s 1987 Honk Kong action film City On Fire. This, of course, isn’t a new observation. To fill in the history, here is wikipedia:
Reservoir Dogs was, according to Tarantino, his version of Stanley Kubrick’s The Killing. Tarantino himself said that he “[...] didn’t go out of my way to do a rip-off of The Killing, but I did think of it as my Killing, my take on that kind of heist movie”. The film’s plot was suggested by the 1952 movie Kansas City Confidential. Reservoir Dogs has also been accused of plagiarism, specifically Ringo Lam’s 1987 film City on Fire, and has even been accused of lifting entire scenes from this film. Additionally, Joseph H. Lewis’s The Big Combo inspired the scene where a cop is tortured in a chair. Tarantino has denied that he plagiarized with Reservoir Dogs instead claiming that he does homages. Also the main characters being named after colors (Mr. Pink, White, Brown, etc.) was first seen in the 1974 film The Taking of Pelham One Two Three.
Watch the video embedded after the jump, and vote in the comments below: Reservoir Dogs – Homage or Stealing?
If you’ve seen more than one movie by Quentin Tarantino, then you’ve surely noticed his signature POV trunk shot. The shot even has its own wikipedia page (take that Scorsese Squeeze!). Here is the background from wiki:
The Trunk shot is a camera angle used in cinema when one or more characters need to retrieve something or someone from the trunk of a car. … This camera angle is often noted to be the trademark of film maker Quentin Tarantino who disputes that he puts the shot in his films as a trademark and simply asks “Where would you put the camera?” Although he did not invent it, Tarantino popularized the trunk shot, which is featured in Reservoir Dogs, Pulp Fiction, Jackie Brown, and Kill Bill. In Death Proof, Tarantino’s traditional shot looking up at the actors from the trunk of a car is replaced by one looking up from under the hood. In Inglourious Basterds a “trunk shot” is used two times when Aldo Raine (Brad Pitt) crouches over a captured Nazi with one of his soldiers, cutting a swastika into their victim’s forehead (the shot is supposed to be the victim’s point of view).
After the jump you can see an image that collects all of Tarantino’s Trunk Shots. It first appeared on Reddit but has been making its way around the interwebs yesterday.
VOTD: Quentin Tarantino on DePalma/Scorsese, Shooting Reservoir Dogs, and How Avatar Would Have Changed Kill Bill
Posted on Monday, February 8th, 2010 by Peter Sciretta
Jeff Wells has posted three awesome clips of Quentin Tarantino telling stories from the Directors on Directing panel in Santa Barbara this weekend. I’ve embedded all three after the jump. The first clip is about how directors raise the bar on each other and Tarantino recounts a story Brian DePalma told him about Martin Scorsese and Blow Out vs. Raging Bull. The second story is about how he had to prove himself the first week directing Reservoir Dogs. And the third story is about how James Cameron‘s Avatar might have affected Kill Bill if it had been released first. I could listen to Tarantino tell his stories all day long (which reminds me, why doesn’t XM/Sirius hire this guy to do a weekly one-hour satellite radio show?) Watch the clips after the jump.