Posted on Thursday, September 6th, 2012 by Angie Han
There was a time when it was tough to avoid seeing Renée Zellweger at the multiplex, but these days you couldn’t find her if you tried. She hasn’t appeared in a movie since 2010′s My Own Love Song, which despite being Olivier Dahan’s follow-up to La vie en rose flew mostly under the radar. The occasional Bridget Jones’s Baby update aside, her name has seldom cropped up over the past few years.
But now she’s eyeing a return to the big screen, and her plans this time are more ambitious than ever. Zellweger is set to star in and make her directorial debut with 4 1/2 Minutes, a comedy based on the life and comedy of stand-up Dov Davidoff. Johnny Knoxville is attached to play the lead. More after the jump.
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Posted on Friday, February 3rd, 2012 by Angie Han
An Insidious sequel has been all but inevitable ever since the film grossed $97 million worldwide on a $1.5 million budget, putting cartoon dollar signs in studio execs’ eyes. We got our first sign that the wheels were in motion when Sony locked down related domain names like insidious2movie.com late last year, and now things are officially moving forward. Director James Wan and scribe Leigh Whannell are in talks to return for a new Insidious film, with Jason Blum set to produce. Brian Kavanaugh Jones, Oren Peli, and Steven Schneider will executive produce.
There’s no word yet on whether stars Patrick Wilson and Rose Byrne will reprise their roles for the sequel. But for what it’s worth, Wilson apparently likes working with Wan — the two are already planning to reunite for a different horror project, formerly titled The Conjuring. No plot details for Insidious 2 (or whatever it’ll be called) have been revealed at this time, though the first film’s ending could easily serve as a setup for a follow-up.
After the jump, Bridget Jones’s Baby hits a speed bump but plans to soldier on.
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Two months ago, Bridesmaids director Paul Feig decided he didn’t want to helm the third Bridget Jones movie, leaving the project without a director. The film had a script and a star-studded returning cast, but was left in search of someone to give it a more “British sensibility.” That person has been found.
Peter Cattaneo, who most recently directed Rainn Wilson in The Rocker but also was Oscar-nominated for directing The Full Monty, will direct the third fil. The movie is now called…wait for it…. Bridget Jones’s Baby. There’s more after the break. Read More »
Both Renee Zellweger‘s grocery store manager and nutritionist are having a very good day. They’re each sure to make a ton of money now that the Oscar-winner is going to have gain, and subsequently lose, weight for a third film playing Bridget Jones. Entertainment Weekly broke the news that Working Title Pictures is moving ahead with a third film in the series about an adorable English woman who is unlucky in love, though there’s no word if Paul Feig will actually direct as previously rumored.
The character, created by Helen Fielding, spawned two books and movies, both of which were international hits: Bridget Jones’s Diary in 2001 and Bridget Jones: The Edge of Reason in 2004. Read more about what the story could be after the jump. Read More »
The oversized success of Bridesmaids instantly turned Freaks & Geeks veteran Paul Feig into a big director in Hollywood. He’s already got possible foll0ow-up projects brewing, including one comedy that would see him working again with Bridesmaids breakout star Melissa McCarthy. But his next film may not even be made in Hollywood, as one report says he’s in negotiations to make a third Bridget Jones film. Read More »
We’re mere days removed from the season four finale of Mad Men and show creator Matthew Weiner is already getting busy – but not with Don Draper. Word is that his directorial debut film, You Are Here (not to be confused with I’m Still Here or I’m Not There), is once again ramping up production with Jack Black, Matt Dillon and Renee Zellweger all attached to star. There’s also reportedly an offer out to Rachel McAdams. After the jump, we’ll tell you what the film is all about and more. Read More »
From time to time, we like to point out articles in other publications and websites which might be of interest to the /Film readers. This weekend the Los Angeles Times published an article titled “Hollywood’s little secret: movie purgatory” which uses the recently released Case 39 (the supernatural horror film starring Renée Zellweger and Bradley Cooper which was shot in 2006) to talk about the growing Hollywood practice of shelved movies.
“Case 39″ was stuck in a little discussed corner of the industry: movie purgatory, where films with marketable stars — not just Cooper but Matt Damon, John Cusack, Eddie Murphy and Mel Gibson — can linger for months, even years, trapped by marketing disagreements, creative clashes, executive shuffles, money shortfalls or the judgment that they are such surefire flops that it makes no sense to throw good money after bad and distribute them.
In a larger sense, experts say, the trend speaks to the financial house of cards that is the feature film these days. Although they seem to arrive by the bundle at the multiplex every weekend, studio-produced movies now take more time and money to make and market than ever before — and then go before an ever-smaller and more fickle theater-going audience. In the old days of movie distribution — say, the early 2000s — many orphaned movies might have been granted a pass out of purgatory with a direct-to-DVD release. But the cratering of the home video market makes that less economically attractive. A direct-to-DVD release also risks offending the sensitivities of stars and other creative people the studios want to work with again in the future. These shelved movies often have their champions, who might note that at least one modern classic, “Diner,” and one recent Oscar winner, “Slumdog Millionaire,” were temporarily orphaned. But often these champions find themselves speaking into a void.
You can read the full article on LATimes.com.
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If the trailer for Case 39 looks like a time capsule, that’s because it is. The film was shot in 2006, at a point when it looked more weird to see Bradley Cooper in a leading role, and less weird to see Renee Zellweger onscreen at all. Now the film is finally close to being released, on October 10, and so there’s an all-new trailer for the rather old film. Read More »