Posted on Tuesday, August 17th, 2010 by David Chen
This week, David Chen, Devindra Hardawar, and Adam Quigley wonder about the other ways that Return of the Jedi might have ended and compare The Expendables unfavorably to Scott Pilgrim vs. The World. Special guest Jeff Cannata joins us from The Totally Rad Show.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us next week on Monday night at 9 PM EST on Slashfilm’s live page as we review Piranha 3D or The Good The Bad and The Weird (one of those, probably).
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I know there’s resistance to Red based on the fact that the film looks quite a bit different from the Warren Ellis comics upon which it is based. I haven’t read the comic, so can only approach the film based on what I see — and I really enjoy the stuff we’ve been shown so far. There’s one trailer already, and a second premiered today in conjunction with the film’s appearance at the San Diego Comic Con. Read More »
It’s been a while since our last movie poster round-up, so let’s get to it! In today’s edition we have new theatrical one-sheets for James Franco‘s Howl, an unrated NSFW poster for I Spit On Your Grave, the final poster for the 3D computer animated film Alpha and Omega, Philip Seymour Hoffman‘s directorial debut Jack Goes Boating, four character posters for the comic book adaptation of Red featuring Morgan Freeman and Bruce Willis, the big screen documentary adaptation of the book Freakonomics, eight character posters for Zack Snyder’s 3D computer animated adaptation of Legend of the Guardians: The Owls of Ga’Hoole, and an alternative poster for Piranha 3D, and six character poster for the big screen feature adaptation of Robert Rodriguez’s Grindhouse trailer Machete.
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Eventually, AMC will release something for The Walking Dead that I think doesn’t look great, but it hasn’t happened yet. There’s a good piece of art to promote the show’s debut at Comic Con, which you can see in part above, from IGN.
See the whole image after the break, along with the first character poster from Red. Read More »
The programing schedule for the 2010 San Diego Comic-Con international will begin to be revealed later this week. But for now, we’re starting to get a glimpse at some of the panels and programing to expect at this year’s con. Universal Pictures, Summit Entertainment and Showtime have announced their panels, which will include a presence from movies such as Scott Pilgrim vs. the World, Paul, Red, Drive Angry 3D, and television series such as Dexter, Weeds, Californication and Nurse Jackie. Read the full details, after the jump.
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I would never have guessed that the director of Flightplan and The Time Traveler’s Wife might turn out the most entertaining-looking under the radar comic book adaptation of this summer. But I grinned all the way through the trailer for Robert Schwentke‘s Red, which adapts Warren Ellis‘ graphic novel about a group of retired CIA agents. Check it out after the break. Read More »
On Easter Sunday, I landed in New Orleans to sweat and drop by the set of RED, yet another comic book adaptation, but one packing the following A-list cast:
Bruce Willis, Morgan Freeman, John Malkovich, Helen Mirren (as a tea-sipping sniper with a 50-cal machine gun), Mary-Louise Parker, Star Trek’s Karl Urban, Brian Cox, Richard Dreyfuss, Nip/Tuck‘s Julian McMahon, and Ernest Borgnine
And I would be remiss not to list the movie’s possible scene hog: a stuffed toy pig with wild eyes toted around by Malkovich’s character…a paranoiac-genius. Shocked? The movie, due in October, is loosely based on a very lean 2003 WildStorm comic book series by Warren Ellis and artist Cully Hammer, whom we spoke with on set. Willis stars as a retired assassin named Frank Moses, a hermetic, once-valuable man now wanted dead by pesky/shady forces. Naturally, Moses seeks defense and camaraderie from a badass crew of vets (Malkovich, Mirren, and Freeman). The film, described as “hard PG-13,” is directed by Robert Schwentke, best known for the Fincher-aping Flightplan.
RED is an acronym for Retired Extremely Dangerous, and the ensemble aspect means the end product should comfortably fit into the current action zeitgeist of grizzled, last hurrah actioners (The Expendables) and specialized, quick-quip posses (The A-Team). However, on set producers compared the tone not to other genre properties but to Ocean’s Eleven with a splash of True Lies. Ellis and Hammer have both publicly endorsed the decision to forgo their comic book’s bloody, quasi-polemic seriousness in addition to much of the storyline (wherein Moses was a lone wolf). After the jump are thoughts from producer Lorenzo di Bonaventura (Transformers, Constantine), and my own observations (excluding a strip club excursion later that night with various web editors). Look for interviews with several cast members, including an expletive-liberated Willis in top form, closer to release.
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Comic co-creator Cully Hamner has posted the on-set logo for the big screen adaptation of the DC Comics/Warren Ellis graphic novel Red on his blog. Of course, the temp logo, which appears on the chairs on the New Orleans set, looks almost exactly like it does on the comic book covers. Check out a close-up, after the jump.
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Principal photography on the big screen adaptation of the DC Comics/Warren Ellis graphic novel Red has begun in Toronto. Summit Entertainment has issued a press release, which includes details on the full cast/crew. You can read the release after the jump.
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