Briefly: When Lionsgate bought Summit, we heard that there could be a continuation or re-do of the Twilight series at some point in the future, and one of the possibilities seemed like it could be based on TV.
Now we can add a few more possible film-to-TV developments to Lionsgate’s list. In a conference call today, CEO Jon Feltheimer said that two properties acquired in the Summit buy, Red and Step Up, are in consideration for TV development alongside The Expendables. While Deadline notes that the Stallone action films weren’t explicitly mentioned by Feltheimer today, the site has been told that’s on the list as well.
Developing The Expendables would seem to hinge on what talent could be corralled for the show. Maybe Chuck Norris could make this his coda to Walker, Texas Ranger. Or Terry Crews could make it his own. Since the film series is all about the big collection of name actors, doing the show without that cache doesn’t seem to have much of a point. Red is in a similar position, as the name actors in that film (one of whom, Bruce Willis, is also part of The Expendables) were the biggest draw for many audiences.
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Red, the 2010 film that starred Bruce Willis, Morgan Freeman, Helen Mirren, and John Malkovich as aging black-ops agents, seemed like the sort of film that might just fade away. Directed by Robert Schewntke, who went on to direct R.I.P.D., the movie was neither bad nor particularly compelling — if it lived up to the promise of its cast and concept, it did so only somewhat.
But a sequel is still happening, and today Summit Entertainment sent out a press release announcing the return of major cast members for Red 2, with the addition of Catherine Zeta-Jones and Byung-Hun Lee (G.I. Joe: Retaliation). Read More »
This Week in DVD & Blu-ray is a column that compiles all the latest info regarding new DVD and Blu-ray releases, sales, and exclusive deals from stores including Target, Best Buy and Fry’s.
ENTER THE VOID
Enter the Void is unlike anything I have ever seen or experienced. It’s a one-of-a-kind work of stunning ambition and passion—a psychedelic trip through one man’s drug-fueled perception of his life, his death, his afterlife, and his rebirth. This is not a film to be taken lightly. From its dizzying, techno-charged opening credits onward, it assaults the senses, immersing you (whether you like it or not) into a soulless abyss of life-altering despair, vacuous sex, vibrant neon cityscapes, and obsessive existential desires. For many, it will be a confounding, interminable bore, so indulgent in its own sensual kineticism that it fails to conjure up a satisfying, coherent narrative. Such a reaction is understandable, but with the current antiquated need for the same strict storytelling structure in every film, Gaspar Noé’s soaring, perspective-bending journey through an ethereal Tokyo dreamscape marks exactly the sort of unrestrained madness that today’s jaded moviegoers should be celebrating. It isn’t just the greatest visual achievement since 2001: A Space Odyssey—it’s one of the greatest achievements in cinema, period.
Available on Blu-ray? Yes.
Notable Extras: DVD & Blu-ray – Deleted scenes, VFX, Vortex, DMT, Posters, and Teasers/Trailers/US Trailer/Unused Trailers.
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Collider landed a nice, big exclusive today when they found out Summit Entertainment has brought back Jon and Erich Hoeber to write a sequel to the hit action comedy Red. The Hoebers have been pretty busy as of late, helping penning the Sam Worthington vehicle Man on a Ledge as well as the upcoming human vs. alien board game adaptation Battleship by Peter Berg. They also wrote the Kate Beckinsale bomb Whiteout.
Red is Summit’s highest grossing film of all time without the word “Twilight” in the title, raking in about $164 million worldwide, so it makes sense to let audiences know what happens next. Read more after the break. Read More »
Posted on Tuesday, October 19th, 2010 by David Chen
This week, Peter Sciretta, David Chen, Devindra Hardawar and Adam Quigley praise Frank Darabont’s The Walking Dead, discuss the groundbreaking 3D of Jackass 3D, and lambaste the MPAA’s ridiculous Blue Valentine NC-17 rating.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us on Sunday (10/24) at 10 PM EST / 7 PM PST at Slashfilm’s live page as we review Paranormal Activity 2.
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Posted on Friday, October 15th, 2010 by David Chen
In the past six months, we’ve seen several films attempt to successfully execute the person-falls-in-love-with-someone-who-turns-out-to-be-a-spy formula, with mixed results. Robert Schwentke’s Red (based on the Warren Ellis graphic novel of the same name) is the latest entry, boasting an all-star cast headed by Bruce Willis.
So does Red have anything new to add? Hit the jump for a few of my thoughts and leave your own in the comments below. As usual, spoilers follow after the break.
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WildStorm/DC Comics has given us an exclusive look at the cover art to the four prequel comics for the upcoming big screen adaptation of RED. The art for all of the covers is done by RED co-creator Cully Hamner. All four hit comic shops on September 15th. Images and synopses for each one-shot comic can be found after the jump.
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Briefly: Robert Schwentke‘s movie Red is evidently testing well, and I’ve heard great things about it from a few people who’ve seen big chunks of the movie. (And it’s doing well enough that Schwentke is now up for gigs like Wolverine 2.)
But the film isn’t quite done, and the director is down in Louisiana this weekend with Bruce Willis and John Malkovich to shoot a new scene for the film. THR says this isn’t a reshoot in the usual sense. Rather, it is an addition to the movie: a one-minute gag that will (presumably) be an after-credits tag.
I know there is some resistance to the film based in part on the fact that it seems to seriously depart from the comic upon which it is based. But look at the cast: Willis, Malkovich, Morgan Freeman, Helen Mirren, Mary-Louise Parker, Julian McMahon, Richard Dreyfuss, Ernest Borgnine and Brian Cox. That’s a hell of a lineup, and I can’t wait to see them romping through what looks like a sort of action farce.
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