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This past April saw the release of writer/director Jody Hill‘s first official Hollywood feature entitled Observe & Report. The film is an uncompromised portrait of a young mall-cop riding the peaks and valleys of bi-polar disorder like a vigilante daydream set to Queen‘s Flash Gordon theme. In the lead, Seth Rogen gave his most memorable and invested performance since a scathing-eyes debut on Freaks and Geeks.

On top of that, Observe‘s production design was deliberately unglamorous; its depictions of a troubled, goofy main character and firearms bordered, at times, on misanthropic endorsement. Hill’s script and direction managed to flesh out an endlessly talented supporting cast (Anna Faris, Aziz Ansari, Patton Oswalt, Ben Best, Danny McBride, Ray Liotta, Michael Peña, Collette Wolfe) in a decidedly untypical comedy. Many critics and viewers didn’t know what to make of it. Far too many critics said, “I liked it, but it’s not for everyone.” Movies as Joe Viewer trough? Moreover, gallons of digital ink were wasted on a bullshit, hit-fueled “rape controversy,” in yet another growing-pain display of male movie writers as over-sensitive guardians of today’s PC-gates.

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