One of Sylvester Stallone‘s signature film series, Rambo, is trotting down the path to television, and Sly is in talks to consult and potentially star. Entertainment One and Nu Image, the company with which Stallone has worked on The Expendables films, will partner to develop and produce a TV series based on the character.
Update: Stallone’s reps talked to THR, and were scornful of the idea of Stallone appearing in the TV series. The quote is below.
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Action films in the Eighties were extremely distinctive. The featured big muscle-bound men accomplishing insurmountable tasks, decorated with squirting blood, massive guns and fists to the face. The names are legend: Arnold Schwarzenegger, Sylvester Stallone, Jean Claude Van Damme, Chuck Norris. The films are revered: The Terminator, Bloodsport, Commando, Cobra, Rocky III, RoboCop, Rambo, Aliens. And now Spoke Art has teamed up with artist Jon Smith to create an art exhibit that’s all about the craziest era in action film history.
It’s called Mucho Machismo: First Blood Part One and features works by Godmachine, James Flames, Tim Doyle, Methane Studios, Gabz, Alan Hynes and many others. The show opens in Oakland, CA Friday September 7 and will remain on display through September 28. Check out an exclusive gallery of images featuring all those films above and others after the jump. Read More »
Artist Tim Doyle talks his The Vietnam War Movie Memorial art:
“I was asked to participate in an artshow that is also a fundraiser for a documentary about VHS art, and this is the piece I created for it. VHS will always hold a special place in my memory. … Recently I had to re-watch Full Metal Jacket and another Vietnam War movie for poster assignments (the second one is not yet released, fyi) and I got to thinking about how much of our understanding of war in this country is filtered through the for-profit lens of Hollywood. And frankly, I think it’s gross. Multi-million dollar star vehicles showing us all how awful war is, but still with a slight sense of humor and a moral at the end, and the star never comes home with a permanent brain injury or a lost limb. It’s these celluloid fantasies that help shape and sell the narrative of how we in America “understand” what’s going on in all those other countries we can’t spell properly. Many of us here don’t even personally know the name of a soldier serving now, much less one that has died in a past conflict. Do I hate war movies? Heck no. They can be great fun, great social commentary, and depress the hell out of you. They can also exploit, lie, and whitewash. But no one should ever mistake them for what they are- complete fiction. Even the ‘true’ stories aren’t really true. So all of the above was kicking around in my head when I created the above piece. I hope it offends the right people and the original intended message comes through. “
Nakatomiinc is selling a 18×24 hand printed silkscreen print of Doyle’s Vietnam War Memorial, signed and numbered in an artist’s edition of 50.
Grant McCune, one of the five Oscar winners for Best Visual Effects for the original Star Wars, passed away this week at the age of 67. The father of two, who specialized in models and miniatures, got his start working for Steven Spielberg on Jaws before working on Star Wars all the way up through Sylvester Stallone’s Rambo in 2008. Read more after the jump. Read More »
During the Comic Con panel for The Expendables, it was difficult to tell if Sylvester Stallone was joking when he said that the whole point of doing The Expendables was that he got greedy. Seemed like a joke at the time. But now might might see reports highlighting how Stallone is reportedly pondering a prequel to First Blood that would star a younger actor. Given that Sly has said he was done with Rambo, that might make the ‘greedy’ comment seem less like a joke.
But wait — this ‘pondering’ is probably less noteworthy than some make it sound. Read More »
Ever since Sylvester Stallone turned most of the adult male population of Burma to bloody gibs in his return to the Rambo character, there has been talk of a fifth Rambo film. Just what the story might be has been subject to speculation. Rumors abounded of a homecoming tale, a film tinged with sci-fi, and, based on one of Stallone’s last updates, a south of the border tale in which Rambo finds or avenges missing women.
Now, however, it seems like there are no possibilities for Rambo any longer. Stallone says he’s “99% sure” the fifth film won’t happen. Read More »
It’s a crazy, mixed up world and we are thankful for movies, sans The Tooth Fairy, that offer proof. Weekend Weirdness examines such flicks, whether in the form of a new trailer for a provocative indie, a mini review, or this…
Variations on the utterance, “I wish there was something to do,” number in the hundreds to thousands daily in New York City. It’s a minor grumble that can be overheard even as many a boredom-stricken city dweller is in a bout of multi-tasking worthy of a wintery-layer-obsessed Inspector Gadget. These frequent sentiments both ignore and are at the source of the unbridled creativity occurring around them: somewhere in the city, people are launching unrelated search-and-destroys on boredom in new ways. In the case of a determined 20something actor and filmmaker named Zachary Oberzan, it was via a feature-length adaptation of First Blood…set entirely in a 220-square-foot Manhattan apartment and starring himself as roughly two dozen male and female characters. The resulting film—which cost $96, was made over seven months, and was edited by Oberzan in Final Cut Pro—is called Flooding with Love for the Kid.
In the role of iconic Vietnam vet John Rambo, Oberzan ostensibly fought the law and the law won. Which means Oberzan still won, because they are one in the same and so forth. In a superlative scene in Flooding, Oberzan is show on screen as six different armed men firing shotguns at Rambo in a display of deliberately amateur but charming effects. That the scene, like most of the film, is set deep in a Kentucky wilderness conveyed by makeshift twigs and grimy urban brick should be a lame or childish sight to the grown viewer. Instead, the scene is genuinely suspenseful, partially due to the claustrophobic restraints, and packs just enough Dogme-esque realism to earn a smile. Flooding is currently a subject of fun chatter in NYC, and has even been intensely praised by Rambo’s creator, First Blood author David Morrell.
Unlike Sylvester Stallone‘s 1982 classic actioner, Oberzan made use of Morrell’s original ending, in which Rambo and the relentless sheriff on the hunt for him both die. /Film chatted with Oberzan about the multiple meta meanings at the heart of Flooding‘s faithful conclusion and about many other aspects of his memorable, irony-free creation. A clip from the film and the interview after the jump…
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Posted on Tuesday, September 8th, 2009 by David Chen
In this week’s /Filmcast, Dave Chen, Devindra Hardawar and Adam Quigley reflect on the prospect of a fifth Rambo film, assess the merits of Mike Judge’s Extract and Robert Siegel’s Big Fan, and try to dissect the Boondock Saints phenomenon. Special guest Jordan Hoffman joins us from UGO Movieblog.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us next Monday at 9 PM EST / 6 PM PST at Slashfilm’s live page as we review Shane Acker’s 9.
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