Posted on Thursday, January 29th, 2015 by Angie Han
Jessica Jones has a new bestie. Rachael Taylor has just boarded Netflix’s AKA Jessica Jones as Patricia “Trish” Walker. In the comics, Trish Walker takes on the superhero identity Hellcat. More on the AKA Jessica Jones Rachael Taylor casting after the jump. Read More »
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Posted on Saturday, October 15th, 2011 by Angie Han
Our last couple editions of TV Bits have been filled with mostly good news, but today’s is more of a downer, what with shows getting axed, a guy getting hurt, and, well, do you consider a Fred Durst sitcom bad news? At least AMC has some nice things to offer, including a new trailer for Hell on Wheels and some intriguing dramas in the works.
After the jump:
- Charlie’s Angels and Memphis Beat get cancelled
- Olivia Wilde leaves House
- Transporter star Chris Vance gets injured
- Fred Durst signs a deal with CBS
- Hell on Wheels gets a new trailer
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Posted on Thursday, September 15th, 2011 by Angie Han
Probably the most intriguing aspect of the Timur Bekmambetov-produced alien invasion flick The Darkest Hour is the film’s unique take on aliens. Unlike your typical movie ET, these otherwordly baddies take the form of “lethal wave energy” that renders them invisible, and therefore extra dangerous, most of the time. And when they do catch up with their prey, their unusual makeup also allows them to kill off the human protagonists in creative and nifty-looking ways. These aliens aren’t content to just maim or kill — any creature with the misfortune to fall into their path disintegrates completely.
Sound cool? The marketing team behind the movie thinks so, too, as indicated by their choice to feature an alien attack as the focus of the motion poster. Directed by Chris Gorak, The Darkest Hour stars Emile Hirsch, Max Minghella, Olivia Thirlby, and Rachael Taylor as a group of friends who find themselves stranded in Moscow after a crushing alien attack. Check out the motion poster after the jump.
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We’ve been teased for some time with info and concept images from The Darkest Hour, the sci-fi film in which Emile Hirsch is trapped in Moscow fighting ball-lightning aliens who have come to take all of our precious energy. The trailer dropped earlier this week, and it seems to hide the ‘true forms’ of the aliens pretty well — if in fact they have true forms beyond being flashes of energy. But a closer look suggests that there is definitely more to be seen, and a couple of images will point that out after the break.
A note: this isn’t some grand reveal, as the images below are right in the trailer. But they pass quick enough that people who only gave the clip a cursory glance might not have noticed the detail. That said, proceed! Read More »
Posted on Wednesday, August 3rd, 2011 by Angie Han
We’ve already gotten a couple of glimpses at The Darkest Hour, but concept art and one unremarkable photo can only tell us so much. It doesn’t matter how nifty the concept art looks if the ideas fall apart in translation, and that image (above) of star Emile Hirsch cowering behind a car could be from any film set in Moscow. So I’m happy to get our first really good look of what to expect from Chris Gorak‘s Timur Bekmambetov-produced alien invasion film, in the form of a trailer. Check it out after the jump, along with a couple new pieces of concept art.
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The Darkest Hour, the new alien invasion film from producer Timur Bekmambetov and director Chris Gorak, is trying to differentiate itself from the scores of other alien films with a unique breed of invader: one made entirely of “lethal wave energy.”
It remains to be seen just how unique the film itself will be, but after getting a sneak peek at a trailer and some early concept art today at a Comic-Con press event, I can tell you it will at least look cool. The film centers on a group of young people — played by Emile Hirsch, Max Minghella, Olivia Thirlby and Rachael Taylor — who are visiting Moscow when the aliens attack. Together they have to figure out a way to survive and fight back against the aliens, who have no physical bodies and can vaporize them in an instant. Read More »
Posted on Thursday, June 2nd, 2011 by Angie Han
Shooting for the Farrelly Brothers‘ The Three Stooges has already begun in Atlanta, but it seems casting for the film isn’t over quite yet. Oscar winner Jennifer Hudson has just joined in the role of Sister Rosemary, a nun who works at the orphanges where the Stooges grow up. If you’ve been following the project, you’ll recall that her colleagues at the orphange will include Mother Superior, played by Jane Lynch, and Mother Mengele, played by Larry David. I’m going to go ahead and guess that Hudson will be playing the straight man within that holy trio — or as Deadline puts it, “the nice one.”
In addition to Hudson, Lynch, and David, the cast also includes Sean Hayes as Larry, Chris Diamantopoulos as Moe, Will Sasso as Curly, and Sofia Vergara as “a femme fatale.”
After the jump, Bradley Cooper agrees to butt heads with Ryan Gosling, and Rachael Taylor gets paid to sleep with James Marsden.
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ABC may have found its Angels. After an exhaustive search, Minka Kelly and Rachael Taylor are now finalizing negotiations to star alongside Annie Ilonzeh in the Charlie’s Angels television reboot, which is being overseen by Smallville creators Al Gough and Miles Millar.
You probably won’t recognize Ilonzeh, as her most notable role before now was on General Hospital. But Kelly and Taylor should be familiar, the former having starred in Friday Night Lights and the upcoming The Roommate, and the latter appearing in Transformers and Shutter. Learn more about their characters after the break. Read More »
Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
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