Most of us stop thinking about work as we enter the holiday season, but Hollywood actors and actresses are lining up their jobs for the new year. There is a whole bunch of casting news that’s recently been announced, much of it in the romantic comedy genre, and here’s the rundown.
Mad Men‘s Christina Hendricks and G4′s Olivia Munn will join Kelsey Grammer and Pierce Brosnan in the comedy I Don’t Know How She Does It, which stars Sarah Jessica Parker as a woman juggling her work on Wall Street with a family life. Parker herself is also joining the huge ensemble for Garry Marshall’s romantic comedy New Year’s Eve while Halle Berry is in negotiations for a role too. 30 Rock award winner Alec Baldwin is the latest actor circling a spot in the Broadway adaptation Rock of Ages. Everyone’s favorite Viper pilot, Battlestar Galactica‘s Katee Sackhoff will star in Sexy Evil Genius, which is about a girl who brings all her exes to the same bar. Rosario Dawson and Lynn Collins are now part of the high school reunion film Ten Year with Chris Pine and Channing Tatum and Ed Burns joins Megan Fox and Jon Hamm in Jennifer Westfeldt’s romantic comedy Friends With Kids.
A lot to digest, we know. There’s so much more info after the jump that you’d be crazy not to click. Read More »
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This isn’t a gag: Pierce Brosnan and his son Sean Brosnan are teaming up to co-star in a film called Bonded, which will see them in an “Oliver Twist-esque” thriller based on a story that took place in California in the early ’90s.
Mo Ramchandani directs and wrote the script about “a Mexican teenager called Jesus who, after the death of his mother, is sold by his father and smuggled into America, where he’s forced to work as a bonded slave labourer in a Los Angeles sweatshop.” There he befriends a young woman who is soon sold into sexual slavery, leading Jesus to attempt to rescue her. Both Brosnans will play cops. [The Wrap]
After the break, new roles for Toby Kebbell, Lukas Haas and Walton Goggins. Read More »
We haven’t reported much on The Greatest, which stars Carey Mulligan as the pregnant girlfriend of a young man (Aaron Johnson) who is killed in a car crash. When she tells his grieving family (Pierce Brosnan, Susan Sarandon, Johnny Simmons) that she’s pregnant with his child, they take her in, despite the objections of his mother. There is now a trailer for the US release, which you can see after the break. Read More »
Posted on Wednesday, February 24th, 2010 by David Chen
With all the controversy surrounding director Roman Polanski’s legal troubles, I was quite curious to see his most recent film, The Ghost Writer, which recently premiered at the Berlin International Film Festival and opened in limited release in the U.S. last weekend. I found it quite entertaining, a solid thriller with decent performances by leads Pierce Brosnan, Ewan McGregor, and Olivia Williams. Those looking for a political thriller with an all-star cast, a dash of humor, and some outlandish plot twists will probably find it a satisfying ride.
I had a chance to speak with Mr. Brosnan recently. We discussed his role in the film, the politics of The Ghost Writer, and Roman Polanski’s directing style. Hit the jump to read our interview. The Ghost Writer is already playing in NY and LA, and will expand wider beginning this Friday.
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There will be critics who call The Ghost Writer “a refreshing throwback to the taut political-conspiracy thrillers of the ’70s” and “an enjoyable treat that offers smart flashes of Roman Polanski in his prime,” and this praise, genuinely expressed or not, is unfortunate. Watching the film, I was convinced that had a “blind” screening been arranged—wherein a cinema-savvy audience was not aware of the director’s identity—hardly anyone would claim this a work by a masterful filmmaker. My personal guess would have been, “Ron Howard evoking Alfred Hitchcock—but has Howard lost his wet-fingered knack for the polished blockbuster? Either way, is this receiving a wide theatrical release?”
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The indie comedy/thriller Salvation Boulevard got an interesting trio of actors today: Pierce Brosnan, Ed Harris and Jim Gaffigan have all joined the cast. What’s the story? The film “is set in the world of mega-churches in which a former Deadhead-turned-born again-Christian finds himself on the run from fundamentalist members of his mega-church who will do anything to protect their larger-than-life pastor.”
Having lived in a couple areas spotted by mega-churches I kinda love this. George Ratliff is directing from a script he co-wrote with Douglas Stone, based on Larry Beinhart‘s novel Salvation Boulevard. I didn’t much like Ratliff’s last film, Joshua, but this cast is great and the story sounds like a good time. [Variety]
After the break, Susan Sarandon and Jaime King land new roles. Read More »
Within the next few years, you can safely expect to see just about every film genre reworked for teens — the last few that haven’t already been fed into the Teen Machine will be lined up right quick. Not that there’s anything wrong with that, necessarily. Skewing a film young doesn’t mean it will be crap as an absolute, by any means. But when is a teen movie not a teen movie? When the studio responsible buys a young lit property and then skews the character ages up into their 20s. When every other project lately is about skewing ages down, that’s a bit confusing.
The reason for all that preamble is that Warner Bros. has picked up the rights to Heist Society, a young-lit novel that will be published next week. Described as The Thomas Crown Affair for teens, the book could spawn a heist film for audiences for those who think the Oceans movies were too slow-paced. Read More »
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Boy-oh-boy is the trailer for Roman Polanski‘s The Ghost Writer melodramatic. This is some seriously loud filmmaking. It’s embedded beyond the break, but I suspect you can already feel it rumbling from up here.
The film is an adaptation of Robert Harris‘ thriller novel about a British Prime Minister based quite closely upon Tony Blair, and the nastiness that surrounds him. Pierce Brosnan is the PM and Ewan McGregor is the scribe called in the help him finish his memoirs after his last ghost writer dies in mysterious circumstances. It’s definitely a rather political story but the film seems pitched at a suitable level for easier, guilty-pleasure style consumption. Best of both worlds?
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