Consider this a courtesy report on the fact that New Line is making a film based on the Warner Bros. cartoon character Speedy Gonzales, with George Lopez providing the voice of the character. Because, like the Alvin and the Chipmunks movies, the Garfield films, et al, this one is a movie purely for the kids. As an adult who always thought the character was the worst of WB’s stable, this sounds awful.
Speaking of Garfield, the writers behind that first movie (Alex Sokolow and Joel Cohen) are writing Speedy, which will be a live-action/CGI hybrid. Anne Lopez, wife of George, says “We wanted to make sure that it was not the Speedy of the 1950s — the racist Speedy. [He’s] going to be a misunderstood boy who comes from a family that works in a very meticulous setting, and he’s a little too fast for what they do. He makes a mess of that. So he has to go out in the world to find what he’s good at.” My guess: he doesn’t become Mexico’s cultural ambassador to the UN. [THR]
After the break, Anjelica Huston and Philip Baker Hall help make the cast for Rogen and McAvoy’s upcoming ‘cancer comedy’ look more like one for a Paul Thomas Anderson movie. Could there be any more ridiculous story pairing? OK, sure there could, but it probably won’t happen today. Read More »
In a previous edition of Big Directors Small Films, we took a look at Paul Thomas Anderson‘s first film, a 1988 short fictional documentary that inspired Boogie Nights titled The Dirk Diggler Story. From there, Paul went on to attend New York University, but quit after only two days of classes. He became a production assistant on a bunch of made for television movies, television game shows and independent film projects. In this time he developed his second serious short film project made up of five vignettes set in a diner with Philip Baker Hall (who later went on to become a PTA regular) and Miguel Ferrer among the cast.
Cigarettes & Coffee premiered at the 1993 Sundance Film Festival, where he gained the attention needed to be accepted into the Sundance Institute’s filmmaker workshop program where he developed, adapted, and expanded the idea into his first feature film — Hard Eight. In this short you can see the early inspiration of Robert Altman, with Anderson cutting between three stories which somehow intersect. Many thanks to /Film reader Kendrick T who submitted the Vimo link over the weekend.