Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
Posted on Thursday, December 9th, 2010 by Russ Fischer
What is it with omnibus films of late? In the past few years there have been Chacun son cinema, New York, I Love You, Paris Je T’aime and a couple others. And now there’s a plan to put together a seven-part film about live in contemporary Cuba, called 7 Days in Havana. The hook here is the directorial lineup, which includes Benicio Del Toro and Gaspar Noe. That’s good enough for me — I’ll spend a week in Cuba with these guys. Read More »