Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
Posted on Tuesday, May 3rd, 2011 by Russ Fischer
So will the inevitable ‘Death of Bin Laden’ film be a gritty indie or big studio effort? As soon as President Obama announced that Osama Bin Laden had been killed, you know that studio execs started calling each other to figure out what properties were already in development that could be reworked as a movie about the killing of Bin Laden.
It was only an hour after the first announcement that the Al Qaeda leader was dead that Deadline ran a piece about two Bin Laden films that are close to a starting point. One is a Paramount film based on the book Jawbreaker, written by CIA operative Gary Bernsten, which is about the first attempt to kill Bin Laden in the initial invasion of Afghanistan that took place right after 9/11.
The other film is Kathryn Bigelow and Mark Boal‘s movie Kill Bin Laden — that’s the small ‘black ops thriller’ that the two have been prepping parallel to Triple Frontier. We heard months ago that the film might be about the hunt for Bin Laden, and while that news was denied at the time, turns out it was quite correct. And now it looks like Kathryn Bigelow will be the one to bring a Bin Laden movie to the screen first. Read More »