We tend to love Fantastic Fest, because it is the film festival that caters to audiences who like movies that are weird, strange, and totally fucked-up, but with a quality that puts the films in a rare category that isn’t just simple schlock or exploitation. Fantastic Fest will take place September 20-27 in Austin, Texas at the Alamo Drafthouse South Lamar, and a whole bunch of great films have been added to the lineup.

After the break you’ll find info on the great second wave of announcements, which includes Rian Johnson’s Looper, the anthology horror movie The ABCs of Death, and The American Scream, which is the new effort from Best Worst Movie director Michael Paul Stephenson. Then there is Leos Carax’s head-scratcher Holy Motors, which is one of the films I can’t wait to see, and Doomsday Book, the anthology from South Korea that includes new work from Kim Jee-woon. Read More »

.

Please Recommend /Film on Facebook

Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?

Read More »

Cool Posts From Around the Web: