A lot of you probably might not recognize Mark Romanek‘s name, but you’ve almost certainly seen his work. He was probably one of the best music video directors to come out of the 1990’s. His videos have included Nine Inch Nails’ “Closer”, “Scream” – Michael Jackson’s grammy award winning collaboration with sister Janet Jackson (at $7 million, it might forever hold the title as the most expensive music video ever made), Janet Jackson’s “Got ‘Til It’s Gone”, Johnny Cash’s gut-wrenching cover of Nine Inch Nails’ “Hurt”, En Vogue’s “Free Your Mind”, Lenny Kravitz’s “Are You Gonna Go My Way”, Beck’s “Devil’s Haircut”, Jay-Z’s “99 Problems” and Fiona Apple’s “Criminal”.
His 2002 feature film One Hour Photo is probably best known for Robin Williams’ dramatic turn. While the film is beloved by cinephiles, it pretty much went under the radar of mainstream audiences. It did however gain Romanek a lot of the respect in the movie industry. His follow-up, a big screen adaptation of Kazuo Ishiguro‘s novel Never Let Me Go, premiered at the 37th Telluride Film Festival. The book was named one of TIME’s 100 Best Novels (from 1923 to the Present), featured on many top ten books of 2005 lists, and a finalist in the National Book Critic Circle Award.
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This is more like it. The visual marketing for Never Let Me Go, Mark Romanek‘s adaptation of the Kazuo Ishiguro novel, has been represented by a primary one-sheet which is pretty, but maybe not quite right. This trio of new character posters is a lot better. Still a beautiful look at the film, but a lot more unusual than the first poster. See each in greater detail after the break. Read More »
Fox Searchlight has released a batch of new production photos for Mark Romanek‘s big screen adaptation of Kazuo Ishiguro‘s novel Never Let Me Go. The book was named one of TIME’s 100 Best Novels (from 1923 to the Present), featured on many top ten books of 2005 lists, and a finalist in the National Book Critic Circle Award. For those interested, you can buy the softcover for only $11.20 on Amazon.
Beach author and 28 Days Later/Sunshine screenwriter Alex Garland penned the adaptation for the dramatic thriller, about a group of children who spent their childhood at a seemingly idyllic English boarding school, who as they “grow into young adults, they find that they have to come to terms with the strength of the love they feel for each other, while preparing themselves for the haunting reality that awaits them.” The film stars Carey Mulligan, Keira Knightley, Andrew Garfield, Charlotte Rampling, Sally Hawkins, Nathalie Richard, and Andrea Riseborough. Watch the trailer here. Hit the jump to see the new photos.
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Briefly: The BFI London Film Festival is getting a little bigger every year. Last year it was given a push when Wes Anderson’s Fantastic Mr. Fox debuted at the fest. This year, the festival will open on October 13 with the European premiere of Mark Romanek‘s new film Never Let Me Go, which adapts the novel of the same name by Kazuo Ishiguro.
That isn’t the film’s world premiere, as it will first bow at the Toronto International Film Festival, but it’s a good booking for the London fest regardless. Doesn’t hurt that there’s a lot of British talent on board, among them screenwriter Alex Garland and cast Andrew Garfield, Carey Mulligan and Keira Knightley. (The film will already be open in the US by the time of this showing; it hits Stateside screens on September 15, right after the TIFF premiere.)
There’s a solid if low-key buzz on the film, which looks like a lush, smart take on Ishiguro’s novel, even if some of the marketing might be trying to trick us into thinking it’s a bit more overtly sci-fi than the film likely is. Regardless, can’t wait to see this one; check out the trailer if you haven’t already.
I hadn’t seen a proper projection of the trailer for Mark Romanek‘s new film, Never Let Me Go, until I sat through the Trailer Park exhibition in Hall H at the San Diego Comic Con. Talk about weird — Romanek’s very quiet movie was sandwiched in between a lot of big-ticket films, and the contrast was pretty striking. (Plus, it was amusing to hear nearly the entire hall whisper ‘that’s the new Spider-Man,’ not when Andrew Garfield‘s face was shown, but when his credit was written on screen.)
Now there’s a new poster for the film, and the image captures some of the idea of hope and escape that permeates the latter half of the trailer. Read More »
One of the more interesting-looking movies of the fall is Mark Romanek‘s adaptation of Kazuo Ishiguro‘s novel Never Let Me Go. The trailer arrived recently, and it makes the picture look elegant and puzzling — just the sort of gorgeous enigma that could be an antidote to the increasingly terrible movies of summer 2010. With a cast that includes Carey Mulligan, Andrew Garfield, Sally Hawkins and more, the film, written by Alex Garland, has a good collection of talent. Can’t wait to see it, frankly.
Originally the film was set for a limited October 1 opening, with a couple weeks of expansion to follow. Now the picture will bow on September 15. That pulls it out of direct competition with Let Me In and The Social Network, the latter of which could end up being competition for the adult audience Never Let Me Go will rely upon. Hopefully this will be a good move for the film, rather than one that sees it lost among the opening salvo of fall fare and the chaos of coverage from the Toronto Film Festival.
After the break, new dates for Steve Carell’s Crazy, Stupid Love and Catherine Hardwicke’s Red Riding Hood. Read More »
Shock has learned that the M. Night Shyamalan-produced supernatural thriller The Night Chronicles: Devil will hit theaters on September 17th 2010, up from the announced February 11th 2011 date. Also, Fox Searchlight has moved Mark Romanek‘s big screen adaptation of Kazuo Ishiguro‘s novel Never Let Me Go from October 1st 2010 to September 15th 2010 andWarner Bros has moved Catherine Hardwicke‘s fairy tale adaptation turned gothic dramatic thriller Red Riding Hood from April 22nd 2011 to March 11th 2011.
. More information on both films, after the jump.
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There’s been a few little bits of interesting Mark Romanek business hit the web in recent days and I think a quick round up is in order.
Firstly, Mark Salisbury wrote a piece for Time Out on The Wolfman, giving some clues as to why Romanek left the project and how the picture changed when Joe Johnston came on board. Suffice to say, the article supports my suspicions that had Romanek been supported by the studio, the finished film would have benefited.
More recently, Romanek published a couple of interesting pictures to his Posterous account. You can see them both below the break as well as what we might surmise from them.
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Cool Posts From Around the Web:
Mark Romanek is currently on location in the UK town of Clevedon, North Somerset, filming his melancholy sci-fi mystery Never Let Me Go with Keira Knightley, Carey Mulligan, Andrew Garfield and just about every other great British actor currently in their 20s. In case you do not yet know, it was adapted by Alex Garland – who previously scripted 28 Days Later and a draft of the proposed Halo film – from a novel by Kazuo Ishiguro.
As well as a video clip snooping on a scene being shot (which you can see hosted on a BBC website but was not designed so that it might be embedded elsewhere) several paparazzi-style pictures have appeared here and there, showing the filming taking place and, as ever, the actors standing about between takes. I’ve put some after the break as well as some every basic, and not very spoilery, information to help you contextualise them.
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Shooting has this week started on Mark Romanek‘s Never Let Me Go, an eerie but tender science fiction drama adapted from the novel by Kazuo Ishiguro. Already announced as starring were Keira Knightley, Andrew Garfield and Carey Mulligan, with Sally Hawkins, Nathalie Richard, Andrea Riseborough and Charlotte Rampling now named as members of the supporting cast by ScreenDaily.
Staggering stuff – Garfield, Mulligan, Hawkins and Riseborough are amongst the very best of this new generation of UK actors. To see them all lined up to contribute, and collaborate with Romanek, teases me cruelly with an almost absurd anticipation for the finished work.
More details, and images, after the break.
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