Peter Mullan is a great character actor and a very serious director. His previous two films, The Magdalene Sisters and Orphans, were both pretty intense dramas, but definitely worth a look. He hasn’t made a film since 2002, but now returns with NEDS (short for Non Educated Delinquents), which charts the life of John McGill, a boy on the cusp of manhood trying to make his way through a tough life in ’70s Glasgow. Serious stuff once again, but possibly a companion piece of sorts to Shane Meadows’ great This is England. Check out the trailer after the break. Read More »
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Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
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