Before Midnight 12

If you’re both 1) desperate for some distraction from the holiday hubbub and 2) eager to get a leg up on the rest of your office for the annual Oscar pool, here’s a way to kill two birds with one stone.

Over thirty screenplays for some of 2013′s top films have just been made available, legally and for free, through the studios. Highlights include John Ridley‘s 12 Years a Slave, Richard Linklater, Ethan Hawke, and Julie Delpy‘s Before Midnight, Terence Winter‘s The Wolf of Wall Street, and many more.

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/Filmcast Ep. 241 – The World’s End

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DaveDevindra, and Germain discuss why you should watch Mud and Short Term 12, the laziness of End of Watch, and the irrational nerd rage around this week’s Batman casting news. Be sure to read up on why humanity is coming to an end soon.

You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Also, like us on Facebook!
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Dave, Devindra, and Joanna Robinson discuss the greatness of Mud, the cinematic nature of The Last of Us, and wonder where Kal Penn is in the new Superman film. Also, read up on whether it’s possible for a blockbuster to NOT evoke 9/11, and whether summer movies have a PG-13 problem.

You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Also, like us on Facebook!
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(Note: This is a reprint of our Mud review from Sundance 2013. The film opens in a limited run today.)

For his follow-up to Take Shelter, director Jeff Nichols smartly casts Matthew McConaughey as a violent drifter who slides into the lives of two young boys whose families eke out a bare existence on the Mississippi River. Using the gift for gab that any character played by McConaughey must automatically possess, this outlaw wraps the boys up in his plan to achieve true freedom.

While Take Shelter trafficked in heavy ambiguity, Mud does away with uncertainty, at least with respect to the story. This is a straightforward tale that rides on the shoulders of McConaughey and two excellent young actors, Tye Sheridan (The Tree of Life) and newcomer Jacob Lofland.

Mud is a riff on Mark Twain, and an exploration of the relationships between generations of men. It could be a Tom Waits song, perhaps a long-lost cut from Swordfishtrombones, revolving as it does around a man with a dark past who seeks to build an escape engine out of cast-off parts, with love as his fuel. The film casts a keen eye on people living a mostly bygone lifestyle, and wraps those observations in a rollicking little adventure that you might find in the yellowing pages of an old pulp novel.

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With the releases of Bernie, Magic Mike, and Killer Joe, 2012 may very well have been the best year of Matthew McConaughey‘s career. And don’t expect to see that momentum flag in 2013. McConaughey is starting the year off with Mud, a coming-of-age tale directed by Jeff Nichols (Take Shelter).

The Tree of Life actor Tye Sheridan and newcomer Jacob Lofland play a pair of friends who come across a mysterious man named Mud (McConaughey) hiding out in the woods along the Mississippi. While he soon admits that he’s on the run for killing a man, they’re charmed by his romantic tales and agree to help him out. Their boyish adventure takes a sour turn, however, when Mud’s real problems entangle them in some very adult complications. Watch the trailer after the jump.

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As 2012 comes to an end, it’s time to look ahead to the cool stuff in store for 2013. A few new release dates have just been announced, promising a new year just as exciting on the cinematic front as the old one was. Hit the jump to read more about scheduling for George Clooney‘s The Monuments Men, Terence Malick‘s To the Wonder, and more.

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Just under two months away from the kickoff of the 2013 Sundance Film Festival and the second batch of films has been announced. Wednesday’s reveal of the competition narrative and documentaries has now been followed by the Spotlight, New Frontier and Park City at Midnight movies, which is where you’ll find most of the weird and genre stuff that’s playing at the fest from January 17-27.

Among the highlights are, the world premiere of the anthology film S-VHS (the sequel to V/H/S); Jeff Nichols‘ follow-up to Take Shelter, MudBen Wheatley‘s follow-up to Kill List, SightseersJames Franco interpreting gay S&M footage cut from Crusing in Interior. Leather Bar; Sarah Polley‘s documentary Stories We Tell; and the exorcism comedy Hell Baby starring Rob Corddry, Leslie Bibb, Paul Scheer, Rob Huebel.

Read about all the films after the jump. Read More »

The primary lineup for the competition slate at the 2012 Cannes has been unveilend, and it is a very strong list of films. There are quite a few expected entries: David Cronenberg‘s Cosmopolis, Lee DanielsThe Paperboy, John Hillcoat‘s Lawless (formerly The Wettest County), and Andrew Dominik‘s Killing Them Softly (formerly Cogan’s Trade), and we already knew that Wes Anderson‘s Moonrise Kingdom would open the festival.

But the international lineup is even more exciting, with films such as Rust & Bone from Jacques Audiard, Amour from Micheal Haneke, The Hunt from Thomas Vinterberg, and Mekong Hotel from 2010 Palme d’Or winner Apichatpong Weerasethakul. As is occasionally the case with Cannes, this year’s lineup features many returning Cannes award winners; it’s a world-class program.

The downside to all of that is that Paul Thomas Anderson‘s The Master and Terrence Malick‘s as-yet untitled romance starring Ben Affleck, Rachel McAdams and Javier Bardem didn’t show up in the list. There is some time for them to be added to the festival lineup in some measure, but (as expected) we’ll likely have to wait until this fall for The Master. As for the Malick movie… well, it’s Malick, so who knows?

You’ll find the lineup as it has been announced so far after the break. Read More »

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