It can’t be easy watching a movie about your life. Some people get extremely agitated when pivotal parts of their favorite book aren’t in the film adaptation, so imagine what’d be like for those people seeing an unfaithful or highly dramatized version of their own life shown on the big screen. The movie, especially if it’s popular, is going to be associated with their image forever. Not all audience members leave a theater saying, “I bet that one scene was dramatized for storytelling purposes,” so, if the portrait of its subject is unflattering or inaccurate, that can’t feel great for the subject.
Many folks featured in bio movies have felt left the theater not feeling so hot on how they’ve been depicted, while others have been pleased with the results. Learn about a few biopic reactions from the subjects after the jump.
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I’ve rarely felt this annoyed in a movie theater. Next to me, during a screening of Steve Jobs, an elderly couple loudly whispers comments to each other every few minutes. With each line of dialogue they distract me from basking in, the more frustrated I grow. I’m afraid to ask them to keep quiet — not because I care how they’ll react, but out of fear of missing another line from the movie.
Aaron Sorkin writes anti-bathroom break movies. You don’t want to miss a scene or a line of his, especially in the case of his latest piece of work, the breathless, unrelentingly paced, and intricately structured Steve Jobs. By now, such an exciting piece of drama seems like a foregone conclusion from one of Hollywood’s most prolific, acclaimed, and all-around successful screenwriters. But past and present interviews with him have revealed not only how he pulls off these feats of genius, but how to start if you’re trying to create your own.
After the jump, learn writing tips from Steve Jobs screenwriter Aaron Sorkin.
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This morning the Academy of Motion Picture Arts and Sciences announced the nominations for the 84th Academy Awards. Jennifer Lawrence (Winter’s Bone, The Hunger Games) read the new Oscar nods, with by Academy President Tom Sherak.
The big nominees were The Descendants, The Artist, and Hugo, all which come as no surprise. But Moneyball scored four big nominations, Tinker Tailor Soldier Spy also walked away with a couple big nods, and The Muppets is now Oscar-nominated. The Adventures of Tintin was shut out of the Best Animated Film category, and Andy Serkis did not end up with a nomination for his work in Rise of the Planet of the Apes. Read More »
Each year American Cinema Editors (ACE) recognizes the best editing of the year in narrative film, documentary and television through the Eddie Awards. The nominations for achievement in 2011 have been released. They include a couple of expected films such as Hugo and The Girl With the Dragon Tattoo, and feature a couple other inclusions that might count as surprises to some.
The full list is below. Read More »
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Here’s your best indicator yet as to what the crop of nominations for the Best Picture Oscar is likely to be. The Producers Guild of America (PGA) has announced its nominations for 2011 awards, which will be doled out on January 21.
The ten films nominated for the PGA’s top honor include expected pictures such as The Artist, The Descendants and War Horse. There are no real surprises, but the growing Oscar chances for The Help won’t be hurt by getting a PGA nomination (would be slightly wild to see Chris Columbus, a producer on The Help, with an Oscar), and Woody Allen’s Midnight in Paris makes an appearance on the list, too. There are a couple surprises, though, in the form of Bridesmaids and The Girl With the Dragon Tattoo — the Judd Apatow and Scott Rudin effects in full force there. With 5-10 Best Picture nominations possible for this year’s Oscars, most of the films in the PGA’s top list are likely to end up in the race.
The full PGA press release, with the full slate of nominations, is below. Documentary and animation nominations are there, too, though the slate of nominations in each category is more or less exactly what you’d expect to see at this point. Read More »
We’ve posted the directors, actors, actresses, writers and now it’s time for the people who bring them all together. Every year during awards season, The Hollywood Reporter organizes the schedules of basically every single actor, actress, writer and director of the year’s best films to sit down and discuss them. This, in itself, is pretty spectacular. What’s even better is they release the videos of the full conversations so we can watch. For the 2011 Producers’ Roundtable, they’ve brought together Midnight in Paris producer Letty Aronson, Moneyball producer Michael De Luca, Tinker Tailor Soldier Spy producer Tim Bevan, War Horse producer Kathleen Kennedy, The Tree of Life producer Bill Pohlad, The Descendants producer Jim Burke and The Help producer Chris Columbus to discuss their own, and each others’, films, all of which have a good shot at multiple award nominations. Check out the video after the jump. Read More »
Gerard Butler, Woody Harrelson, Rashida Jones, and Sofia Vergara got up extra early this morning to announce the nominations for the Hollywood Foreign Press Association’s 69th Golden Globes Awards, which will be televised on January 15, 2012.
Returning host Ricky Gervais (called a “naughty, naughty schoolboy” this morning by Aida Takla-O’ Reilly, the president of the HFPA) will likely be the main attraction of that broadcast, but the Globes do get attention for the awards doled out each year, if only for the way that the organization targets films with big stars to show up at the ceremony. How else to explain multiple nominations for Madonna‘s W.E.? Sure, her Best Song nomination could have gone to a tune from The Muppets, but why would the HFPA want anyone from that film at the ceremony?
The Artist, Midnight in Paris and The Help are the big nominees. Check out the full list below. Read More »
We’re getting into the full swing of the awards season for 2011, and this evening four organizations announced their picks for best achievement in film in 2011. The biggest group is the American Film Institute, which released a simple unranked list of ten ‘movies of the year,’ which includes Bridesmaids, The Girl With the Dragon Tattoo, Hugo and The Tree of Life.
Meanwhile, the Los Angeles Film Critics Association named The Descendants as best picture of 2011, while the Boston Society of Film Critics named The Artist best film of the year, which was also voted as the top film by the New York Film Critics Online.
Lists from all four organizations are below. Read More »
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Every year during awards season, The Hollywood Reporter somehow organizes the schedules of basically every single actor, actress, writer and director of the year’s best films to sit down and discuss them. This, in itself, is pretty spectacular. What’s even better is they release the videos of the full conversations so we can watch. For the 2011 Writers’ Roundtable, they’ve brought together Moneyball‘s Steve Zaillan and Aaron Sorkin, The Skin I Live In‘s Pedro Almodovar, J. Edgar‘s Dustin Lance Black, Rampart‘s Oren Moverman and Extremely Loud and Incredibly Close‘s Eric Roth to discuss their own, and each others’, scripts, all of which have a good shot at multiple award nominations. Check out the video after the jump. Read More »
Every year at award season, The Hollywood Reporter somehow organizes the schedules of basically every single actor, actress and director of the year’s best films to sit down and discuss them. This, in itself, is pretty spectacular. What’s even better is they release the videos of the full conversations so we can watch. For the 2011 Director’s Roundtable, they’ve brought together The Descendants‘ Alexander Payne, Beginners‘ Mike Mills, Shame‘s Steve McQueen, Young Adult‘s Jason Reitman, Moneyball‘s Bennett Miller and The Artist‘s Michel Hazanavicius to discuss their own, and each other’s, movies, all of which have a good shot at multiple award nominations. Check out the video after the jump. Read More »