Posted on Tuesday, July 24th, 2012 by Angie Han
There’s a little bit of everything in today’s batch, including a new trailer, new pics, some casting info, and some industry drama. After the jump:
- Laurence Fishburne is in talks for Bryan Fuller‘s Hannibal
- Check out the not-so-monstrous Mockingbird Lane cast
- NBC’s new offerings for the fall season will debut early online
- Flip through promo pics from Dexter‘s seventh season
- Watch Claire Danes go crazy in a new trailer for Homeland
- HBO picks up a pilot by UK Office co-creator Stephen Merchant
- Modern Family‘s contract negotiations delay production
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Posted on Friday, May 11th, 2012 by Angie Han
For better or for worse, networks are finally sorting out their schedules for the 2012-2013 season, which means renewals and cancellations are being announced left and right. Viewers of NBC and ABC’s comedy lineups will be happy to see most of their favorites safe for another year, but Awake fans should prepare to say goodbye. Hit the jump for the latest news on the two networks’ upcoming schedules.
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For TV fans, next week begins one of the most exciting events of the year: PaleyFest. It’s a two-week festival in Los Angeles where the casts and crews of some of TV’s most successful shows hold in-depth discussions and Q&A’s about where their shows have been and are going. This year ,the featured shows are American Horror Story, Community, Once Upon A Time, New Girl, The Office, Sons of Anarchy, Bones, Castle, The Vampire Diaries, Revenge, Two and a Half Men, Mad Men and Modern Family.
And though not everyone can be in person to see these events, this year PaleyFest has partnered with Hulu to stream them after the fact. Starting March 15, several (but not all) of the panels will be online for your viewing pleasure. After the jump, find out which will be available as well as which artists are doing this year’s posters. Read More »
Last night the Producers Guild of America (PGA) gave out awards for achievement in films and television released in 2011. The big winner was The Artist, which took home the Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures. As the winner of this award takes the Best Picture Oscar three times out of four, any betting on the top Oscar honor is pretty much over at this point.
Read on for the full list of winners. Read More »
In honor of Valentine’s Day, TV Squad created a three minute supercut montage of both contemporary and classic television characters kissing. Hit the jump to watch the video.
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Cool Posts From Around the Web:
As the year comes to a close, more Top 10 lists are being published. Last week, Lost co-creator Damon Lindelof filed a list of his top five favorite television shows of 2010. Hit the jump to find out which television shows made Damon’s list this year.
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It’s that time of year again, when all of the critics societies and film organizations name their top 10 movies of the year. The American Film Institute have released their lists of the top 10 films and television shows of 2010. As with most of the lists AFI releases, the films are not numbered in any order, but instead just a compilation of “winners.” Hit the jump to find out which movies and television shows were chosen.
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This Week in DVD & Blu-ray is a column that compiles all the latest info regarding new DVD and Blu-ray releases, sales, and exclusive deals from stores including Target, Best Buy and Fry’s.
COMMUNITY (SEASON 1)
It’s been asserted more than once that Community didn’t start becoming good until well into its first season, and while I’d agree that the series became more assured as it went on, I’d disagree that its early episodes are any less worth watching than its later ones. When the series first aired, people (me included) hadn’t yet gotten a grasp on what Community was trying to be. Rewatching the pilot now though, its self-aware, satirical undertones are far more prevalent. This is a show that understands the age we live in, and seeks to playfully mock and celebrate it. It’s a show that’s unafraid to openly admit that the initially introduced budding romance between two characters didn’t have the spark it was supposed to, and then slyly develop it into a more chemistry-infused love triangle—one that’s as parodic as it is compelling. Is Community a sitcom, or a deconstruction of sitcoms? It’s both, among other things, and by the time it finds its groove, the balance it strikes between the two is pitch-perfect. When the series truly soars though, is when it takes on a more specific genre, such as action movies in the fan-favorite episode “Modern Warfare”. If you gave up on Community early on, and need an incentive to start watching again, this is the episode that will convince you to do so.
Available on Blu-ray? No.
Notable Extras: Cast & Crew Commentary on Every Episode, Outtakes!, Creative Compromises, Community Season One Cast Evaluations, “Advanced Criminal Law” Alternate, Season One Highlight Reel, Mini Episodes, Communication Studies Extended Producer’s Cut, and The Art of Discourse Commentary.
|BEST DVD PRICE|
|Amazon – $17.99|
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In his new book of essays, Eating the Dinosaur, pop culture critic Chuck Klosterman posits that “as a species we have never been less human than we are right now.” Part of the reason why this has happened, he says, is that our growing consumption of media, movies, and entertainment has made it so that “we can’t really differentiate between real and unreal images.” He concludes that we thus, “no longer have freedom to think whatever we want.” For instance, the words, “basketball game,” instantly trigger a mental image of the NBA before (rather than?) a memory of a real experience. The Klosterman twist is that while “reading about Animal Collective on the Internet has replaced being alive,” he’s generally okay with this cultural and social development. I should add that he admits that the Unabomber’s Manifesto and its author had several really good and scarily prescient points.
In his second interview with /Film, many of Eating the Dinosaur‘s ideas are discussed within the context of modern television series like Mad Men and 30 Rock. We also discuss the significance of the odd documentary-style used on The Office and now Modern Family, and why he believes pop-culture writing/blogging on the internet unfortunately has become “an institutional voice” that rivals academia. Is this where I type, “Hopefully the next trailer is better?” For our first interview round with Chuck Klosterman, click here. For Klosterman’s updates on film adaptations of his books Fargo Rock City and Killing Yourself to Live, click here.
Hunter Stephenson: What’s your biggest problem with 30 Rock?
Chuck Klosterman: [pause] Does it seem like I have one?
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