VOTD: TV Kisses

In honor of Valentine’s Day, TV Squad created a three minute supercut montage of both contemporary and classic television characters kissing. Hit the jump to watch the video.
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Damon Lindelof’s Top 6 TV Shows of 2010

As the year comes to a close, more Top 10 lists are being published. Last week, Lost co-creator Damon Lindelof filed a list of his top five favorite television shows of 2010. Hit the jump to find out which television shows made Damon’s list this year.

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AFI’s Top 10 Movies and TV Shows of 2010

It’s that time of year again, when all of the critics societies and film organizations name their top 10 movies of the year. The American Film Institute have released their lists of the top 10 films and television shows of 2010. As with most of the lists AFI releases, the films are not numbered in any order, but instead just a compilation of “winners.” Hit the jump to find out which movies and television shows were chosen.

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This Week in DVD & Blu-ray is a column that compiles all the latest info regarding new DVD and Blu-ray releases, sales, and exclusive deals from stores including Target, Best Buy and Fry’s.

Buy It

COMMUNITY (SEASON 1)
It’s been asserted more than once that Community didn’t start becoming good until well into its first season, and while I’d agree that the series became more assured as it went on, I’d disagree that its early episodes are any less worth watching than its later ones. When the series first aired, people (me included) hadn’t yet gotten a grasp on what Community was trying to be. Rewatching the pilot now though, its self-aware, satirical undertones are far more prevalent. This is a show that understands the age we live in, and seeks to playfully mock and celebrate it. It’s a show that’s unafraid to openly admit that the initially introduced budding romance between two characters didn’t have the spark it was supposed to, and then slyly develop it into a more chemistry-infused love triangle—one that’s as parodic as it is compelling. Is Community a sitcom, or a deconstruction of sitcoms? It’s both, among other things, and by the time it finds its groove, the balance it strikes between the two is pitch-perfect. When the series truly soars though, is when it takes on a more specific genre, such as action movies in the fan-favorite episode “Modern Warfare”. If you gave up on Community early on, and need an incentive to start watching again, this is the episode that will convince you to do so.
Available on Blu-ray? No.
Notable Extras: Cast & Crew Commentary on Every Episode, Outtakes!, Creative Compromises, Community Season One Cast Evaluations, “Advanced Criminal Law” Alternate, Season One Highlight Reel, Mini Episodes, Communication Studies Extended Producer’s Cut, and The Art of Discourse Commentary.

BEST DVD PRICE
Target Best Buy Fry’s
N/A $29.99 $28.49
Amazon – $17.99

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In his new book of essays, Eating the Dinosaur, pop culture critic Chuck Klosterman posits that “as a species we have never been less human than we are right now.” Part of the reason why this has happened, he says, is that our growing consumption of media, movies, and entertainment has made it so that “we can’t really differentiate between real and unreal images.” He concludes that we thus, “no longer have freedom to think whatever we want.” For instance, the words, “basketball game,” instantly trigger a mental image of the NBA before (rather than?) a memory of a real experience. The Klosterman twist is that while “reading about Animal Collective on the Internet has replaced being alive,” he’s generally okay with this cultural and social development. I should add that he admits that the Unabomber’s Manifesto and its author had several really good and scarily prescient points.

In his second interview with /Film, many of Eating the Dinosaur‘s ideas are discussed within the context of modern television series like Mad Men and 30 Rock. We also discuss the significance of the odd documentary-style used on The Office and now Modern Family, and why he believes pop-culture writing/blogging on the internet unfortunately has become “an institutional voice” that rivals academia. Is this where I type, “Hopefully the next trailer is better?” For our first interview round with Chuck Klosterman, click here.  For Klosterman’s updates on film adaptations of his books Fargo Rock City and Killing Yourself to Live, click here.

Hunter Stephenson: What’s your biggest problem with 30 Rock?

Chuck Klosterman: [pause] Does it seem like I have one?

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surrogates-poster

In this week’s /Filmcast, Dave Chen, Devindra Hardawar and Adam Quigley discuss the ongoing Roman Polanski saga, praise Community and Cougar Town, reflect on the similarities between Lost and FlashForward, remind you of the greatness of LA Confidential, get freaked out by Paranormal Activity, and continue to chronicle Hollywood’s downfall through the proliferation of remakes and film adaptations based on popular brands. Special guest Eric D. Snider joins us this evening.

You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us next Monday at 9 PM EST / 6 PM PST at Slashfilm’s live page as we do a double review of The Invention of Lying and Zombieland.

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The /Filmcast: After Dark is a recording of what happens right after The /Filmcast is over, when the kids have gone to bed and the guys feel free to speak whatever is on their minds. In other words, it’s the leftover and disorganized ramblings, mindfarts, and brain diarrhea from The /Filmcast, all in one convenient audio file. In this episode, Dave Chen, Devindra Hardawar, and Adam Quigley chat with TV Critic Myles McNutt from Cultural Learnings about what to look forward to (and what NOT to) this fall TV season, including thoughts on Community, Trauma, Modern Family, and The Jay Leno Show. Christopher Stipp from QuickStopEntertainment also joins us for this episode.

You can always e-mail us at slashfilmcast(AT)gmail(DOT)com or call and leave a voicemail at 781-583-1993. Tune in on Monday night at 9 PM EST / 6 PM PST as the guys review Jennifer’s Body.

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