Posted on Monday, October 8th, 2012 by Angie Han
Despite its humble origins as a bit of Twilight fanfiction, E.L. James‘ Fifty Shades of Grey is picking up some interesting talent on its road to the big screen. The Social Network producers Michael De Luca and Dana Brunetti signed on back in July, and have been looking for a writer to adapt the erotic novel ever since.
A shortlist revealed in August suggested an unexpected mix of names in the running, and as of today, Saving Mr. Banks writer and Terra Nova co-creator Kelly Marcel has emerged as the winner of the highly coveted gig. Sorry, Bret Easton Ellis. More after the jump.
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The last we reported on the Ghost Rider sequel nobody wants, David Goyer had mentioned that the studio was using his 9-year old script as the basis. Our good friend Frosty over at Collider recently got a chance to speak with producer Mike De Luca about the sequel, and came away with a number of updates (which I’m sure the lot of you have been waiting for with bated breath). The film is tentatively titled Ghost Rider: The Spirit of Vengeance, and De Luca confirmed that director Mark Steven Johnson (Daredevil) and Eva Mendes won’t be returning.
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With Mickey Rourke driving for an Oscar with The Wrestler, his titillating ’80s filmography is now on the remake menu. Unlike The Pope of Greenwich Village and 9 1/2 Weeks, 1987’s Angel Heart was a middling effort best known for giving Bill Cosby a heart murmur. Producer Mike De Luca (Ghost Rider, Blade II) and co. have picked up the remake rights, along with the rights to Falling Angel, the NYC-set novel from which the original film was adapted.
An ambitious mix of noir, voodoo horror and taboo Lisa Bonet sex scenes, Alan Parker’s film starred Rourke as a P.I. unknowingly hired by Lucifer (Robert De Niro) to locate a man in New Orleans. The plot is weighed down by a slapdash Fight Club-like twist ending, but the film is so well shot and stylized, it’s almost worth a view and has its fans. There’s room for improvement here, and De Luca says he’s a fan of the source material, so remake exhaustion and disenchantment aside, it will come down to the director and talent involved (enlightening, I know).