We’ve posted the directors, actors, actresses, writers and now it’s time for the people who bring them all together. Every year during awards season, The Hollywood Reporter organizes the schedules of basically every single actor, actress, writer and director of the year’s best films to sit down and discuss them. This, in itself, is pretty spectacular. What’s even better is they release the videos of the full conversations so we can watch. For the 2011 Producers’ Roundtable, they’ve brought together Midnight in Paris producer Letty Aronson, Moneyball producer Michael De Luca, Tinker Tailor Soldier Spy producer Tim Bevan, War Horse producer Kathleen Kennedy, The Tree of Life producer Bill Pohlad, The Descendants producer Jim Burke and The Help producer Chris Columbus to discuss their own, and each others’, films, all of which have a good shot at multiple award nominations. Check out the video after the jump. Read More »

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69th Annual Golden Globes Award Nominations

Gerard Butler, Woody Harrelson, Rashida Jones, and Sofia Vergara got up extra early this morning to announce the nominations for the Hollywood Foreign Press Association’s 69th Golden Globes Awards, which will be televised on January 15, 2012.

Returning host Ricky Gervais (called a “naughty, naughty schoolboy” this morning by Aida Takla-O’ Reilly, the president of the HFPA) will likely be the main attraction of that broadcast, but the Globes do get attention for the awards doled out each year, if only for the way that the organization targets films with big stars to show up at the ceremony. How else to explain multiple nominations for Madonna‘s W.E.? Sure, her Best Song nomination could have gone to a tune from The Muppets, but why would the HFPA want anyone from that film at the ceremony?

The Artist, Midnight in Paris and The Help are the big nominees. Check out the full list below. Read More »

We’re getting into the full swing of the awards season for 2011, and this evening four organizations announced their picks for best achievement in film in 2011. The biggest group is the American Film Institute, which released a simple unranked list of ten ‘movies of the year,’ which includes Bridesmaids, The Girl With the Dragon Tattoo, Hugo and The Tree of Life.

Meanwhile, the Los Angeles Film Critics Association named The Descendants as best picture of 2011, while the Boston Society of Film Critics named The Artist best film of the year, which was also voted as the top film by the New York Film Critics Online.

Lists from all four organizations are below. Read More »

2011 Summer Movie Attendance Was the Lowest Since 1997

With Labor Day behind us and school back in session, summer in the US is officially over, at least from a cultural perspective. So it’s time to tally the box-office receipts from what has been the biggest movie season over the past thirty years.

The good news? Revenue is up from last year. The bad news: revenue is up by less than one percent. More troubling: after taking into account that a good portion of the overall revenue came from inflated 3D prices, analysts reveal that attendance was actually down this year. about 543 million tickets were sold this summer, which is the lowest number since 1997′s famous summer of 540 million tickets. (OK, perhaps not so famous.) But wait, there’s more! 2011 is the fourth consecutive year f dwindling summer movie attendance. Read More »

VOTD: A Retrospective of Woody Allen Surrogates

Woody Allen famously has a habit of casting a stand-in for himelf in his comedies, and you can usually tell which one it is — while neuroses and Judaism aren’t requirements, they’re often indications that you’re looking in the right direction. But in case there’s any doubt, Film Drunk‘s Oliver Noble has Woody Allen surrogatism (which is not a real word, but you know what I mean) down to a science. He’s put together a supercut of the director’s stand-ins over the years, from John Cusack in 1994′s Bullets Over Broadway to Owen Wilson in this year’s delightful Midnight in Paris, and pinpointed the essential qualities that mark these characters as Woody Allen surrogates. Jesse Eisenberg*, I hope you’re taking notes. Watch the compilation after the jump.

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This week, Dave, Devindra, and Adam wonder about the future of Akira and Uncharted, get psyched about David Fincher’s next film, and express their disgust for The Hangover: Part II. Special guest Katey Rich joins us from CinemaBlend.

You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us for our next live broadcast on Sunday, June 5th, at Slashfilm’s live page where we’ll be discussing X-Men: First Class.

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Woody Allen‘s star-studded new film, Midnight in Paris, will be world-premiering at the Cannes Film Festival in May and now we’ve got our first look at the film. Yahoo Movies has premiered the trailer for the romance starring Owen Wilson, Marion Cotillard, Rachel McAdams, Kathy Bates, Michael Sheen, Adrien Brody, Nina Arianda, Corey Stoll, Mimi Kennedy, Kurt Fullerby, Carla Bruni, and Léa Seydoux which opens in New York and Los Angeles on May 20. Check out the new trailer and poster after the break. Read More »

Briefly: Here’s the first news of the official lineup for what could well be a very impressive Cannes Film Festival. Woody Allen‘s Midnight in Paris will open the 64th incarnation of the festival on May 11. It’s an easy choice — the director is a French favorite, and the film is packed with actors that will look great on the opening night red carpet, including a handful of French stars. Sure, Terrence Malick’s The Tree of Life might have been a more impressive opening, but hopefully it will spool out within a couple days of the festival’s opening.

The film, packed with a cast that includes Owen Wilson, Marion Cotillard, Rachel McAdams, Kathy Bates, Michael Sheen, Adrien Brody, Nina Arianda, Corey Stoll, Mimi Kennedy, Kurt Fullerby, Carla Bruni, and Léa Seydoux. The plot sounds like classic Woody Allen: “A romantic comedy about a family traveling to the French capital for business. The party includes a young engaged couple forced to confront the illusion that a life different from their own is better.” Sony PIcutres Classics has picked up the film already, and will release it later in 2011, most likely in the fall.

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