Posted on Friday, February 14th, 2014 by Angie Han
After reviving one ’80s classic, Michael Keaton is ready to revisit another. The Robocop star confirmed he’s been chatting with director Tim Burton about the upcoming Beetlejuice sequel — though it doesn’t sound like he’s 100% locked in just yet. Hit the jump to read his comments.
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If Jose Padilha‘s RoboCop wasn’t called “RoboCop,” it would be much easier to embrace. While this remake evokes and/or borrows many designs and big ideas from Paul Verhoven’s 1987 original, the meat of the story is almost totally unique, giving it the feel of a completely different movie. Obviously, that was the point, but by simultaneously differentiating itself while also staying beholden to the original, the film is burdened with the weight of expectations and analysis of the original film.
That burden aside, Padilha has made a pretty solid movie. It has a lot to say and it delves into facets of the Alex Murphy character we’d never seen before. The story is global; the influence of media and government plays a huge role. There’s some really intense action, which takes a back seat to myriad points of social commentary and morality. Those points give the film a seemingly unique voice, but it doesn’t work as a cohesive piece. Padilha has brought together a strong cast with beautiful music and camerawork to make a movie much better than one would expect, but nowhere near what you’d hoped. Read More »
Posted on Friday, December 20th, 2013 by Angie Han
As remakes go, Jose Padilha‘s Robocop seems to be one of the more interesting ones. Not only does it promise a whole new spin on the core concept — by focusing far more closely on the toll that Robocopping takes on Alex Murphy for example — it’s assembled a great cast to help sell that story. Joel Kinnaman is the shining star, but he’s backed by the likes of Gary Oldman, Michael Keaton, Jackie Earle Haley, Samuel L. Jackson, and Abbie Cornish.
The latest batch of photos highlight some of those talented supporting players, while also showing off how damn cool Kinnaman looks at Robocop. Check ’em out after the jump.
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Posted on Wednesday, November 20th, 2013 by Angie Han
Most of the Robocop marketing so far has focused on, well, Robocop (Joel Kinnaman). But before he was Robocop, he was a plain old human known as Alex Murphy — and as the latest international trailer reminds us, Alex is lurking inside of him still.
While there’s more than enough action to go around in this new promo, the real focus is on the very human cost of Omnicorp’s new robot police force. It seems that being brought to the brink of death and then revived as a freakish android-man hybrid tends to take an emotional toll on a guy. Watch the video after the jump.
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“Dead or alive, you’re coming with me.” The first trailer for José Padilha‘s remake of Robocop is finally here. Starring Joel Kinnaman, Gary Oldman, Michael Keaton and Abbie Cornish, it’s scheduled for release February 7. Check it out below. Read More »
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We’re going to take a break from your regularly scheduled Superhero Bits to focus on what might be the biggest superhero story of the year: Ben Affleck being cast in Zack Snyder‘s Man of Steel sequel. (Provisionally called Batman vs. Superman.)
Below, you’ll read bits about how Affleck was cast, the crazy fan reactions, the similarity of this to other Bat-castings, Affleck’s physicality, the potential location of the new Gothan City and so much more. Check it out in today’s All-Affleck edition of Superhero Bits. Read More »
Posted on Monday, July 29th, 2013 by Angie Han
Walter White isn’t the only prickly small-screen antihero coming back in the next couple of weeks. Larry David is returning to television for the first time since Curb Your Enthusiasm‘s eighth season ended in 2011 with Clear History, a new movie by HBO.
Technically, David’s Clear History character is entirely separate from his Curb one. For starters, his name here isn’t “Larry David” but Nathan Flomm. For another, Flomm’s a marketing exec who works with Jon Hamm’s character. But the film’s premise — Flomm loses his stake in a startup after a petty argument, only to see the company grow into a billion-dollar corporation — certainly sounds very Curb-y. Watch the new trailer after the jump.
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Our first real look at José Padilha‘s remake of RoboCop in motion features Samuel L. Jackson as a loud, opinionated television personality, on a stage emblazoned with American flags. This guy Pat Novak, whom Jackson describes as “Rush Sharpton,” is talking about the use of drones in military service oversees. Indeed, in news footage of an operation in Tehran, we see ED-209 ‘bots patrolling war-torn streets, with smaller 208s backing them up.
Pat Novak hopes that these drones, which don’t get angry, can be used to patrol American neighborhoods. But because drones can’t be accountable for decision-making, there’s legislation against using them on US soil. Enter OCP, which finds a way to bring a human consciousness into a drone, and in so doing creates the ability to make money by selling super-expensive human/drone hybrids. Enter RoboCop.
Already, you can tell that this is a very different film from Paul Verhoven’s weird, raw satire released in 1987. Director José Padilha took the stage after that footage to discuss his new movie, including some talk about the future threat of drones and robotics technology used in war and law enforcement, as he described a remake that may have much less to do with the original than we had expected. Read More »
Posted on Thursday, March 14th, 2013 by Angie Han
Michael Keaton hasn’t appeared on the big screen since 2010’s The Other Guys, but that doesn’t mean he hasn’t been working. Way back in 2011, he and Michelle Monaghan were cast in a thriller titled Penthouse North. The film entered production with helmer Joseph Ruben late that year, to be distributed by Dimension Films. And it’s been sitting on the shelf ever since.
As of today, the picture still has no U.S. release date. But it does have an international trailer, which offers some idea as to why this movie slipped off the radar. Watch the trailer after the jump.
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