Semantics are always a struggle in film reporting. People are “interested,” “circling,” “offered” or “in talks” for projects all the time but none of those words specifically mean they are doing the movie. Plus, until the cameras start rolling, nothing is definite. For example, a few months back, we reported that Warner Bros. was “interested” in having Steven Spielberg direct their epic story of Moses called Gods and Kings. The problem with that is, who isn’t interested in working with Spielberg? Germain Lussier is interested in starring in a Spielberg movie but that doesn’t mean it’s going to happen.
It seems now, though, Warner’s “interest” has evolved to “talks” which means the legendary director is a significant step closer to adding the epic tale to his list of upcoming projects. Read more after the jump. Read More »
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When a story opens with ‘could Steven Spielberg direct X?’ the answer is almost certainly going to be ‘no.’ Naturally a lot of projects land on or near the desk of one of the biggest directors in the world, and naturally he doesn’t have time for 90% of even the ones he would be tempted to make.
But let’s say that Warner Bros. had a large-scale epic about the life of Moses and wanted Spielberg to make it. What would the chances be? Read More »
Green Lantern had a reasonable (not great) opening weekend but was otherwise a creative and financial dud. It is an example of that strange studio phenomenon: a film that manages to feel both over-written, with villains and setpieces seemingly cobbled together from different script drafts, and under-scripted, thanks to the total lack of sense behind most of the character actions. And audiences didn’t respond, once the marketing gave way to word of mouth? Shocker.
Because that opening weekend was north of $50m, Warner Bros. is still planning a sequel. What will the studio’s approach be this time? A solid script that establishes a story with logical and emotional drive and then embellishes it with action? Pfft. Why bother, when it can just be darker and edgier? (Or Dark Knight-ier, as the case may be.) Read More »
Paranormal Activity director Oren Peli is behind a new ABC show called The River, which follows the search for a missing nature TV host. Jaume Collet-Serra (Orphan) directed the pilot from a script by Michael R. Perry and Michael Green, and a trailer has shown up online. Read More »
Last month, Greg Berlanti shed some light on what his and his writing partners’ plans were for The Flash screenplay, which he’s currently at work on with Michael Green and Marc Guggenheim. At the time it sounded like they weren’t quite sure which direction they were heading with the film, as Berlanti proceeded to throw out a number of wild comparisons to films like The Matrix, The Dark Knight, Se7en, and The Silence of the Lambs.
According to Guggenheim though, those comparisons may have been more apt than previously suspected. Read what he had to say after the break. Read More »
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The Flash has looked like the most likely candidate as the next DC superhero film to come out of Warner Bros., but we haven’t heard much concrete news about the project in a few months. The Flash has been in the script stage, and until something is delivered that Warner Bros. likes, the character won’t be running anywhere.
But now there’s word that the script is due by the end of the year, which is leading to early speculation about who might direct and star. Read More »
I find it funny that 20th Century Fox waited until the day when Disney revealed that they would be acquiring Marvel to announce the next step in the Fantastic Four film franchise. Or perhaps the information somehow leaked out when everyone was trying to gather all the details of what properties Disney would have and not have feature film rights to. Either way, tonight it was revealed that Akiva Goldsman has been hired to produce a new Fantastic Four film, a complete reboot.
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Martin Campbell is in talks to direct a big screen adaptation of the DC comic book series The Green Lantern according to Variety. Campbell is probably best known as the director of James Bond films Casino Royale and GoldenEye, but his filmography also includes The Mask of Zorro/Legend of Zorro, Vertical Limit, and the upcoming Mel Gibson film Edge of Darkness. The screenplay was penned by Greg Berlanti (Everwood, Eli Stone), Marc Guggenheim (Law & Order, Eli Stone) and Michael Green (Smallville, Heroes).
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Yesterday we reported that David Dobkin (Fred Claus) had signed on to direct a big screen adaptation of The Flash comic book. Dobkin revealed that his film would be set in the same universe as the Justice League of America movie which is now being cast. This brought us to the conclusion that Warner Bros is hoping to quickly capitalize on the success of the superhero team-up film, with a new solo franchise. Well it now appears that The Flash is not the only film getting a fast track into production.
Greg Berlanti (The Broken Hearts Club) has signed on to direct a live-action big screen adaptation of The Green Lantern. Berlanti is penning the script with Marc Guggenheim and Michael Green. So what else has Berlanti done? He executive produced Dirty Sexy Money, Everwood, and Brothers & Sisters. But Warner Bros is saying “Who cares if his only experience is a $1 million indie romantic comedy, he could probably handle a big screen superhero film!” Are they on crack? I was a little miffed when David Dobkin announced his Flash plans yesterday, but at least he has a filmography. Sure they were comedies, but he can make a movie, if anything, I know that. But the Berlanti is very perplexing to me. Variety sheds some light on how Berlanti may have earned this gig:
“Guggenheim, who works with Berlanti as a writer-producer on Brothers & Sisters, wrote the Marvel comicbooks Amazing Spider-Man, Wolverine and Blade. Green, the “Heroes” co-exec producer who worked with Berlanti on Everwood and Jack & Bobby, wrote the Marvel Comics title Superman/Batman and was a writer-producer on Smallville.”
Networking (Who you know) trumps talent or experience in Hollywood. Apparently, Berlanti met with DC Comics senior vice president Gregory Noveck a year ago about bringing Green Lantern to the big screen.
Don’t get me wrong, I’m not against Warner Bros making a Green Lantern film, or a Flash movie for that matter, I just want them to be done right. Because if a film like Daredevil teaches us anything, it is that a movie studio will only give a franchise one chance (Of course, The Incredible Hulk and The Fantastic Four might be the only exceptions).
The Hollywood Reporter has the following quote from Greg:
“To me, this was on the last great comic book movie that hasn’t been made,” said Berlanti, who grew up reading comics in the 1980s. “It was a comic book with a real mythology that you would see in a lot of the space operas and the sci-fi books. The best part about it, anybody can be become one of the Green Lanterns because anyone can end up with that ring.” “The danger and the fear from a lot of people is that it would be silly. In these post-‘Harry Potter’ and ‘Lord of the Rings’ days, it’s not any more fantastical than that. It’s taken movies like that to make it feel as if a Green Lantern film is possible.”
With The Flash and The Green Lantern spin-off movies in the works, it makes me seriously wonder if Warner Bros will announce that the Bryan Singer’s Superman sequel, The Man of Steel, is no more. It seems to me that the studio sees more benefit in a Superman film, which is an offshoot of the Justice League movie.
The Green Lantern character was created by writer Bill Finger and artist Martin Nodell in All-American Comics #16, published in July 1940. The Green Lantern possesses a power ring that gives him control over the physical world as long as the wielder has sufficient willpower and strength to wield it.