Pete Docter has been making movies for almost thirty years. In that time, he’s directed three features. Two of those have been produced by Jonas Rivera. One of those films won the Oscar for Best Animated Film. The latest one might do the same.
That latest film is Inside Out, Pixar’s 15th creation, which is now in theaters. Co-written and directed by Doctor and produced by Rivera, it follows five emotions inside the mind of an 11-year-old girl. As a follow up to both Monsters Inc., Docter’s first film, and Up, Rivera and Docter’s first team-up, Inside Out already has a ton to live up to. Then there’s the fact it’s the first Pixar movie since 2013, and the first original property since 2012. That’s a ton of expectations on top of the already-high bar Pixar has set in the past 20 years.
Speaking with Docter and Rivera, we talked about those expectations. We also talked about how large the movie got before focusing it down, developing the story, animation challenges, Saturday Night Live, Michael Giacchino and theme parks. It’s a wide spreading conversation, which you can now read below. Read More »
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UPDATE – Entertainment Weekly has posted two more tracks from Michael Giacchino’s, John Williams-influenced, score to Jurassic World. Listen to them after the jump.
With Avengers and Tomorrowland now in theaters, most fans look to Colin Trevorrow for the summer’s next big blockbuster. That would be Jurassic World, opening June 12, starring Chris Pratt and Bryce Dallas Howard, among others.
One of the many, many things that made the Steven Spielberg original such a unmitigated classic was the iconic, amazing score by John Williams. Williams was unavailable this time around (working on a small little space movie) and the task of bringing music back to the park fell to the capable baton of Michael Giacchino. The Oscar-winning composer said he’d be using some of Williams’ themes along with his own new work and you can now hear a bit of what that sounds like. Two tracks from Giacchino’s Jurassic World score are online. Listen to them below. Read More »
On July 21st 2014, I was lucky to visit the New Orleans set of Jurassic World. (You can read a list of over 50 things I learned on the Jurassic World set here.) While on set, we got the chance to have an extensive sit-down interview with Jurassic World director Colin Trevorrow, which was conducted during the crew lunch break on a recreation of the famous visitors center from Jurassic Park. (A location which, in the film’s story, is now abandoned.) Producer Frank Marshall joined us late in the conversation.
Our conversation spanned a variety of topics, including the use of performance capture to create the dinosaurs in the new film, the idea of Weird Al having a song in the new film, bringing an independent style to the shoot, and the evolution of the Jurassic Park 4 script over the last ten years. We went into the reasons for the infamous production delay, input from Steven Spielberg, and what to expect from the new dino species.
There were fun details, too, like how a conversation with his son about Star Wars resulted in major change to the script, allegories to Black Fish and Sea World, the dinosaur stand-ins on set, and how Brad Bird not directing Star Wars resulted in Steven Spielberg finding Colin.
As I said before, the interview is extensive and so you’ll want to carve out some time to read this. Trust me, its good.
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If you’ve been to a convention, odds are you spent some time drooling at a Sideshow Collectibles booth. Their large convention space consists of glass cases filled with the kind of high-end collectibles and figures most of us only dream of owning. Last weekend’s Star Wars Celebration was no different. Sideshow had a beautiful booth filled with goregeous merchandise. However, one big different this time was a huge selection of R2-D2’s that had been customized by various artists.
The exhibit was called R2-Me2 and consisted of efforts from almost 100 different artists – including composer Michael Giacchino – each using R2-D2 as a canvas for various interpretation of the character. Below, see a few our of favorite R2-Me2 images. Read More »
At Comic-Con, I usually spend most of my days camped out in the big convention hall Hall H (some people call it “Hall Hell”) but this year I spent Thursday pursuing some Pixar and Disney presentations in some of the smaller halls. First up was a presentation on Pixar’s upcoming holiday special Toy Story That Time Forgot. After the jump you can find out what I learned about the next installment of the Toy Story series.
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When two popular filmmakers hop on Reddit together, anything can happen. And lots did happen Wednesday night when Matt Reeves and Michael Giacchino did a simultaneous AMA to promote the excellent Dawn of the Planet of the Apes.
First up, the director dropped some super-interesting information about the making of the film and how he plans on working toward the 1968 original. Later, he got Giacchino to confirm he’ll be back for Dawn of the Planet of the Apes 2, or whatever it’ll be called. Both said they’d love to do a Star Wars movie (as long as they could do it together), and talked about future projects like The Invisible Woman and Jurassic World, the work load possible for a composer and so much more. It was a lively, interactive AMA and we’ve got some of the highlights below. Read More »
Composer Michael Giacchino has been known to have a little fun with the titles of the songs he creates for movies, but his original motion picture score for Dawn of the Planet of the Apes is particularly full of puns. For example, one of the tracks in titled “Close Encounters of the Furred Kind”, while his end credits score is titled “Planet of the End Credits”. Check out the full Dawn of the Planet of the Apes soundtrack listing after the jump. Don’t worry, the track listing it spoiler free (unless of course you consider a track title like “Enough Monkeying Around” a spoiler).
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With J.J. Abrams using John Williams to score his big 2015 release, Abrams’ frequent collaborator is stepping into Williams shoes. Oscar-winning composer Michael Giacchino will write the score for Colin Trevorrow‘s Jurassic World. Read More »
Briefly: Michael Giacchino just can’t quit the world of Brad Bird. The Oscar-winning composer has written the music for every Bird film except The Iron Giant, up to and including his upcoming film Tomorrowland. Among those is the similarly Oscar-winning film Ratatouille, which is getting a theme park ride at Disneyland Paris later this year. The ride is called Ratatouille: L’Aventure Totalement Toquée de Rémy (or, “The Totally Zany Adventures of Remy) and will feature music by none other than, you guess it, Michael Giacchino! The Ratatouille ride is expected to open later this year. Click here for more info. [Instagram]