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This week, Dave, Devindra, and Adam discuss the merits of Punch-Drunk Love, praise the over-the-top Hobo with a Shotgun, and try to unravel the mysteries of Source Code. Special guest Katey Rich joins us from Cinema Blend.

You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us for our next live broadcast on Sunday, April 10th at Slashfilm’s live page where we’ll be discussing Hanna.

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/Filmcast Ep. 135 – Unknown

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In this episode, Dave, Devindra, and Adam wonder about the future of creative storytelling, try to parse David O. Russell’s thoughts on Uncharted, debate the merits of The Fifth Element, and explain why I Am Number Four is a huge steaming pile of number two.

You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us for our next live broadcast on Sunday, February 27 at Slashfilm’s live page where we’ll be discussing this year’s Oscar ceremony.

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Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?

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