You can say this for Lars Von Trier: he doesn’t believe in treading lightly. If today wasn’t so busy I’d spend a few hours digging up the director’s old comments from Cannes press conferences and correlating their level of pseudo-outrage to the quality of the film he’s promoting. His latest movie, Melancholia, premiered at Cannes today and the reviews are (perhaps predictably) mixed, with some of the most telling comments coming in the form of negative reviews from normally sympathetic fans. (There are also some significant raves.)
‘Sympathetic’ is the byword for LVT today, as the press conference for Melancholia featured the director baiting the press with statements about feeling that he understands Hitler and being a Nazi. Depending on how you look at it, press-baiting may not even have been his goal — it is more like the Nazi comments grew out of an attempt at a joke that, like a poor SNL routine, went on too long and wound down into an awkward sort of ‘oops’ conclusion. (A conclusion that proved perhaps appropriately apocalyptic, given the context of promoting a film about the end of the world.) The discourse about him today is dominated this current provocation, but we’ve also got early reviews of Melancholia and a few more upcoming career details. Read More »
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Lars Von Trier‘s new film, Melancholia, premieres soon at Cannes, and the debut of the film sets up a showdown between two sci-fi influenced dramas. On one side you’ve got Another Earth (trailer here) in which the emergence of a second Earth, which may or may not be an exact duplicate of our own world, leads to an exploration of second chances and the idea that our mistakes don’t have to be our sole defining trait.
And then there is Melancholia, in which Kirsten Dunst and Charlotte Gainsbourg play sisters coming to terms with the impending end of the world. We’ve seen very little footage from Melancholia so far — just one short trailer — but a clip released this week shows Kirsten Dunst’s character proclaiming that life on Earth is evil, seemingly setting up her whole attitude throughout the film in a nutshell. That clip is after the break, along with an effects reel and a short international TV spot. Read More »
There have been a great many new posters in the past few days. Just this afternoon we’ve seen new one-sheets for the doc Page One: Inside the New York Times, the horror remake Don’t Be Afraid of the Dark, Miranda July‘s odd-sounding new drama The Future, and Lars Von Trier‘s Melancholia. Plus earlier this week there were new sheets for tantalizing Cannes debut Sleeping Beauty, The Art of Getting By, What’s Your Number?, The Ledge, The Beaver and Troll Hunter. They’re all after the break, along with info on each film and links to the trailers. Read More »
A new film from grand provocateur Lars Von Trier is always a big deal. And so we’re hanging on every little revelation about Melancholia, the apocalyptic drama featuring Kirsten Dunst and Charlotte Gainsbourg as sisters who are stressing their way through a wedding and life in general just as a previously unknown planet is found to be on a collision course with Earth.
We saw the trailer a couple weeks ago and now there is a poster that looks like the cover to an Italian library edition of the film’s novelization. (Or more properly, as many have pointed out, a wedding invitation.) Check out the big version after the break. Read More »
We just saw a trailer this week for Lars Von Trier‘s new film Melancholia, which will premiere in competition at Cannes this May. We still don’t know too much about the film — he famously proclaimed “no more happy endings!” when announcing it, and there is a basic sci-fi concept wrapped around a family drama and some sort of existential crisis for the main character, played by Kirsten Dunst.
Now Lars Trier has dropped a few tidbits about the film to Empire, and those who can’t wait for Magnolia to set a US release date for the film should hit the jump to enjoy the scant new bits of info. Read More »
The best thing I could possibly find on the web this Friday morning is the new website for Lars Von Trier‘s upcoming film, Melancholia, complete with the first trailer for the movie. Though the story is (kind of) about the end of the world, the slightly not safe for work trailer (there is a little bit of nudity) is actually almost gentle in places.
The clip briefly charts the upcoming wedding of the younger of two sisters, played by Kirsten Dunst, looking effectively pensive and anxious. But seemingly coinciding with the ceremony is the emergence of a planet that was previously ‘hiding behind the sun’ and is now on a collision course with Earth. What follows appears to be very much the product of Lars Von Trier, but perhaps not quite the Von Trier of Antichrist. I thought he said ‘no more happy endings’? Read More »
Lars Von Trier created no small amount of controversy with his last film, Antichrist, which chronicled the breakdown of a relationship in explicit, mind-bending fashion. So he raised eyebrows when he pronounced ‘no more happy endings!’ for his next picture, Melancholia, which also expands his canvas from the destruction of a couple’s relations to the utter destruction of the Earth.
Melancholia stars Kirsten Dunst, Charlotte Gainsbourg, Kiefer Sutherland, Charlotte Rampling, John Hurt, Alexander Skarsgård, Stellan Skarsgård and Udo Kier, and explores the responses of two different women (played by Dunst and Gainsbourg) to the impending end of the world. And now the film, which is still being finished, will be distributed in the US by Magnolia. Read More »
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For his 24 encore, Kiefer Sutherland will continue to execute people. Or at least talk about it. The star of the now-canceled Fox action show has already filmed his next project called The Confession. It’ll debut exclusively on Hulu in March. Sutherland stars as a hitman who has an intense conversation with a priest, played by John Hurt, about the morality behind murdering people. The pair shot the series – which will run in 10, five minute segments – in New York in December. Read more about it after the jump. Read More »