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This week, Dave Chen, Devindra, and Adam chat about the virtues of Downton Abbey, debate the merits of Another Earth, and discuss their most anticipated films of 2012. Special guest Alison Willmore joins us from Movieline.

You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us at Slashfilm’s Live page on Sunday (1/22) as we discuss Haywire.

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The Alamo Drafthouse’s Top 10 Films of 2011

It’s no secret that the Alamo Drafthouse is the best theater chain in the country. Sure, it’s small, but the passion they have to create the perfect environment to watch a movie is unparalleled. Case in point, their hugely popular No Texting public service announcements, incredible in-theater food selection, stunning repertory screenings and so much more.

As the new year begins, the entire staff of the Drafthouse voted on their favorite films of 2011 and selected /Film as the outlet to exclusively premiere their list. It’s extremely eclectic (The Muppets, Beginners and 13 Assassin all made the cut) but you’d be hard pressed to find a better cross section of the best 2011 had to offer. Check it out after the jump. Read More »

Angie’s Top 10 Movies of 2011

I find it difficult to say whether 2011 was an unusually strong or unusually weak year for films. As in any year, there were pleasant surprises and disappointments alike. If I had to pinpoint the one thing my favorites tend to have in common, though, it’s a sense that each of them were made with great love by people who cared desperately about them.

I don’t think there’s anything anyone can say at the start of a top 10 list to totally deflect the disgruntled comments from readers who incensed to see that X made my top 10 when Y didn’t, etc., but I’m still going to throw out the usual caveats. There are certainly deserving films that were left off just because I forgot about them, or because I missed the theatrical run, or because I couldn’t fully appreciate them due to my own biases, or what have you. I also want to acknowledge that there is no fair way to compare, say, Bridesmaids against Tree of Life, but that by ranking these movies I’ve done so anyway.

Finally, and most importantly, I’d like to stress that this is not intended as an objective list of the ten best movies of the year, but as a totally subjective look back at my personal favorites of 2011. Read my list and leave your thoughts after the jump.

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Roger Ebert’s Top 20 Movies of 2011


With just days to go until the end of 2011 (Where did the year go???), legendary film critic Roger Ebert has announced his top 20 movies of the year. Just as you’d expect from Ebert, his list runs the gamut from mainstream blockbusters to more obscure foreign or arthouse projects — with enough in the latter category to offer up some useful suggestions for your Netflix queue. Read his list after the jump.

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From the ‘blown way the hell out of proportion’ file: Lars von Trier has now been questioned by Danish police over comments he made at this year’s Cannes Film Festival. The comments in question are those in which he said he sympathized with Hitler — essentially a poorly-considered moment in which he took a wrong track down a meandering train of thought in response to a question about his family history. The comments had him declared ‘persona non grata’ at Cannes and have had deeper repercussions than any of us would have anticipated.

The director has apologized for those comments, then refused to apologize, then even poked fun at the response in a promo poster for Melancholia, which bore a ‘persona non grata’ stamp. But now he’s backing off once more — from everyone. After being questioned by police, Lars von Trier has issued a statement saying that he’ll no longer speak in public or do interviews. Read More »

slashfilmcast550

This week, Dave Chen, Devindra Hardawar, and Adam Quigley muster some enthusiasm for the new Arrested Development series/movie, try to make some sense of Terra Nova, run down some anime films, and reflect on the prospects of a new Mortal Kombat film. Special guest Katey Rich joins us from Cinemablend.

You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Tune in on Sunday night (10/9) at Slashfilm’s live page at 10 PM EST / 7 PM PST as we review Real Steel.

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Lars von Trier detractors often accuse the Danish director of being little more than a provocateur, and his impetuous demeanor when dealing with the media doesn’t dispel that impression. That leads some — even our own Germain, in his review of Melancholia — to suspect that Trier’s actual films are constructed, in part, as nothing more than button-pushing exercises. I tend to believe in the director more as an imp who has a healthy, if perverse sense of humor, and who takes the opportunity to enjoy unorthodox fun when he can.

Such is the case, I suspect, with the new character posters for Melancholia.

In anticipation of the film’s UK release this weekend and October 7 VOD bow in the US (to be followed by a November 11 theatrical release) there are six new character posters for the film. They feature actors Kirsten Dunst, Charlotte Gainsbourg, Kiefer Sutherland, Alexander Skarsgård and John Hurt. But there’s also a poster for Lars himself, which is even stamped with a ‘persona non-grata’ seal, mocking his expulsion from the Cannes Film Festival this past May. See all six below. Read More »

When Lars von Trier‘s last film, Antichrist, played at Fantastic Fest, it unknowingly birthed the festival’s unofficial mantra: “Chaos Reigns.” Chaos reigns again in von Trier’s latest film, Melancholia, which is about two deeply depressed sisters and their personal trials during the end of the world. It stars Kirsten Dunst and Charlotte Gainsbourg as the sisters as well as supporting roles by Kiefer Sutherland, Stellan Skarsgard, Alexander Skarsgard, John Hurt, Charlotte Rampling and more.

Chaos also reigns in a less impressive, more action-packed, take on the end times, The Day. Directed by Doug Aarniokoski and starring Dominic Monaghan, Shannyn Sossamon, Ashley Bell and Shawn Ashmore, The Day is a snap shot of 24 hours in a post-apocalyptic world. Read more about each film after the jump. Read More »

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