Raid 71 Bottleneck gallery- The Fisher King

One of my biggest pet peeves is when someone takes a photo in terrible light. It’s dark, everything is quiet and then huge flash goes off. I think ” You just ruined that.”

Most people are blissfully ignorant to the importance of light in art, not just in photography, but anything visual. Which, I assume, is one of the reasons why artist Raid 71 is calling his latest solo show Illuminate. The pop culture art show features works from films like Blade Runner, Tron, The City of Lost Children, Akira, Mean Streets, Dark City, Midnight Cowboy, The Fisher King, Taxi Driver and more that focus on light, and light juxtaposed with architecture, in cinema. The show opens May 15 at the Bottleneck Gallery in Brooklyn, NY and below you can see a bunch of art from the show. Read More »


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Watch A Brief History of Movie Title Designs

As part of the screening put together in relation to the SXSW Title Design Competition, Ian Albinson from the website The Art of the Title Sequence put together a nice two and a half minute compendium of excellent film titles. (That features an occasional piece of television, too.) For any long-time film lover, this little video will probably elicit quite a few responses simply on the strength of the title cards on display. I queued several films to re-watch after exposure to just a few seconds of their titles.

Check out the collection after the jump. Read More »

What is Page 2? Page 2 is a compilation of stories and news tidbits, which for whatever reason, didn’t make the front page of /Film. After the jump we’ve included 31 different items, fun images, videos, casting tidbits, articles of interest and more. It’s like a mystery grab bag of movie web related goodness. If you have any interesting items that we might’ve missed that you think should go in /Film’s Page 2 – email us!

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This past April saw the release of writer/director Jody Hill‘s first official Hollywood feature entitled Observe & Report. The film is an uncompromised portrait of a young mall-cop riding the peaks and valleys of bi-polar disorder like a vigilante daydream set to Queen‘s Flash Gordon theme. In the lead, Seth Rogen gave his most memorable and invested performance since a scathing-eyes debut on Freaks and Geeks.

On top of that, Observe‘s production design was deliberately unglamorous; its depictions of a troubled, goofy main character and firearms bordered, at times, on misanthropic endorsement. Hill’s script and direction managed to flesh out an endlessly talented supporting cast (Anna Faris, Aziz Ansari, Patton Oswalt, Ben Best, Danny McBride, Ray Liotta, Michael Peña, Collette Wolfe) in a decidedly untypical comedy. Many critics and viewers didn’t know what to make of it. Far too many critics said, “I liked it, but it’s not for everyone.” Movies as Joe Viewer trough? Moreover, gallons of digital ink were wasted on a bullshit, hit-fueled “rape controversy,” in yet another growing-pain display of male movie writers as over-sensitive guardians of today’s PC-gates.

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How Green was My ValleyHave you ever seen the movie How Green Was My Valley? Me neither.

Have you even heard of the movie? Didn’t think so.

Yet John Ford’s film somehow won 5 Oscars including Best Picture. But what’s more shocking: It beat out such classic films as Citizen Kane and The Maltese Falcon for the top honor. (Note: I’m not saying that Ford’s film is a bad movie. I’m just saying that in terms of reviews, user ratings, and all time-top 10 lists, it’s not to the level of Kane and Falcon)
How can that be? As it turns out there are a lot of movies that should have won Best Picture but somehow didn’t. Some of them weren’t even nominated!

Let’s take a look at the list.

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