One of the most interesting things about the new Planet of the Apes films is we all know where they’re going. Eventually in this story, maybe thousands of years down the road, a human astronaut will land on the planet and eventually realize he has come home to a very changed Earth. Dawn of the Planet of the Apes director Matt Reeves knows this. He also thinks the concept is incredibly far off from where his last film left off and where the next film, scheduled for July 29, 2016, will go.
In a new interview, Reeves talked about the importance of this next chapter in cementing that history and hypothesized about the story eventually reaching the point of the original movie. Would he do a remake of the 1968 original, or how would they handle that in this new version of the films? Reeves has thought about it. Read the Matt Reeves Planet of the Apes remake quotes below. Read More »
Posted on Tuesday, December 2nd, 2014 by Angie Han
Matt Reeves is planning ahead. The Dawn of the Planet of the Apes director is already set to return for the sequel, and now he’s lined up his next film beyond that: an untitled bank heist thriller in the vein of Heat and Dog Day Afternoon. More details on the Matt Reeves bank heist movie after the jump. Read More »
Dawn of the Planet of the Apes was a big hit this summer, grossing over $200 million in the US and over $700 million worldwide. That was good for Fox because they dated its follow-up months before release, setting its date for July 29, 2016. Matt Reeves will be back to direct and, of course, Andy Serkis will return as Caesar for the third Planet of the Apes prequel.
Though Dawn definitely teased what could happen next in the series, these new Planet of the Apes films have been anything but predictable. So while promoting the Blu-ray release of the recent film, Reeves and Serkis both dropped a few teases about the third film. Reeves described Caesar on a trajectory towards Moses-like reverence and Serkis said there’s war. Read more about the Dawn of the Planet of the Apes sequel. Read More »
Posted on Friday, September 5th, 2014 by Angie Han
Thought the piss-poor box office figures for this past summer would discourage studios from making more sequels? Think again. After the jump:
- Relativity will release The Woman in Black 2
- Could Koba be back for the next Apes movie?
- Wesley Snipes might return for another Blade film
- Will Forte still really wants a MacGruber sequel
- Pirates of the Caribbean 5 may set sail for Australia
- Mission: Impossible 5 jets off to Morocco
- Is there any chance of more Deadwood?
- 24 may get that long-promised big screen sequel yet
- More Flowers in the Attic TV movies are coming
- Rumor has it the 50 Shades sequel will star a Kardashian
- The next Maze Runner is already in pre-production
- See a (SFW) pic from the set of Magic Mike XXL
- Lorde maybe teases her Hunger Games contribution
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Posted on Friday, July 25th, 2014 by Angie Han
After the jump:
- Matt Reeves and Mark Bomback drop some Apes hints
- Luc Besson says it’s “too late” for a The Professional sequel
- 24 could still get a movie sequel, or another TV season
- Mad Max: Fury Road reveals a few more images
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Weeks before the release of Dawn of the Planet of the Apes, director Matt Reeves decided to change the ending. They had shot a completely different alternate ending sequence, but he wanted to go for something different. Find out what happened in the deleted Dawn of the Planet of the Apes ending, and why it was changed only weeks before release, after the jump.
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One of my favorite shots in Dawn of the Planet of the Apes involves an ape taking control of a tank and running amuck in post apocalyptic San Francisco. Its great because of the way its presented — the sequence appears to be a single shot mounted from the back of the tank turret. During my conversation with director Matt Reeves, he talked a bit about the frustrating long process of waiting over a year to finally see the final vision realized through completely rendered visual effects. My favorite shot turns out was the most difficult shot to complete, taking a whopping 1030 iterations from the vfx wizards at WETA before Reeves signed off. Read about what went into a single “shot” of Dawn of the Planet of the Apes, after the jump.
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You will emerge from viewing Dawn of the Planet of the Apes amazed at the motion capture performance by Andy Serkis. Sure, you’ve seen him do Gollum in Lord of the Rings and even Caesar in Rise of the Planet of the Apes, but Dawn takes the work to an entirely new level. Recently some people in the computer animation and effects space have gotten angry over comments from Serkis that WETA is just “painting digital makeup onto actors’ performances.” Many have felt that minimizes the work of many talented visual effects artists. I didn’t get a chance to talk to the actor, but I was able to chat with Dawn of the Planet of the Apes director Matt Reeves about the Andy Serkis digital make-up controversy.
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Cool Posts From Around the Web:
While you’re watching Dawn of the Planet of the Apes, you won’t suspect anything unusual about the way the film was made. But some scenes were shot with actors performing their roles more than 1,000 miles away from each other while director Matt Reeves directed over Skype, from 6,328 miles away. Reeves reveals to me that he directed sequences using Skype video conferencing with Andy Serkis performing Caesar in his performance capture studio in London while Jason Clarke interacted with the ape from a hotel room in Rome. Find out more about the Dawn of the Planet of the Apes skype filming, after the jump.
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When two popular filmmakers hop on Reddit together, anything can happen. And lots did happen Wednesday night when Matt Reeves and Michael Giacchino did a simultaneous AMA to promote the excellent Dawn of the Planet of the Apes.
First up, the director dropped some super-interesting information about the making of the film and how he plans on working toward the 1968 original. Later, he got Giacchino to confirm he’ll be back for Dawn of the Planet of the Apes 2, or whatever it’ll be called. Both said they’d love to do a Star Wars movie (as long as they could do it together), and talked about future projects like The Invisible Woman and Jurassic World, the work load possible for a composer and so much more. It was a lively, interactive AMA and we’ve got some of the highlights below. Read More »