This week, Dave, Devindra, and Adam are joined by Katey Rich from CinemaBlend to discuss the quality of the HBO film Game Change, the ineffectiveness of Salmon Fishing in the Yemen, the devastating nature of The Snowtown Murders, and the disappointing box office performance of John Carter.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. We’ll be reviewing 21 Jump Street next week. Join us for our next live broadcast on Sunday (3/25) at 10 PM EST / 7 PM PST at slashfilm.com/live.
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Clint Mansell is among the best film composers in the business, having recently added yet another masterful score to his name with the cheekily bombastic, disorienting Black Swan. That was his latest in a long line of contributions to the films of Darren Aronofsky, having previously worked on The Wrestler, The Fountain, Requiem for a Dream and Pi. He also imparted Duncan Jones’ Moon with a haunting ambiance that still sits with me to this day.
These films have ensured that Mansell will always have a place in history, but now it appears his legacy will extend beyond film. He’s revealed that he’ll be providing the score for Mass Effect 3, the conclusion to Bioware’s action role-playing game series. Apparently the developers were in need of a composer with a true sense of the cinematic to close out their sweeping epic. And Mansell is just the guy for it. Learn more after the break. Read More »