Posted on Tuesday, October 20th, 2015 by Angie Han
A new Mary Poppins is coming from Disney, that much we know. But exactly what kind of a new Mary Poppins are we talking? Is it a remake? A sequel? A reimagining from a different perspective? One of those weird reboot-quel hybrids that spends the running time of an entire feature film explaining that technically, this reboot is actually a sequel? (Yes, Terminator: Genisys, X-Men: Days of Future Past, I’m talking about you.)
Based on director Rob Marshall‘s comments, the answer appears to be “none of the above.” It’s definitely not a remake, but it’s not quite a sequel; either, instead, it’s what he calls an “extension.” Read his Mary Poppins remake comments after the jump. Read More »
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Disney has already invested in Emily Blunt with a small role as Miss Piggy’s assistant in The Muppets and one of the lead roles in the Broadway musical adaptation of Into the Woods. Recently there have been rumblings that Blunt is under consideration for Captain Marvel along with Mission: Impossible – Rogue Nation star Rebecca Ferguson, but the actress had an interesting theory as to why those rumors keep circling.
And now Disney has another role for which they think the star of Edge of Tomorrow and this weekend’s Sicario would be perfect: Mary Poppins. That’s right, according to a new rumor, the House of Mouse wants Emily Blunt as Mary Poppins in the recently announced musical sequel set in Depression-era London, about 20 years after the original. Read More »
Posted on Monday, September 14th, 2015 by Angie Han
Disney’s apparent quest to update every single movie in its catalog continues unabated. The next classic in its sights is Mary Poppins, as Rob Marshall has signed on to direct a new live-action musical based on P.L. Travers‘ books. (The struggle to get the rights of which were chronicled in another recent Disney movie, Saving Mr. Banks.) More details on the new Mary Poppins sequel after the jump. Read More »
Video remix artist Pogo has been remixing films into music for a four years now. He has done a number of live action film remixes, including: A.I., Lord of the Rings, Terminator 2, Groundhog Day, Pulp Fiction, and even Back to the Future. But he has mainly focused on animated films, including Disneya nd Pixar: the Up-inspired Upular, the Toy Story-inspired Toyz Noize and Buzzwings, the Monsters Inc-inspired “Boo Bass” and others. Pogo’s latest remix (with video made by Joshua Kershaw) combines a bunch of Disney movies, cutting the live action Mary Poppins with animated films like Peter Pan, , Alice in Wonderland, Aladdin and The Little Mermaid. Enjoy Pogo’s The Trouble video remix now embedded after the jump.
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Today I bring you a roundup of a couple cool movie/tv-related projects up for vote at LEGO Ideas and also one cool science fiction LEGO product that was voted into production and coming out next month. Hit the jump to check out all three LEGO projects and hopefully help vote them into production.
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A lot of you know quite a bit about film, but I bet the video below features a few details that will be new to all but the most technically-aware readers.
The site filmmakerIQ.com has put together a great video that explains the origins of film compositing as used in special effects. It begins with the short in which Georges Melies tore his own head off three times in a row to present audiences with himself surrounded by three talking heads. The explanation moves from there to the early blue screen process, and then to the means used by Disney to make the compositing in films like Mary Poppins look amazingly good. (Do you know the name Petro Vlahos? After this, you will.)
This video explains the intricate technical hurdles that made blue-screen compositing so time-consuming, and does a great job explaining the shift to green-screen use and digital. It’s a great video that breaks down a complex process to easily understandable bits. Read More »
Posted on Thursday, July 11th, 2013 by Angie Han
There’s a certain kind of stress that comes with watching a favorite book get adapted into movies, and I can only imagine that the process must be even more nerve-wracking for the authors of those books. It can’t be easy for them to see their work chopped up and rearranged, or to find that what soars on the page drops with a thud on the screen.
In Saving Mr. Banks, writer P.L. Travers (Emma Thompson) tries to save herself that grief by refusing to hand over the film rights to her Mary Poppins books. But Walt Disney (Tom Hanks) doesn’t give up easily, and, well, if you’ve ever tried to wrap your mouth around the nonsense word “supercalifragilisticexpialidocious,” you can probably guess how that goes. Watch the first trailer for the fact-based drama after the jump.
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Posted on Tuesday, April 10th, 2012 by Angie Han
The way Disney’s Saving Mr. Banks is shaping up, we might as well pencil it in now for the 2014 Oscar race. Based on true events, Kelly Marcel‘s 2011 Black List script centers around company founder’s Walt Disney‘s 14-year effort to convince Mary Poppins author P.L. Travers to turn over the rights to her book. Since the early days, the project’s sought big names, with Tom Hanks and Meryl Streep said to be among the top choices to play the leads and The Blind Side helmer John Lee Hancock boarding the picture in late February. Now casting has begun in earnest, with Hanks in talks to play Walt Disney and Emma Thompson negotiating for the role of Travers.
So to recap: Bittersweet real-life drama, check. Best Picture-nominated director, check. Oscar-kissed stars, working on a double check. Yep, Saving Mr. Banks wants badly to be an awards contender, all right. More details after the jump.
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Here’s the latest video from film/audio remix artist Pogo. Bloom combines a good number of Disney video and audio sources (Aladdin, Sleeping Beauty, Mary Poppins, The Little Mermaid and more) as well as some chords from A.I.: Artificial Intelligence. Watch it after the break. Read More »