Who will be nominated for the Best Director Oscar this year? We’ve got a pretty good idea now that the nominations for the Directors Guild of America’s own awards have been handed down. Steve McQueen (12 Years a Slave), Alfonso Cuaron (Gravity), David O. Russell (American Hustle), Martin Scorsese (The Wolf of Wall Street) and Paul Greengrass (Captain Philips) have been honored with nominations for the 66th DGA award. Three of those (McQueen, Cuaron, Greengrass) are first-time DGA nominations.
Historically, this nomination set is a very good predictor of where the Oscars will go, but last year was a bit of a tradition breaker, as only two of the five DGA nominees got Oscar nominations, and the DGA winner, Ben Affleck, was not among them. (Ang Lee won the Oscar.)
Meanwhile, this is another major guild that has looked past Joel and Ethan Coen and Inside Llewyn Davis; Spike Jonze is another director of significant achievement in 2013 who didn’t get a nomination.
The full list of feature directorial nominations is below, with accompanying notes from the DGA. Read More »
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The biggest debate over Martin Scorsese‘s current hit The Wolf of Wall Street hasn’t been its quality. Its been its ethics. The film shows stockbrokers lead by Jordan Belfort (Leonardo DiCaprio) abusing the legal and financial systems to ridiculous gain, only to blow it all on lavish possessions and parties. Some have said the film glorifies these actions. Others, and I’m in this camp, think it paints Belfort as a terrible person and ends up being a harsh criticism of America’s economic character.
Another reason for the controversy is the film features a cameo by Belfort himself, a convicted criminal and informant who is presumably profiting from both the movie and increased sales of his book on which Scorsese’s film is based. Since Belfort has failed to make the restitution payments mandated by his 2003 conviction — he’s got almost $100m to go — that’s been a huge sticking point for some.
However, Belfort has taken to social media to explain where his new money is going. While he will profit from the film, all of the money is being turned over to the government as continuted restitution for his years of criminal activity.
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Martin Scorsese‘s new film, The Wolf of Wall Street, is turning into one of the biggest firebrands of late 2013 as it provokes conversations about glorification versus excoriation of the film’s central character, and about our national obsession with getting rich. You won’t see too much of that in the official marketing, which is aimed squarely at getting across how much fun these characters have screwing people over. But it’s still there, and then when Scorsese and his collaborators have a chance to talk about the material it all starts to come out. Below we’ve got a couple official behind the scenes fluff pieces, and a couple of longer interviews that are much more in-depth. Read More »
The thought of interviewing Rob Reiner is daunting. As a director, he’s responsible for some of the most popular and influential films of the past thirty years. Films like This Is Spinal Tap, When Harry Met Sally, The Princess Bride and Stand By Me. As an actor, he started his career on one of television’s most important shows of all time (All In The Family). Now he’s part of Martin Scorsese‘s impressive ensemble in The Wolf Of Wall Street, playing Max Belfort, father of Jordan Belfort (Leonardo DiCaprio).
That’s a lot of history and talent wrapped up in one man, so when I spoke to Reiner I focused on what his directorial expertise tells him about Scorsese, what it was like being one of three directors who act in the film and how his latest two films, Flipped and The Magic of Belle Isle, inform his current view of the Hollywood landscape. Read the full interview below. Read More »
It’s a few more days before everyone gets to see Martin Scorsese‘s wildly energetic new film The Wolf of Wall Street, but if you’ve taken in the trailers and still want to see more, here’s over ten minutes of behind the scenes B-roll footage. The nature of the footage, as B-roll tends to be, is all “fly on the wall” sorta shots, rather than any incisive look at the filmmaking process. But a lot of this is Scorsese working with Leonardo DiCaprio, Jonah Hill, and a ton of extras, and it’s fun to see rooms full of people come to life when “action!” is called. Read More »
Posted on Tuesday, December 10th, 2013 by Angie Han
Martin Scorsese‘s had a prolific career, giving us nearly two dozen narrative features in the past fifty years — and that’s not even counting the various documentaries, shorts, TV episodes, and commercials he’s also put out in that time. But now the iconic filmmaker’s career may be nearing an end.
Speaking at the Marrakech Film Festival, Scorsese said that he only has a “couple more” movies left in him and that in fact, it’s only thanks to his frequent star Leonardo DiCaprio that he’s even kept going this long. Read his comments after the jump.
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Only a few people have seen The Wolf of Wall Street, from Martin Scorsese — mostly guild members and Oscar pundits — but the word has been pretty enthusiastic. I’ve heard that the movie is funny and extraordinarily debauched; that NC-17 talk wasn’t idle chatter. (DiCaprio describes it as “a modern day Caligula.“) There’s a lot of talk about how good the cast is, and also some interesting notes about the music choices.
We’ll all get to see it soon, as the movie opens on Christmas Day, but for now you can either watch or bookmark this great roundtable talk with the creators. Scorsese takes part, with star/producer Leonardo DiCaprio, co-star Jonah Hill, and screenwriter Terence Winter. Read More »
Martin Scorsese rarely holds back when making his films. Some of his work, from Taxi Driver to The Last Temptation of Christ, stands as among the most provocative in mainstream cinema thanks to violence and (to a lesser degree) sex, and the director’s willingness to engage those elements directly.
Jordan Belfort’s biography The Wolf of Wall Street is a story that is rife with hedonism, as Belfort rode out of the ’80s and into the ’90s making insane amounts of money. Unsurprisingly, some of it was spent on women and sex. Given Scorsese’s tendencies, there’s every reason to expect those elements would be in his film The Wolf of Wall Street as well. The trailers certainly suggest there will be a lot of flesh on display.
Too much, in fact, as Scorsese had to trim sex and nudity to prevent the film being slapped with an NC-17. Even with those cuts, Wolf clocks in at two hours, fifty-nine minutes, the longest film of Scorsese’s career. Read More »
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