Two movies. That’s all it took for every single Paul Thomas Anderson movie to become an event. His first film, Hard Eight, opened with relatively little fanfare. His second, Boogie Nights, announced to the world that Anderson would be a filmmaker to celebrate. One whose work we would anticipate, possibly revere. With each subsequent film, film fans everywhere have salivated to find out what Anderson has in store for us next.
The latest event, Inherent Vice, opens in limited release this weekend. It’s both a huge departure for the director in that it’s the first film of his directly based on someone else’s work (the inspiration for There Will Be Blood was very different from the final film), but somehow it also perfectly fits into his career. Like most of his movies, it’s a film set in and around California and tells a story about its history. Anderson loves California, and that interest shows in almost every one of his movies. And while exploring that running theme, each of his seven movies gets more confident and daring. There has yet to be a single misstep.
Still, there has to be some kind of hierarchy, right? Some kind of almost impossible deathmatch in which these seven glorious works are pitted against one another, to see which triumphs.
Below, read our ranking of the best Paul Thomas Anderson movies. Read More »
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If you’re like me, you’ve had the DVD for Paul Thomas Anderson‘s Magnolia for over a decade. The film was released 1999 and the DVD arrived a year later. And while it was kind of bare bones in terms of extras, one extra was simply stunning. It’s called That Moment, and is a 72 minute diary/documentary by Mark Rance about the making of the film.
On its own, that’s not really a huge deal. Making of documentaries on DVDs are a dime a dozen. But for a filmmaker like Paul Thomas Anderson, it’s a massive deal. This, and the director commentaries on the Boogie Nights DVD, are a film fan’s best resource into the brain of the shy filmmaker.
So why are we talking about this in 2014? While That Moment has obviously been available for almost 15 years on DVD, it wasn’t readily available online. That’s now changed. Below, watch the entire Magnolia documentary That Moment. Read More »
This month, Paul Thomas Anderson is set to start filming his seventh feature film, Inherent Vice. For fans of the generally shy director, that’s reason enough to celebrate. Now Mondo has sweetened the pot considerably, announcing a poster series for the films of Anderson curated by artist Aaron Horkey.
Hard Eight, Boogie Nights, Magnolia, Punch-Drunk Love and There Will Be Blood all are getting brand new posters this week, from a variety of artists, and you can check them out below. Read More »
/Film reader and Brazilian artist Mario Graciotti has created a few series of posters I wanted to showcase on the site. The posters showcase the films of Paul Thomas Anderson, Alfred Hitchcock, and Pixar Animation Studios. Check out some of Graciotti’s minimalistic posters, after the jump.
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In this episode of the /Filmcast, David Chen, Devindra Hardawar and Adam Quigley take a ride in Greg Mottola’s Adventureland, praise the Damages season finale, are shocked to discover that the new Dragonball movie “isn’t terrible,” reflect on the implications of the Wolverine workprint leak, and discuss the new Terminator Salvation, Year One, and Star Trek MPAA ratings. Special guest Jennifer Yamato joins us from Rottentomatoes.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us next MONDAY night at Slashfilm’s live page at 9 PM EST / 6 PM PST as we review Observe and Report.
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Posted on Wednesday, April 1st, 2009 by David Chen
About a week ago, we reported on the fact that the North American DVD/Blu-Ray release for Tomas Alfredson’s Let The Right One In had its subtitles completely butchered. Understandably, many fans of the DVD were incensed and took to the interwebs to voice their discontentment. The din grew so loud that Magnet/Magnolia responded by adding on a theatrical English subtitle track to the discs, although it would not offer exchanges for the hardcore fans of the movie who undoubtedly went and purchased the initial inferior discs right after they were released. Well, at least they were being sensitive to some of the fans, right?
As it turns out, no.
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Justin Reed is a 30-year old Vermont artist who has created a number of awesome movie-inspired artwork over the past few years. He has a BFA in Illustration from the University of Massachusetts-Dartmouth, and has had art exhibition in galleries in and out of the country (every place from Canada to Los Angeles). I’ve included nine of my favorite pieces that Reed has created after the jump.
Unfortunately, Reed is not selling prints of any of this art work at this time, but if that changes, I’ll let you know. And of course, he also does commissions, so if you want to hire the guy, head on over to his website for full details.
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Welcome to another edition of Movie Playlist, where we talk to the writers, directors, and stars about their favorite films. I’ve always found the celebrity playlists on iTunes to be interesting. Most everyone in the film business moved to Hollywood after discovering their love of films. And I’ve always love talking to people about their favorite films. So talking to the people who make the movies about their favorite films just seemed like a natural idea.
Nanette Burstein is the Academy Award nominated documentary filmmaker behind On The Ropes and The Kid Stays in the Picture. Her latest film American Teen follows five high school students through their senior year. I hate to oversell the movie, but it’s literally one of my favorite films of the year.
Nanette Burstein: There are certain directors whose films, I could just watch them endlessly. Alexander Paine, I’m a huge fan of.
Peter Sciretta: You know, I saw a lot of like Election in American Teen…
Nanette Burstein: Yes, Election definitely influenced this film… Like the shots of the kids when you hear their voiceovers and they’re on the bed, I totally took that from Election. There was the night before election where there’s all these dolly shots into all the main characters and their thoughts and like they’re all crane…
Peter Sciretta: It was like those crane shots.
Nanette Burstein: Yeah, those shots are amazing, and that’s what inspired me to do that.
Nanette Burstein: There’s definitely different homages in this film, like Garden State which I love there’s this scene when Hannah goes to the party and she’s alienated and the way I cut that scene was completely influenced by that scene in Garden State where he’s alienated at the party.
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