Call of Duty writer Will Staples is being courted by 20th Century Fox to write a film called Myth that already has Sam Worthington, James Cameron and Lorenzo di Bonaventura interested in producing. Nothing is known about the story of the film except, according to The Hollywood Reporter, “it’s big, it’s sci-fi, and it’s got lots of action.” Sold. Read more after the break. Read More »
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Producer Lorenzo di Bonaventura has hired Jeremy Passmore (Red Dawn) and Andre Fabrizio to write the script for an action thriller called DMZ, which is set in the tense zone between North and South Korea. The film will be a sort of political action movie, but it also has another component, as a task force sent into the zone discovers something other than the influence of a crazed father-son dictator team waiting within. Read More »
The Los Angeles Times is reporting that Tony Scott, according to their sources, is “just a step away from” directing the big screen adaption of John Grisham‘s bestselling legal thriller The Associate. You might recall that Shia LaBeouf is attached to star, Lorenzo di Bonaventura (Transformers, GI Joe) is producing, and The Departed screenwriter William Monahan penned the script.
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I know there’s resistance to Red based on the fact that the film looks quite a bit different from the Warren Ellis comics upon which it is based. I haven’t read the comic, so can only approach the film based on what I see — and I really enjoy the stuff we’ve been shown so far. There’s one trailer already, and a second premiered today in conjunction with the film’s appearance at the San Diego Comic Con. Read More »
With the recent fixation on making big budget action-oriented versions of classic stories and characters like Sherlock Holmes, the Three Musketeers and Don Quixote, it should come as no surprise that one more classic has fallen into the studio mill.
Paramount has bought a pitch by Willie Block and Jake Emanuel that jumps off from the story of the Hunchback of Notre Dame. See, the great thing about these adaptations is that nobody reads anymore, but they do recognize classic titles like this one. So it’s an easy goldmine. What will the potential film entail? If you’ve seen one of the Pirates films, or Sherlock Holmes, you should already be able to predict it. Read More »
I would never have guessed that the director of Flightplan and The Time Traveler’s Wife might turn out the most entertaining-looking under the radar comic book adaptation of this summer. But I grinned all the way through the trailer for Robert Schwentke‘s Red, which adapts Warren Ellis‘ graphic novel about a group of retired CIA agents. Check it out after the break. Read More »
Anthony Breznican has a new article on Transformers 3 titled “Next ‘Transformers’ is due for a switch” which mostly consists of director Michael Bay and producer Lorenzo di Bonaventura explaining what went wrong with the previous installment, Transformers: Revenge of the Fallen (blamed mostly on the rushed schedule and writers strike). There are a few interesting bits about the newest film to be found in the article, here is a sample:
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On Easter Sunday, I landed in New Orleans to sweat and drop by the set of RED, yet another comic book adaptation, but one packing the following A-list cast:
Bruce Willis, Morgan Freeman, John Malkovich, Helen Mirren (as a tea-sipping sniper with a 50-cal machine gun), Mary-Louise Parker, Star Trek’s Karl Urban, Brian Cox, Richard Dreyfuss, Nip/Tuck‘s Julian McMahon, and Ernest Borgnine
And I would be remiss not to list the movie’s possible scene hog: a stuffed toy pig with wild eyes toted around by Malkovich’s character…a paranoiac-genius. Shocked? The movie, due in October, is loosely based on a very lean 2003 WildStorm comic book series by Warren Ellis and artist Cully Hammer, whom we spoke with on set. Willis stars as a retired assassin named Frank Moses, a hermetic, once-valuable man now wanted dead by pesky/shady forces. Naturally, Moses seeks defense and camaraderie from a badass crew of vets (Malkovich, Mirren, and Freeman). The film, described as “hard PG-13,” is directed by Robert Schwentke, best known for the Fincher-aping Flightplan.
RED is an acronym for Retired Extremely Dangerous, and the ensemble aspect means the end product should comfortably fit into the current action zeitgeist of grizzled, last hurrah actioners (The Expendables) and specialized, quick-quip posses (The A-Team). However, on set producers compared the tone not to other genre properties but to Ocean’s Eleven with a splash of True Lies. Ellis and Hammer have both publicly endorsed the decision to forgo their comic book’s bloody, quasi-polemic seriousness in addition to much of the storyline (wherein Moses was a lone wolf). After the jump are thoughts from producer Lorenzo di Bonaventura (Transformers, Constantine), and my own observations (excluding a strip club excursion later that night with various web editors). Look for interviews with several cast members, including an expletive-liberated Willis in top form, closer to release.
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