Riding a wave of good festival showings and positive reviews, the horror film We Are Still Here begins to hit theaters and VOD this weekend. Ted Geoghegan made the film as his directorial debut, and the story follows a couple as they attempt to put a traumatic loss behind them by moving to a nice house out in the New England countryside. But the house has secrets, and it hungers. There’s clearly a vein of humor that runs through this one, alongside inspiration from Lovecraft and some other weird fiction. Check out the new We Are Still Here trailer below. Read More »
We Are Still Here looks like a mean, constrained monster movie, as it follows a couple who move into a new home, only to find that they have stumbled into a situation that will claim their lives. The film is set to play in the Midnight lineup at SXSW in Austin, TX in March.
This We Are Still Here trailer is a great introduction to the film — it begins with a casual conversation featuring comments about murder and unwitting cannibalism, and then jumps right into monsters punching right through someone’s chest. Genre faves like Barbara Crampton and Larry Fesseden are in the cast, and We Are Still Here looks almost like a spin on Lovecraftian horror. Check out the footage below. Read More »
We’re well through the first and second tiers of horror remakes, as we’ve seen new versions of Psycho and ’80s slasher series such as Halloween, A Nightmare on Elm Street, and Friday the 13th, not to mention remakes of slightly less well-knwon films such as The Hills Have Eyes and Piranha.
Now, with a remake wave that also includes Maniac, we’ve got a new version of Silent Night, Deadly Night. The 1984 original caused a minor furor less for its content (most of the people complaining never saw the original) but for the fact that the story of a serial-killing Santa was advertised during prime time.
I know there’s a war on Christmas and everything (sarcasm), but still, it’s difficult to believe that Silent Night, which remakes/updates the ’84 film, will create the same sort of furor. That said, the trailer for the remake makes it out to be a slasher in the modern exploitation mode with enough creep-out factor and weird intensity to satisfy fans of the genre. And why the hell does that voice at the end sound so much like Willem Dafoe? Read More »