finding dory real life inspiration

Last month, I traveled to the Monterey Bay Aquarium to talk to Andrew Stanton and the filmmakers of Pixar’s upcoming Finding Nemo sequel Finding Dory. On my visit, I got to preview 30 minutes of the upcoming film and chat with many of the filmmakers at Pixar who are creating Dory’s next adventure. But not only that, I got to learn how Pixar took multiple research trips to the Monterey Bay Aquarium, which served as inspiration for the Marine Life Institute seen in the final film.

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MISSION: IMPOSSIBLE – ROGUE NATION

After the jump:

  • Underworld 5 gets a new title and a new logo.
  • Nut Job 2 makes off with a summer 2017 release date.
  • Tom Cruise promises more crazy stunts in Mission: Impossible 6.
  • No, Indiana Jones 5 is not a prequel, and no, we aren’t getting a new Indy.
  • Neighbors 2 took inspiration from an unlikely source.
  • Vin Diesel sings with a gospel choir on the set of xXx 3.
  • Robert Carlyle (a.k.a. Begbie) teases Trainspotting 2.
  • Andrew Stanton drops some hints about The Incredibles 2.

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Each new Pixar film employs newer and better technology, but Finding Dory introduces an unprecedented amount of new software to their production pipeline. The company’s chief technology officer Steve May, who worked on Finding Nemo as the supervisor of the shark sequence, says that the process of how they make films has changed a lot since then, but “mainly computers are way faster and algorithms are way better.” Finding Dory introduces three completely new technologies and major improvements in one of their older pieces of software.

After the jump, you can learn about all the new technology being used in Pixar’s latest feature film and how that allowed them to create a character that would have been impossible in the Finding Nemo days. Hear director Andrew Stanton explain how the advances change the filmmaking process, and his producer Lindsey Collins explains that while the new tools make things easier to create, it has made producing a Pixar movie even harder than it ever was before.
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When a Finding Nemo sequel was announced, many people, including myself, were skeptical of the motivations behind the announcement. Yesterday you learned how director Andrew Stanton came to find that a Finding Nemo sequel was necessary. And now we reveal why he felt Dory’s story was not over.

On a trip to the Monterey Bay Aquarium, I got to preview 30 minutes of Finding Dory. And I must admit, the 13-minute opening of the film (which I will not spoil) floored me. It was unexpected, dark, emotional and so very compelling. And what interests me is the idea that Finding Dory is actually a movie about disabled character on a journey to embrace what she may feel is her big flaw.

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