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In his new book of essays, Eating the Dinosaur, pop culture critic Chuck Klosterman posits that “as a species we have never been less human than we are right now.” Part of the reason why this has happened, he says, is that our growing consumption of media, movies, and entertainment has made it so that “we can’t really differentiate between real and unreal images.” He concludes that we thus, “no longer have freedom to think whatever we want.” For instance, the words, “basketball game,” instantly trigger a mental image of the NBA before (rather than?) a memory of a real experience. The Klosterman twist is that while “reading about Animal Collective on the Internet has replaced being alive,” he’s generally okay with this cultural and social development. I should add that he admits that the Unabomber’s Manifesto and its author had several really good and scarily prescient points.

In his second interview with /Film, many of Eating the Dinosaur‘s ideas are discussed within the context of modern television series like Mad Men and 30 Rock. We also discuss the significance of the odd documentary-style used on The Office and now Modern Family, and why he believes pop-culture writing/blogging on the internet unfortunately has become “an institutional voice” that rivals academia. Is this where I type, “Hopefully the next trailer is better?” For our first interview round with Chuck Klosterman, click here.  For Klosterman’s updates on film adaptations of his books Fargo Rock City and Killing Yourself to Live, click here.

Hunter Stephenson: What’s your biggest problem with 30 Rock?

Chuck Klosterman: [pause] Does it seem like I have one?

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Wow. After watching The Carter, the new all-access documentary on Lil’ Wayne, one might consider recommending it as the best doc about a hip hop icon ever. The problem with this superlative lies in its limitation. Similar to labeling Lil’ Wayne a rapper—even “the best rapper alive” as many profess—and leaving it at that, labeling this a great hip hop doc restricts it to the confines of a niche or genre coated in personal taste and stigmas. That is to say The Carter is foremost a fascinating portrait of a remarkable, modern artist and celebrity who has cooked most if not all bridges for comparison.

In The Carter we experience the exact moment when Wayne calmly finds out, overseas and perma-high, that his latest album, Tha Carter III, has sold one million plus physical units in its first week. As his friend and manager, Cortez Bryant, tells the camera, Wayne now undisputedly ranks with the world’s top pop stars; and this doc ranks with the best of the year. It’s also highly difficult to cite precedent for a film so privy to a superstar’s love of, and possible dependency on, drugs. Clearly, the recent, This Is It, failed in this regard.

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The network that gifted America The Two Coreys and Biography: Megan Fox is ready to release its new reality spin on COPS entitled Steven Seagal: Lawman. /Film was unable to confirm with A&E at press time that Seagal was shot and killed while akido-chopping a bum huffing duster in midst of crashing a glory hole ring.

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Post-Finale Update: So that was delectably epic.

This Sunday at 11: 45 p.m. ET, the rolling, clueless glob better known as Meatwad enters our Meatspace. Sort of. He’ll appear as, erm, an exercise ball, as seen above. In celebration of the season finale, Aqua Teen Hunger Force is airing its first ever live-action episode during its six seasons on [adult swim]. Vocoder rapper, T-Pain, will portray Frylock, the show’s patient, levitating box of French fries. Red Alert: TP’s neck blingee features Mooninites. This fall, T-Pain will also play The Ghost of Spring Break, alongside Lil’ Wayne, Andy Samberg, and Rick Ross, on the [adult swim] special The Return of Freaknik, an animated ode to Atlanta’s infamous ass-bash. Check out the rude and ridic trailer.

Rounding out the cast for Sunday’s Force is cool comedian H. Jon Benjamin (Human Giant, Demitri Martin) as Master Shake and possibly our fave: open audition-winner, Dave Long Jr., as the wife-beater-lovin’ human disgrace known as Carl Brutananadilewski. Pictures and the esoteric episode synopsis after the jump…

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