Posted on Monday, February 3rd, 2014 by Angie Han
It may not be a tradition as entrenched as the Golden Globes drunkenness or office Oscar pools, but for the past twenty years the Vanity Fair Hollywood Issue has been a fun fixture of awards season. The magazine gathers up the brightest stars of the year, pretties them up and poses them just so, and snaps a photo that simultaneously celebrates the year that was and looks ahead at the years to come.
This year’s choices are a nice mix of established A-listers (George Clooney, Julia Roberts), rising veterans (Chiwetel Ejiofor, Idris Elba), and exciting fresh faces (Lupita Nyong’o, Margot Robbie). Hit the jump to see the full spread.
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Briefly: Greek filmmaker Yorgos Lanthimos, who directed Alps and Dogtooth, is making his first English-language feature. The Lobster is “an unconventional love story” that has been coming together for a while now. What makes it unconventional? The fact that it is set in a dystopian future isn’t all that odd in the days of rampant YA adaptations, and the fact that this particular future makes it “a matter of life or death” to find a life partner isn’t even the unusual bit. No, there’s something in the script about people being transformed into animals if they don’t fit in. Yeah, that’s the unusual part.
Most of the cast has been set since last fall, but Jason Clarke seems to have dropped out, and Colin Farrell and Rachel Weisz are now on board. They join the previously cast Ben Whishaw, Lea Seydoux, Olivia Colman, Ariane Labed and Aggeliki Papoulia. Lanthimos wrote with frequent collaborator Efthimis Filippou, and we can’t wait to see what weirdness they’ve cooked up. [THR]
We just saw a new poster for The Grand Budapest Hotel, from Wes Anderson, and that image featured portraits of the individuals in the huge ensemble cast. Now there’s a new trailer, and it is all about introducing the characters played by the whole bunch.
Along the way, we get a better outline of how the film fits together, starting from the point where F. Murray Abraham, seemingly as an older version of the young Zero Moustafa (Tony Revolori), narrates his story to the young writer played by Jude Law. There’s so much here: Harvey Keitel’s prison tattoos, Jeff Goldblum channeling J.K. Simmons’ character from Burn After Reading, and Tilda Swinton swaddled in old-age makeup, for starters.
It looks like a screwy comedy, with everyone having a hell of a time, but there are shadows of more serious events here, too. And, for everything that’s in this trailer, it doesn’t seem to give too much away. Read More »
Any “most anticipated of 2014″ lists we run here will likely feature Wes Anderson‘s The Grand Budapest Hotel, which opens in March of next year. Anticipation comes not just based on the fact of a new Anderson movie, but the ensemble cast that always comes with such an endeavor.
This time, it’s Ralph Fiennes, Bill Murray, Owen Wilson, Tilda Swinton, Edward Norton, and Saoirse Ronan, for starters, who will wear the meticulously designed, Anderson-approved costumes. You can see them all in a new poster below, in advance of a new trailer tomorrow (Thursday, Dec 19). Read More »
There’s a new take on Beauty and the Beast, starring Lea Seydoux, of Blue is the Warmest Color, and Vincent Cassel, and you can get a look below. The film is from Christoph Gans, and visually looks a bit like the recent fantasy offerings from Burton and Raimi, but filtered through the gauze of Jean-Pierre Jeunet’s style. There’s a lot of Disney in here (wait for the ballroom dance) and a little bit of Jean Cocteau, too.
Gans got some attention with a so-so mid-’90s adaptation of the manga Crying Freeman before winning over genre audiences with The Brotherhood of the Wolf in 2001. He’s been pretty quiet since (he had Silent Hill in 2006) and this marks his return. See a trailer below, which lacks subtitles, but has more than enough visual story cues for everyone to follow along. Read More »
Dogtooth and Alps director Yorgos Lanthimos is going to bring his signature style of skewed narrative to an English-language film.
His next movie is The Lobster, described as “an unconventional love story” that has a slightly sci-fi bent. What sort of sci-fi bent, exactly? How about this: if people don’t comply with the rules of their society, they are transformed into animals. Got your attention?
Now it has a cast, with Jason Clarke (Lawless, Zero Dark Thirty) and Léa Seydoux (Blue Is the Warmest Color, Mission: Impossible – Ghost Protocol) signing on alongside Ben Whishaw (Skyfall, Cloud Atlas), Olivia Colman (Broadchurch), Ariane Labed (Alps) and Angeliki Papoulia (Dogtooth).
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Posted on Wednesday, August 21st, 2013 by Angie Han
Abdellatif Kechiche‘s Blue Is the Warmest Color drew raves upon raves at Cannes this year, for its tender, intimate portrayal of two young women (Adèle Exarchopoulos and Léa Seydoux) falling in love. But it also raised some eyebrows thanks to its graphic sex scenes.
It’s no surprise, then, that the MPAA has stamped the drama with an NC-17 for its U.S. release. But rather than trim the movie for an R or release it without a rating at all, American distributor Sundance Selects will put Blue Is the Warmest Color in theaters with the restrictive rating intact. Hit the jump to find out why, and to get a peek at the first international trailer.
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Prada Candy L’eau is a perfume, and in this case Prada Candy L’Eau is also a three-part long-form ad for said fragrance. (Well, “long-form” might be a stretch, as this is three and a half minutes with titles.)
But it is one created by Wes Anderson and Roman Coppola, and one brimming with Anderson’s signature fetishes for composition, style, and color. Lea Seydoux stars with Peter Gadiot and Rodolphe Pauly, who play two guys eager to win the affections of the lady. There’s something of a commercial-pop reference to Truffaut’s Jules and Jim going on here, but nothing wrong with that, especially when Anderson and Coppola make it all so breezy and fun. Read More »