David and Devindra welcome Jeff Cannata to the /Filmcast! This week, we break down some new Star Wars news, plus Dave reports from the Seattle International Film Festival. Be sure to check out David’s interviews with the filmmakers behind Layover and Time Lapse.
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This weekend, I saw a movie at the Seattle International Film Festival that had a budget of $6,000. Joshua Caldwell’s Layover, which had its world premiere here, was shot in 11 days in Los Angeles and takes place during the course of a single evening, as a itinerant frenchwoman Simone (played by Nathalie Fay) re-connects with a friend from her past. Layover is a film in the tradition of Linklater’s Before series, and I found that it perfectly captured the paradox encountered by many a millenial: feeling trapped, while also realizing that the possibilities for your life are still endless. It’s a beautiful, moving, and wistful film.
But what goes into making a film with a budget that’s slightly more than the cost of the camera you’d need to shoot it on? I spoke with Caldwell about how he shot the film and why he went the low-budget route. Find our conversation after the jump, watch the film’s trailer, and be sure to check out the Indiegogo campaign for Caldwell’s next two films.
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Screenwriting: Hammer Films Buys Black List Screenwriter Chris Borrelli’s Wake; Writer Hired For Einstein Biopic
Posted on Friday, June 4th, 2010 by Russ Fischer
Writing about screenplay buys can be difficult — there isn’t often a lot of detail about a story and without creative talent beyond the writer and producer, we’re often left to do little more than speculate about what the finished product might be like.
But what the hell, we’ll do it anyway. Three big script deals hit the trades in the last day: Hammer Films picked up Wake, written by Chris Borrelli, who has appeared on the Black List in the past. New writer Zach Dean sold Layover. And Stephen Schiff is writing a biopic of Albert Einstein for OddLot Entertainment. Read More »
Not long ago we heard that John Singleton would be in full-on director for hire mode as head of the Taylor Lautner action thriller Abduction. Everybody’s got to eat, right? And if Lautner really is going to be as huge as studio execs believe, that could buy a hell of a banquet for Singleton.
Now Singleton has a follow-up project set: another action thriller called Layover, which includes a group of villains that anyone who has flown in the past few years can be ready to hate: corrupt TSA agents. Read More »