It’s been a big, loud year for Lars von Trier, thanks in part to his new film Melancholia, and more so to the Cannes press conference comments that saw the director banned from the festival. But getting beyond that controversy, there’s the fact that Melancholia is one of the best-reviewed films of the director’s career, and remains one of my most-anticipated films of the fall.
We’ve seen one trailer for the film, in which Kirsten Dunst and Charlotte Gainsbourg play sisters with very different dispositions who are staring down the end of the world on the eve of Dunst’s character’s wedding. Now here’s the UK trailer, which nicely shows off the ensemble cast (which also includes Kiefer Sutherland, Charlotte Rampling, John Hurt, Alexander Skarsgård, Stellan Skarsgård and Udo Kier) and opens on a surprisingly upbeat note before settling into the anxious mode that you’d expect from a film about the end of the world. Read More »
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The Cannes jury, headed by Robert De Niro, has selected the winners of this year’s competition slate, and the results are slightly surprising. In the early days of the fest two films quickly emerged as seeming front-runners for the top prize, Lynne Ramsay‘s We Need to Talk About Kevin and Michel Hazanavicius‘ silent black and white film The Artist, but the Palme d’Or went instead to Terrence Malick‘s The Tree of Life.
The slate of winners was surprisingly tipped towards American films and talent, or films that played very specifically towards American tendencies in a way that isn’t quite typical for a Cannes awards slate. The full list of winners is after the break. Read More »
You can say this for Lars Von Trier: he doesn’t believe in treading lightly. If today wasn’t so busy I’d spend a few hours digging up the director’s old comments from Cannes press conferences and correlating their level of pseudo-outrage to the quality of the film he’s promoting. His latest movie, Melancholia, premiered at Cannes today and the reviews are (perhaps predictably) mixed, with some of the most telling comments coming in the form of negative reviews from normally sympathetic fans. (There are also some significant raves.)
‘Sympathetic’ is the byword for LVT today, as the press conference for Melancholia featured the director baiting the press with statements about feeling that he understands Hitler and being a Nazi. Depending on how you look at it, press-baiting may not even have been his goal — it is more like the Nazi comments grew out of an attempt at a joke that, like a poor SNL routine, went on too long and wound down into an awkward sort of ‘oops’ conclusion. (A conclusion that proved perhaps appropriately apocalyptic, given the context of promoting a film about the end of the world.) The discourse about him today is dominated this current provocation, but we’ve also got early reviews of Melancholia and a few more upcoming career details. Read More »
Lars Von Trier‘s new film, Melancholia, premieres soon at Cannes, and the debut of the film sets up a showdown between two sci-fi influenced dramas. On one side you’ve got Another Earth (trailer here) in which the emergence of a second Earth, which may or may not be an exact duplicate of our own world, leads to an exploration of second chances and the idea that our mistakes don’t have to be our sole defining trait.
And then there is Melancholia, in which Kirsten Dunst and Charlotte Gainsbourg play sisters coming to terms with the impending end of the world. We’ve seen very little footage from Melancholia so far — just one short trailer — but a clip released this week shows Kirsten Dunst’s character proclaiming that life on Earth is evil, seemingly setting up her whole attitude throughout the film in a nutshell. That clip is after the break, along with an effects reel and a short international TV spot. Read More »
Posted on Tuesday, May 3rd, 2011 by Angie Han
The Paul Feig-directed Bridesmaids won’t be opening until next weekend, but it looks like Hollywood has already taken notice of the wedding-themed female-driven comedy’s mainstream appeal. Kirsten Dunst, Lizzy Caplan, Adam Scott and Casey Wilson have just signed on for Bachelorette, an indie comedy produced by Will Ferrell and Adam McKay that sounds like it could be the next Bridesmaids. Read more after the jump.
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We just saw a trailer this week for Lars Von Trier‘s new film Melancholia, which will premiere in competition at Cannes this May. We still don’t know too much about the film — he famously proclaimed “no more happy endings!” when announcing it, and there is a basic sci-fi concept wrapped around a family drama and some sort of existential crisis for the main character, played by Kirsten Dunst.
Now Lars Trier has dropped a few tidbits about the film to Empire, and those who can’t wait for Magnolia to set a US release date for the film should hit the jump to enjoy the scant new bits of info. Read More »
Lars Von Trier created no small amount of controversy with his last film, Antichrist, which chronicled the breakdown of a relationship in explicit, mind-bending fashion. So he raised eyebrows when he pronounced ‘no more happy endings!’ for his next picture, Melancholia, which also expands his canvas from the destruction of a couple’s relations to the utter destruction of the Earth.
Melancholia stars Kirsten Dunst, Charlotte Gainsbourg, Kiefer Sutherland, Charlotte Rampling, John Hurt, Alexander Skarsgård, Stellan Skarsgård and Udo Kier, and explores the responses of two different women (played by Dunst and Gainsbourg) to the impending end of the world. And now the film, which is still being finished, will be distributed in the US by Magnolia. Read More »
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A man and a woman fall in love but are separated by two different dimensions. No, it’s not only plot to The Lake House, it’s also the plot to Upside Down, the topsy turvy sci-fi romance written and directed by Juan Diego Solanas, which stars Jim Sturgess and Kirsten Dunst. The pair were officially cast in the film way back in October of 2009 and over the summer, we posted a short set visit video. But now, thanks to a French website, we have a look at both some poster concept art as well as the star-crossed lovers on camera. Check them out and read more about this movie – which sounds about one million times cooler than The Lake House – after the break. Read More »