Posted on Tuesday, November 4th, 2014 by Angie Han
For most kids, “hanging out with family friends” means getting sent upstairs to play Monopoly with some weirdo from school while your parents get drunk together in the living room. But things are a bit different when you’re the offspring of Kevin Smith and Johnny Depp.
After appearing together as two convenience store clerks in Tusk, Smith and Depp’s daughters Harley Quinn Smith and Lily-Rose Depp are reprising their roles in a much bigger capacity for Smith’s next movie, Yoga Hosers. The first image from that movie has just been revealed, and you can see it after the jump.
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On the latest episode of Smodcast, writer/director Kevin Smith offered up a significant Clerks III update. One bit of news was that Smith’s podcast guest, Jeff Anderson, will return to play Randal in the film. The pair also discussed the entire trilogy. Anderson talked about his thoughts upon reading the script, Smith discussed the eventual tone of the film, and he revealed the first ten minutes will be shot in black and white. He also confirmed Jay and Silent Bob will appear much like they did in the first two films.
Below, read more about Jay and Silent Bob and the Clerks 3 script. Read More »
Have you ever wondered what Kevin Smith might look like without a beard? The filmmaker and occasional actor (Silent Bob…etc) has shaved off the beard for an appearance in his latest film Yoga Hosers, and the photo might shock you! Someone showed me the image on their cellphone and I couldn’t believe it was him — but its for real. See the photo of a beardless Kevin Smith shooting Yoga Hosers after the jump.
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A new photo from the set of Star Wars Episode VII has been released. Well, more accurately, a pic has emerged from inside the production offices at Pinewood Studios outside London. It’s the same image Kevin Smith described when he talked about his trip to the set; this time the actual image was posted by Frank Marshall, the film producer and husband of Kathleen Kennedy, the president of Lucasfilm. It’s a Star Wars themed poster warning people who visit the set about what they can and can’t say. See the Star Wars 7 poster here. Read More »
What I’ve always loved about Kevin Smith is that he’s a fan. First and foremost, Smith loves movies and that’s why he always infuses his films with so much of that. At first is was totally blatant, like the references in Clerks or Mallrats. Now it’s a bit more subtle, such as borrowing storytelling techniques from Quentin Tarantino in Tusk. Either way, if you want to talk about movies, there are few people better.
In a new interview, Smith is asked about his new movie Moose Jaws. It’s a film he plans on making sometime in the next year which would be like Jaws, but with a moose. That conversation got him talking about how much he loves Steven Spielberg‘s Jaws and that rabbit hole lead him to pitch a Jaws sequel or reboot that Steven Spielberg himself would direct. It’s totally crazy and has more in common with Sharknado than Jaws but, if Spielberg was at the helm, who wouldn’t watch it? Read the crazy Kevin Smith Jaws pitch below. Read More »
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Like almost all Kevin Smith films, Tusk has been incredibly polarizing. I found myself in the middle of the road, seeing great promise in a film with some major problems. Some loved the audaciousness of Smith’s horrific tale, while others just hated everything about it. Smith himself is very proud of Tusk, calling it the closest thing he’s ever done to what he imagined he’d be making as a filmmaker.
The box office tended to agree with the haters. Over its opening weekend, Tusk only grossed on $1.4 million in over 600 theaters, pretty much guaranteeing a certain cult status.
The legacy of Tusk is already paying dividends, however. The project lead to a friendship between Smith and Johnny Depp, and spinning Tusk off into Yoga Hosers. Plus, in a new podcast, the director also revealed Tusk gave financiers confidence to give him money for Clerks III. Read More »
Kevin Smith‘s Tusk is a prime example of a filmmaker in the midst of reinvention. Ever since the disaster that was Cop Out, Smith has been on a quest to become a new director. First he shunned Hollywood and self-distributed Red State, a welcome departure from his off-the-wall comedies of the past. Now he’s delving deep into horror with Tusk, the story of a man named Howard (Michael Parks) who kidnaps a podcaster named Wallace (Justin Long) and attempts to turn him into a Walrus.
Much like Smith’s up-and-down career path, Tusk has a fascinating trajectory. Everything starts off well with the director slowly but surely building a very specific, intriguing and foreboding tone. Even as the story begins to border on the ridiculous and the gore gets exponentially more intense, we buy it because the film has won us over with its sharp writing, well-timed humor, inventive plot and layered storytelling.
Unfortunately, about two-thirds into the movie, Smith apparently saw some brake lights in front of him because the film comes to a screeching halt. It stops being fun so suddenly and so painfully it’s almost unfathomable. Things never quite recover from that narrative roadblock and, by the end, it all feels arbitrary and amateurish. Read More »
In Tusk, Justin Long plays a douchebag podcaster who travels to Canada in search of a story, and gets a hell of a lot more than he bargained for. The film is nuts, because it veers from horror to comedy in broad strokes. The end credits of the film (no spoiler) actually play some of the audio from the podcast that spawned the film, and that’s kind of the rosetta stone for deciphering the film’s disparate tones. This Tusk featurette is also a good thing to watch before seeing the movie, because it will help you understand just how seriously (or not) Kevin Smith approached the story. Read More »
Posted on Wednesday, September 10th, 2014 by Angie Han
Lots of filmmakers get frustrated by negative reviews, but few have been as vocally vitriolic about them as Kevin Smith. Following the critical drubbing of 2010’s Cop Out, Smith declared that the entire system was “upside down” and declared he wouldn’t screen his films for critics anymore. And he meant it — he stuck to that plan with his next film, Red State.
But as his latest film Tusk makes the rounds, it looks like he’s finally softened his stance against film critics. Rather than blast the haters, he professes to being “delighted” that anyone likes it at all. Hit the jump to read why he’s had a change of heart.
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