Posted on Tuesday, April 10th, 2012 by Angie Han
The way Disney’s Saving Mr. Banks is shaping up, we might as well pencil it in now for the 2014 Oscar race. Based on true events, Kelly Marcel‘s 2011 Black List script centers around company founder’s Walt Disney‘s 14-year effort to convince Mary Poppins author P.L. Travers to turn over the rights to her book. Since the early days, the project’s sought big names, with Tom Hanks and Meryl Streep said to be among the top choices to play the leads and The Blind Side helmer John Lee Hancock boarding the picture in late February. Now casting has begun in earnest, with Hanks in talks to play Walt Disney and Emma Thompson negotiating for the role of Travers.
So to recap: Bittersweet real-life drama, check. Best Picture-nominated director, check. Oscar-kissed stars, working on a double check. Yep, Saving Mr. Banks wants badly to be an awards contender, all right. More details after the jump.
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Posted on Wednesday, February 8th, 2012 by Angie Han
When it first came out in 1964, Mary Poppins was a smash hit both commercially and critically: it out-earned The Sound of Music and My Fair Lady at the box office, received thirteen Academy Award nominations and won five. Now, nearly fifty years later, Disney is looking toward returning to the Mary Poppins well — but don’t worry, it’s not a sequel. The studio is close to picking up Saving Mr. Banks, Kelly Marcel’s 2011 Black List script about Walt Disney‘s 14-year effort to persuade author P.L. Travers to sell the movie rights to her tale.
While that may not sound like the sexiest premise in the world, the prickly relationship between Travers and Disney should provide more than enough drama to power a film. Especially if the story falls into hands as capable as those of Tom Hanks and Meryl Streep, both of whom are rumored to be eyeing the leads. More details after the jump.
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Posted on Monday, December 12th, 2011 by Angie Han
Each December since 2004, studio executive Franklin Leonard has compiled the best unproduced screenplays of the year, as voted by hundreds of execs, agency guys, and high-level assistants. Titled The Black List, the compendium highlights both established screenwriters and up-and-comers, and has served as a launching pad in the past for projects like Juno, Lars and the Real Girl, and (500) Days of Summer. Last year’s list included Margin Call, Crazy, Stupid, Love, The Hunger Games, and Snow White and the Huntsman.
It should be noted that the headline is somewhat misleading — some of these screenplays have already been acquired and are already in development, though according to Leonard none will have entered principal photography by December 31, 2011. Also worth pointing out is that, as in previous years, there have been rumors that some of the participants have been accused of using the Black List to promote their own clients or friends. Finally, as Leonard reminds us each time, “The Black List is not a ‘best of’ list. It is, at best, a ‘most liked’ list.”
Regardless, we can always rely on the Black List to stir up conversation among both industry insiders and outside spectators alike, so without further ado, hit the jump for the complete 2011 list.
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