Seems like a big sector of movie news this week is about Rooney Mara, even when it isn’t. The actress, starring now in David Fincher’s version of The Girl With the Dragon Tattoo (and killing it, I might add) was in a 2009 film called Tanner Hall that didn’t get much distribution or attention. A peek at the trailer for the movie might suggest the reason for the film’s minor profile.
Still, Mara was set to play the title role in Emanuel and the Truth About Fishes from Tanner Hall director Francseca Gregorini until scheduling got in the way. (Suggesting that David Fincher was talking about A Nightmare on Elm Street rather than Tanner Hall when he said of Mara, “I know that her first foray into being the center of a movie was an incredibly draining, unproductive and bad experience for her.”) Now Kaya Scodelario will play that role instead, and Jessica Biel is in final talks to play the other key role. Read More »
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Posted on Wednesday, December 14th, 2011 by Angie Han
Jay Baruchel has built a nice career playing lovable nerds, but for his newest role he’ll be transforming himself into a full-on rock star. The former Undeclared actor has signed on to star in The Rebel Kind, based on a memoir by John Armstrong. As frontman of The Modernettes, Armstrong — or “Buck Cherry,” as he was called then — was at the heart of the rising Vancouver punk scene in the ’80s.
Reg Harkema (Monkey Warfare) has written the script and is set to direct, with Patrick Carroll, Andria Spring, and Kevin Eastwood producing. The Rebel Kind will shoot next fall in Vancouver. Baruchel will next star in the hockey comedy Goon, which he wrote with Evan Goldberg. [Variety]
After the jump, Atonement actress Saoirse Ronan revisits World War II — this time as a New Yorker — and Skins star Kaya Scodelario steps in for Rooney Mara.
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In the past decade Andrea Arnold has emerged as a promising art-house filmmaker, even if she has only two features to her name. Her 2009 film Fish Tank rightfully impressed many, thanks in no small part to Michael Fassbender’s effective performance. (His follow-up to Hunger.) And if her 2006 film Red Road is less impressive overall, it is photographed and assembled so beautifully that I couldn’t help but be drawn in to the dour, lonely world it depicts. Track down her Oscar-winning 2005 short film, Wasp, too.
Arnold’s command of visual language is enough to make me automatically interested in any new film she delivers, even if said new film is a version of the well-worn Emily Brontë novel Wuthering Heights. The picture premiered at Venice and played TIFF, where it was picked up by Oscilloscope for US distribution. That means we’ll get a chance to see it at some point in the next year. For now take a look at a dreamy, seemingly Malick-influenced teaser trailer, below. Read More »
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