Posted on Monday, August 20th, 2012 by Angie Han
Five years after making his feature debut with the Guillermo del Toro-produced ghost story The Orphanage, filmmaker Juan Antonio Bayona is back with The Impossible, which deals with an entirely different kind of fear. Instead of tangling with things that go bump in the night, the family at the center of the new film are facing the less fanciful terrors of the 2004 Indian Ocean tsunami.
Ewan McGregor and Naomi Watts star as a couple on winter vacation in Thailand with their three sons when tragedy hits. Torn apart in the chaos, the family struggles to reunite as they help and are helped by strangers along the way. Watch the new trailer after the jump.
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A couple years ago Juan Antonio Bayona got a lot of attention for his debut feature, the Guillermo del Toro-produced supernatural thriller The Orphanage. Now Bayona returns with a film called The Impossible. And while it isn’t a horror film, exactly — not in the way that The Orphanage was — it certainly deals with horror in a specific way.
The Impossible is based in part upon the Indian Ocean tsunami that ravaged Thailand and other parts of Southeast Asia in 2004. It stars Ewan McGregor and Naomi Watts as a couple vacationing in the country when the tsunami hits the Thai coastline. The results are, as we know from history, devastating.
We’ve got a new trailer for the film, which you can see below. Read More »
With the American Film Market in full gear, there’s seemingly no end the amount of new material that will be making its way online in the coming hours and days. We’re gonna package up the next two because – while radically different – each is about the best parts of being human. We have our first look at Tom Hanks’ next film Larry Crowne, which he also directed and co-wrote, starring himself, Julia Roberts, Bryan Cranton, Taraji P. Henson and many others. Then we also have a poster for The Impossible starring Ewan McGregor and Naomi Watts from director Juan Antoino Bayona. Check out the full size images and official plot descriptions after the break. Read More »
Not so long ago, there was a rumor that Juan Antonio Bayona, director of the slow-burn Spanish horror/thriller film The Orphanage, would direct an episode in Summit’s Twilight series. While that didn’t happen (whew!) evidently there was something between the director and Summit, because he’s now making his follow-up to The Orphanage under their auspices. Bayona will now direct The Impossible for the studio, starring Naomi Watts and Ewan McGregor. Read More »
Variety have reported on the reteaming of Juan Antonio Bayona and Sergio Sanchez, the director and screenwriter of The Orphanage. They don’t have many concrete details on this new collaboration at this stage but still succeed in making the film seem incredibly exciting. There’s my bias showing.
One of the producers is quoted as saying the film will be a “powerful story, based on true facts, which poses large technical challenges”. Without knowing which true facts that little hint is more of a red herring, but the prospect of the film presenting “large technical challenges” whets my appetite.
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Posted on Thursday, March 12th, 2009 by David Chen
In this very special episode of the /Filmcast, David Chen, Peter Sciretta, Devindra Hardawar and Adam Quigley are joined by writer/actor/director Kevin Smith to discuss Zack Snyder’s Watchmen. In this epic, 1 hour and 45-minute long discussion, the five of them delve into the faithfulness of the film adaptation, the effectiveness of the film’s soundtrack, the controversy surrounding the film’s ending, the sexuality of Rorschach, and the resemblance between Zack Snyder and Jesus.
Have any questions/comments/complaints/suggestions? Want to sponsor or advertise with the /Filmcast? You can always e-mail us at slashfilmcast(AT)gmail(DOT)com or call and leave a voicemail at 781-583-1993. Join us next Tuesday night at 9 PM EST / 6 PM PST on Slashfilm’s live page as we review The Last House on the Left.
To hear the entire episode, you can download it here, or play it now in your browser:
To hear just the segment where Kevin Smith reviews Watchmen with us, you can download it here or play it now in your browser:
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Update – Welcome Digg users! If you liked this episode of the /Filmcast, you might also enjoy the following:
Dan Trachtenberg from the Totally Rad Show talks soundtracks with David Chen
The /Filmcast Interviews Dave Gibbons (the original Watchmen illustrator)
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Drew Barrymore might not be a lock to direct the third Twilight film. THR is reporting that Guillermo Del Toro protege Juan Antonio Bayona is now rumored to be one of the top finalists to direct The Twilight Saga’s Eclipse. But then again, reps are saying that they are still looking at a number of candidates. James Mangol had been previously rumored to be in talks, and earlier today Twilight fansites were claiming that New Moon director Chris Weitz’s brother Paul Weitz might direct the third film.
While I was a huge fan of Bayona’s The Orphanage, I would much rather see him make his American debut with something more original and a property that could better test his skills. The filmmaker is also signed on to direct an adaptation of the David Moody novel Hater for Universal. I still like the idea of Summit hiring a woman filmmaker for the project as the source material is so female-targeted in nature.
Discuss: Who should Summit hire to direct Eclipse?
Disclaimer: The mock logo above was created by me, and is not official movie art.
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Posted on Tuesday, October 14th, 2008 by David Chen
In this episode of the /Filmcast, David, Devindra, and Adam rejoice in Ridley Scott’s return to sci-fi, debate the potential Jonah Hex and Green Lantern casting choices, wonder about Seth Rogen’s career trajectory, and turn an about-face on Scott in their review of Body of Lies. Kevin Buist joins us from the FilmCouch podcast and Alex Billington joins us from Firstshowing.
Have any questions, comments, concerns, feedback, or praise? E-mail us at firstname.lastname@example.org or call and leave a voicemail at 781-583-1993. Join us next next week as we review Oliver Stone’s W.
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