Back when Christopher Nolan‘s Interstellar was in theaters, Peter wrote a very detailed breakdown of the differences between the original script by Jonathan Nolan, written for Steven Spielberg, and the version that Christopher Nolan shot with his own revisions. Now Jonathan Nolan has talked about some of differences between his script and the finished film while promoting the blu-ray release of the film. Specifically, he addressed the ending, which as originally written in one draft — potentially a different one from the 2008 Spielberg draft — was much more simple, and potentially far less happy. Read More »
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Isaac Asimov‘s trilogy of Foundation novels — Foundation, Foundation and Empire, and Second Foundation — is among the landmark works in science fiction. (There are further sequels and prequels, too.) We’ve watched development efforts come and go, with various people hoping to create a Foundation film adaptation. (Most recently, Roland Emmerich raised the ire of sci-fi readers by taking on the project.) But there’s a new wrinkle to the story: a Foundation TV series is in development at HBO, with Interstellar writer Jonathan Nolan on board to write and produce. Read More »
You can now see Christopher Nolan‘s Interstellar in theaters, but the movie was originally developed by Nolan’s brother Jonathan Nolan for director Steven Spielberg. In fact, I first reported on the project almost eight and a half years ago. As the story goes, Spielberg got the idea for the film after attending a Caltech workshop. There, physicist Kip S. Thorne, an expert on relativity known for his prolific contributions to the fields of gravitation physics and astrophysics, presented his controversial theories about wormholes. Jonathan Nolan was hired to develop the screenplay for Spielberg, which he originally hoped to direct after Lincoln. Of course, that didn’t happen. Christopher Nolan explained how he got involved during a press conference I attended in Beverly Hills:
[I] was talking to Jonah [Nolan] about the script he was working on with Steven Spielberg at the time. We’d bounce ideas off each other and it sounded incredibly exciting … I had the advantage of coming onto the project late and being able to look at what these guys [Jonah Nolan and Kip Thorne] had done. A lot of my contribution was ripping things out, because they put in more of these incredible mind blowing ideas that, I felt, I could absorb as an audience member. So I spent my time and my work on the script choosing the more emotive and tactile of these ideas to grab ahold of. … [Jonah] got very busy doing other things so I said, ‘Hey can I take this and combine it with some other ideas I’ve been working on’ — it was a bit more like him going ‘okay, take a shot, we’ll see what you do.’ So I showed him what I had done and he seemed reasonably happy with it.
The reason Christopher Nolan shares the screenwriting credit on the final film with Jonathan Nolan is because he reworked the original script with substantial changes. This left me wondering about the evolution of the project, and how different Steven Spielberg’s version of the film might have looked. Of course, we’ll never see Spielberg’s version but Jonathan Nolan’s 2008 draft of the screenplay has been floating around the tracking boards for some time. Investigating that draft gives us an opportunity to see how the story changed from when Jonathan Nolan was working on it under Spielberg to Christopher Nolan’s final film.
What are the biggest differences and changes? Find out the 15 biggest Interstellar script differences, after the jump.
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A couple weeks back I got a chance to talk to Jonathan Nolan, the brother of filmmaker Christopher Nolan and co-screenwriter of Interstellar. Jonah started developing Interstellar as a project for Steven Spielberg to direct, before getting sucked into the television world showrunning Person Of Interest for Bad Robot. Jonathan has also been making the transition into directing, helming the pilot of the HBO/Bad Robot television adaptation of Michael Crichton’s Westworld (which we talk about briefly). Read all this and more in our Jonathan Nolan interstellar interview, after the jump.
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Posted on Monday, October 27th, 2014 by Angie Han
It was Christopher Nolan‘s Batman Begins that set a new course for the DC film franchise following Joel Schumacher’s disastrous Batman and Robin. He stuck with the franchise through two more movies and helped kick off the new, cohesive DC Universe with Man of Steel, and is now helping to usher in a new Bat-era as an executive producer on Batman v Superman: Dawn of Justice.
But beyond that, the DC movies will have to move forward without his assistance. Nolan’s brother, The Dark Knight and The Dark Knight Rises screenwriter Jonathan Nolan, says they’re done with DC movies — at least for now. Hit the jump to read about Christopher Nolan DC universe.
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Not long ago, the announcement of a TV series that adapts or jumps off from a noted film would have elicited nothing but eyerolls. After shows like Fargo and Hannibal, however, even the most skeptical onlooker must realize that it’s better to keep an open mind. And when HBO is involved? The “benefit of the doubt” requirement goes way up.
HBO is making a series adaptation of Westworld, based on the 1973 feature film by Michael Crichton. In the movie, visitors to an advanced theme park for adults found their lives threatened when the androids populating the park break down and change behavior thanks to a virus-like problem. Miranda Otto (The Lord of the Rings, Rake) has just joined the cast, along with recent signee Thandie Newton (Rogue, E.R.). Read More »
You probably know what Westworld is, because Michael Chritchton’s movie cast Yul Brynner (above) as a gunslinger robot that went amok at a theme park, and the images of Brynner are among the most famous in sci-fi.
You know who J.J. Abrams is, because he’s had his hands in everything from Lost to Mission: Impossible to Star Trek to Star Wars. And you know who Jonah Nolan is, because he worked on the scripts for films such as The Dark Knight, The Dark Knight Rises, and Interstellar, and created the show Person of Interest.
Now they’re all coming together (with producer Jerry Weintraub, who produced, among many other films, the three Steven Soderbergh Ocean’s movies, in which he also cameoed) to make a new Westworld for HBO. Read More »
Briefly: The collaboration between director Christopher Nolan and actor Michael Caine is moving towards its tenth year, the two having first worked together on Batman Begins, shot in 2004 and released in 2005. Caine was in all three of Nolan’s Batman films, and played roles in the director’s “in-between” films The Prestige and Inception.
Now Caine has been confirmed for Interstellar, the sci-fi picture that also features Matthew McConaughey, Jessica Chastain, and fellow Batman vet Anne Hathaway. The film was originally scripted by Jonathan Nolan, and depicts “a heroic interstellar voyage to the farthest borders of our scientific understanding.” Steven Spielberg set the project into motion a few years ago after being inspired by physicist Kip Thorne. Christopher Nolan has been reworking his brother’s script before shooting. Interstellar is set for release on November 7, 2014. [Deadline]
Christopher Nolan‘s new film, Interstellar, will be released in theaters and IMAX on November 7, 2014. Yes, Nolan’s new movie is coming next year in IMAX. As originally rumored, it’ll be joint distributed by two competing studios: Paramount and Warner Bros. Paramount will handle domestic distribution and Warner Bros. will handle international.
Nolan will write and direct, based on a script by his brother Jonathan Nolan. The film is about ” a heroic interstellar voyage to the furthest reaches of our scientific understanding” built out of the theories of theoretical physicist, gravitational physicist and astrophysicist Kip Thorne. He’ll executive produce. Read More »