Posted on Thursday, October 25th, 2012 by Angie Han
Over the course of his four-decade career, Jonathan Demme has demonstrated an impressive ability to switch between a wide range of genres — from the 1974 women-in-prison classic Caged Heat to the ’90s classics The Silence of the Lambs and Philadelphia to the 2008 indie hit Rachel Getting Married. And he’s continued to build a diverse slate over the past few years, bouncing between adaptations of Stephen King and Dave Eggers, episodes of HBO’s Enlightened, and the low-budget Wally and Andre Shoot Ibsen. Now he’s adding one more title to his to-do list: the family dramedy Old Fires. More details after the jump.
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In 1988, the National Film Preservation Act create the National Film Registry, which selects a couple dozen films each year for preservation in the Library of Congress. Up to 25 films are selected annually as “culturally, historically, or aesthetically significant films.” These have to be at least ten years old, can be feature, short experimental or ‘other’ — anything that is film, really — and are chosen from a list of films nominated by the public.
This year, 2228 films were nominated by the public and twenty-five were selected for preservation. Among those are the big Oscar winner The Silence of the Lambs, everyone’s favorite autistic history hero Forrest Gump, Charlie Chaplin‘s The Kid and one of the greatest (and earliest) train movies ever made, John Ford‘s The Iron Horse.
We’ve got a more complete list below. Read More »
The film and TV adaptation of Stephen King‘s long novel series The Dark Tower may have stalled, but other King projects are moving full speed ahead. We just heard that Harry Potter screenwriter and director Steve Kloves and David Yates would team up to adapt the author’s giant tome The Stand, and now Jonathan Demme is getting in on the King action. He has optioned the author’s next novel, 11/22/63, with an eye toward writing, producing and directing a film based on the story. Read More »
What is Page 2? Page 2 is a compilation of stories and news tidbits, which for whatever reason, didn’t make the front page of /Film. After the jump we’ve included 31 different items, fun images, videos, casting tidbits, articles of interest and more. It’s like a mystery grab bag of movie web related goodness. If you have any interesting items that we might’ve missed that you think should go in /Film’s Page 2 – email us!
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What is Page 2? Page 2 is a compilation of stories and news tidbits, which for whatever reason, didn’t make the front page of /Film. After the jump we’ve included 30 different items, fun images, videos, casting tidbits, articles of interest and more. It’s like a mystery grab bag of movie web related goodness. If you have any interesting items that we might’ve missed that you think should go in /Film’s Page 2 – email us!
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Yesterday it was reported that Neil Marshall, Mike Newell and David Slade are on the short list of filmmakers being considered to direct Pride and Prejudice and Zombies, and Scarlett Johansson and Bradley Cooper circling the lead roles. The Wrap now adds a couple more interesting names to the list:
Jonathan Demme has read the script and wants to direct the movie, but he’s not the only one interested in the job, as TheWrap has learned that Matt Reeves (“Cloverfield”), Mike White (“Year of the Dog”) and the “Cloudy With a Chance of Meatballs” team of Phil Lord and Chris Miller are also in the mix.
I can understand Demme’s interest, but Matt Reeves seems like a more natural fit coming off of Let Me In. Mike White’s humor seems like an odd match for this property, and his directorial debut Year of the Dog left me thinking he should stick to screenwriting. I have yet to see Cloudy With a Chance of Meatballs, despite constant encouragement to do so from friends. I’ve heard it’s hilarious. I really liked Lord/Miller’s animated television series Clone High U.S.A., but does their cartoon-like sensibility fit this period zombie film (even if it is a ridiculous comic take?).
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Posted on Saturday, March 13th, 2010 by David Chen
Lots of cool film-related stuff happens in Boston, Massachusetts and not that many people are here to document it, preserve it and spread the word about it. Special screenings, Q&As, panel discussions — we have them all, and frequently too. /Film Boston aims to be a bi-weekly column that will bring you audio and video content from film-related events around the Boston area. If you don’t live in Boston, I hope that this column will give you a window into some of the cool stuff that happens here regularly. If you do live here, hopefully you’ll come here to get the heads-up on what’s been going on, and what is to come.
After the break, an interview with director Bong Joon-Ho and a panel discussion with Elvis Mitchell and Jonathan Demme. Plus, I chat with Nick Argott, the director of The Art of the Steal. [Above photo: Screenwriter Jenny Lumet stands at the podium on the stage of the Coolidge Theater, while a Jonathan Demme montage plays on screen]
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This summer Dave Eggers published his non-fiction book Zeitoun, an account of a New Orleans family experiencing Hurricane Katrina and its aftermath. Abdulrahman Zeitoun stayed in the city after the floods, using his canoe to get about the city in order to help people and it is his testimony, gathered via interviews, that herein provides Eggers material and, to a large extent, voice. It was a stealth publication, in the sense that nobody had much heard of it until shortly before it hit shelves, but Eggers commands a loyal fan base, for his whole McSweeney’s line as much as for himself, so it was eagerly received.
One fan who leapt right into it was Jonathan Demme, who had been a follower of Eggers work since his son introduced him to What is the What. Demme had himself directed a series of films on post-Katrina New Orleans called Right to Return: New Home Movies From the Lower 9th Ward. If you ask me, he’s absolutely the only director who would see a film in this book and then go on to realise it appropriately.
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