Posted on Monday, September 17th, 2012 by Angie Han
Today’s TV Bits consists of a bit of casting info, some scheduling notes, and several interesting promos. After the jump:
- Bates Motel casts the Charlie & the Chocolate Factory kid as Norman
- Isla Fisher and Terry Crews have been added to Arrested Development
- Breaking Bad‘s Jonathan Banks will go gangster on CBS’ Vegas
- Shameless, House of Lies, and Californication return in January
- HBO and CBS lead the Creative Arts Emmys with 17 and 13 wins, respectively
- Revisit familiar faces in the first teaser for Season 2 of Girls
- See The Office‘s newest additions in a new promo for Season 9
- Still more American Horror Story: Asylum teasers hit the web
- Everyone is exhausted in new Walking Dead teaser and stills
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Posted on Thursday, September 13th, 2012 by Angie Han
Everyone’s got new shows brewing, from Community favorite Donald Glover to Fifty Shades fan Bret Easton Ellis. After the jump:
- Donald Glover could get his own show at NBC
- Bret Easton Ellis writes teen monsters for The CW
- A&E orders an occult drama from Michael Bay
- Jonathan Mostow will direct TNT’s The Last Ship
- Breaking Bad‘s Mike is Ben’s dad on Parks & Rec
- Read descriptions for Justified‘s new scoundrels
- A&E reveals the first teaser art for Bates Motel
- Once Upon a Time warns, “MAGIC IS COMING”
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This article concludes /Film’s recaps and discussions for the third season of Breaking Bad. A spoiler warning applies after the jump for the recap and for the comments section. Meth heads welcome. For previous recaps, click here.
The season three finale, “Full Measures,” differed from those of previous seasons with a grisly cliffhanger that incidentally and tragically pushed one main character over the point of no return. Or did it? In recent days, the show’s creator, Vince Gilligan, has given three candid and revealing interviews wherein he’s cleared up a number of viewers’ apparent confusion over the very last scene. He’s done so in good humor, but I can’t recall a previous highly anticipated finale that needed the showmaker to later vouch his intent—and in Gilligan’s case he helmed the episode (his sole directorial effort of the season.) The initial confusion was due to the aim of a gun, which appeared to tilt to the right of the target before the trigger went off. And I’m guessing the immediate cut to black that followed only amplified some viewers’ doubts. “SMDH.” – David Chase.
Gilligan, who is refreshingly and perhaps too open about Breaking Bad‘s creative process, also stated that the writing team didn’t map the season’s arc at start, unlike they’ve done in the past. This revelation confirmed observations about the season’s touch-and-go feel cited in the previous recap with guest Sven Barth. After the jump, I address personal questions about the finale, where the show and characters are possibly headed, and analyze Gilligan’s post-ep comments. Thanks to the /Film commenters who left insightful and spirited opinions over the past dozen BB posts. Let us know what you thought of the finale and of the questions posed below.
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For Hunter’s reviews/wrap-ups of the previous two episodes of Breaking Bad leading up to last Sunday’s divisive finale, click here for ep 11 (“Mandala”) and here for ep 12 (“Phoenix”).
Now that most everyone has caught up with the season finale of Breaking Bad, entitled “ABQ,” on their TiVo and what not, let’s take a look at what went…down. Actually, for the sake of disclosure, the mini-delay of this write-up is also due to the episode being a surprising disappointment in my eyes. For a series that is deftly founded on madcap realism, the natural awes of science, and the odds of consequence, I found “ABQ” to stretch way beyond the show’s established believability (and viewers’ trust therein).
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