Like many of you, when I first saw The Dark Knight on the IMAX screen, I knew then that Hollywood had no choice but to follow Nolan’s lead, at least on some of the big tentpole films. How could they not? The footage was just that incredible. Our friends at Collider were at an Iron Man DVD press conference today when director Jon Favreau announced that he would love to shoot part of Iron Man 2 with IMAX cameras. Not only that but the director also said he would love to shoot the sequel in 3D. Will it happen? It will all come down to costs.
Seeing Iron Man flying around the screen in 3D could be very cool, but also limiting. Filming in 3D means that you have to do shorter cuts so that the audience won’t suffer from eye fatigue. However, I think Marvel would be stupid not to shoot some sequences in IMAX. The result for The Dark Knight is undeniable. Many fans went to the theaters twice just to see it again on the huge screen. An extra $60 million from the IMAX box office is certainly enough to at least consider the idea.
Discuss: Do you think they should shoot Iron Man 2 sequences using IMAX cameras? What about 3D?
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Jon Favreau told the Los Angeles Times that, while there has not been any formal announcement, he has already begun developing an Iron Man sequel.
“We’re working on it now, which hasn’t been officially announced,” he said. “It will be released in 2010.”
Here is a recap of what we already know:
- Tropic Thunder screenwriter Justin Theroux has been hired to write the script
- Robert Downey Jr., Gwyneth Paltrow and Terrence Howard are expected to reprise their roles.
- Marvel is hoping to have the film in theaters on April 30th 2010.
Iron Man will be released on DVD/Blu-ray next month, and one of the deleted scenes has been released via Access Hollywood. The three-and-a-half minute sequence shows what happens when Tony Stark wants to throw a last minute party at his house in Dubai. This sequence gives an answer to a plot hole some had, because Stark can’t fly from California to the Middle East in the suit, as it would be technologically impossible. There is also a cameo from Ghostface Killah. For those who don’t know, the members of Wu Tang are supposedly big comic book fans, and one of Ghostface Killah’s aliases is “Iron Man” and sometimes “Tony Stark”. The scene also provides Stark with an alibi for his work in the Middle East incident. Essentially, this is the yacht scene from The Dark Knight, but not done as well. But at the end of the day, like most deleted scenes, you can easily see why it was cut.
Tropic Thunder screenwriter Justin Theroux is currently negotiating with Marvel Studios to pen the screenplay for Iron Man 2. The Hollywood Reporter also confirms that Jon Favreau is also in final negotiations to return for the sequel. Nikki Finke reported that it was pretty much a done deal last week. I have yet to see Tropic Thunder, but I’ve have heard it’s hilarious. But is actor turned screenwriter Theroux the right guy to tackle this material? It’ worth noting that the first film was co-penned by the guys who wrote the big screen adaptation of Children of Men..
Marvel has finally reached a deal with Jon Favreau to return for Iron Man 2. Nikki Finke reports that the deal was made after the studio relented and put out a “definitely” richer offer to Favreau. For the last two months speculation ran wild as to if Marvel Studios would bring Favreau back for the sequel. Inside sources said that Favreau wanted a modest raise, but the comic book turned movie production company’s initial offer wasn’t much more than what the filmmaker earned for the first film.
The second Iron Man film is scheduled for an April 2010 release. But with no screenplay in development, even Favreau has expressed concern over an unrealistic timeline. Favreau wrote back in June:
“This genre of movie is best when it is done thoughtfully and with plenty of preparation. It might be better to follow the BB/DK, X/X2 three year release pattern than to scramble for a date. It is difficult because there are no Marvel 09 releases and they need product, but I also think we owe it to the fans to have a great version of IM2 and, at this point, we would have less time to make it than the first one.”
I’m very happy that Favreau is back, but will Marvel give the filmmaker enough time to develop a worthy follow-up? The last thing anyone wants is another Spider-Man 3.
The passing of Stan Winston hit everyone off guard yesterday, including the many people who have worked with the legend over the years.
McG has posted a statement on the Terminator Salvation: The Future Begins website, declaring his intention to dedicate the fourth Terminator film to the memory of Stan. Here is an excerpt: “Stan was a good guy who was in it for all the right reasons. He loved what he did. Stan confided in me once, that he created imaginary monsters as a child to keep him company. He said he felt like the only kid in the world who did this. Little did he know his childhood friends would come to be the heroes of millions. You are not alone Stan, the fruit of your imagination will be with us forever.”
Hot Fuzz and Shaun of the Dead director Edgar Wright blogged: “A real genius. And a sad loss.”
Meanwhile, AICN has done an awesome job of gathering statements from some of the filmmakers who have worked with him over the years. Here are some highlights.
James Cameron: “We’ve lost a great artist, a man who made a contribution to the cinema of the fantastic that will resound for a long long time. I don’t need to list the indelible characters he and his team of artists brought to the screen. Readers of your site know them. We all know Stan’s work, the genius of his designs. But not even the fans necessarily know how great he was as a man. I mean a real man — a man who knows that even though your artistic passion can rule your life, you still make time for your family and your friends. He was a good father, and he raised two great kids. His wife of 37 years, Karen, was with him in the beginning, helping him make plaster molds in their garage for low budget gigs on TV movies, and she was with him at the end.”
Jon Favreau: “He was a giant. I was blessed to have known him. I worked with him on both Zathura and Iron Man. He was experienced and helped guide me while never losing his childlike enthusiasm. He was the king of integrating practical effects with CGI, never losing his relevance in an ever changing industry. I am proud to have worked with him and we were looking forward to future collaborations. I knew that he was struggling, but I had no idea that he would be gone so soon. Hollywood has lost a shining star.”
Frank Darabont: “One of the blessings of being in movies is when you meet icons whose work you deeply admire and they turn out to be fantastic people. They’re the ones you’re honored to encounter along the way, the people who are kind and gracious and inspiring in addition to being superbly talented. They exhibit genuine humanity and touch your heart in various ways, and you foolishly figure they’ll always be around to get to know better as the years go on. But then they are taken far too soon, and you’re left with the deep and lasting regret of not having gotten to know them nearly as well as you’d wanted or expected to. I’ve met and lost a number of extraordinary people who fall into this category, among them Roddy McDowell, John Frankenheimer, Sidney Pollack, Dave Stevens, and John Alvin. Stan Winston now sadly joins my list.”
Read the full letters, including more from Joe Dante, Rick Baker, Monster Squad director Fred Dekker and others on AICN.
Update: Nikki Finke reports that Marvel has offered Fav a new deal to direct Iron Man 2, with a requisite “insider” telling her, “What, do people think Marvel is stupid?” Well insider, I guess it’s good that Fav didn’t have to utilize Twitter, Plurk and Facebook to get a new deal, if true.
The NY Licensing Show teaser poster for the RoboCop remake received a huge response on Slashfilm, and today brings logos marking Marvel’s ambitious future like geek tarot cards via MTV.
One has to wonder what is running through Jon Favreau’s mind when a logo and bold release date position Iron Man 2 as first in line, while Marvel continues to leave him hanging blankly on MySpace.
As for the other films? While the logo for 2010′s Thor is from the comics, it’s rather cheesy in my opinion, conjuring 1988′s Gor and/or a wrestler who ties vibrant streamers around his arms. A notch below on the meh meter is the logo for The First Avenger: Captain America, which is a mouthful no matter what and is sans patriotic stripes. And then there’s the logo for the studio’s ultra-burrito, The Avengers, which also remains faithful to the comics and my personal fave of the ones here, alongside Iron Man 1 & 2. Unsurprisingly, the company’s Ant-Man and Runaways are absent here, as is Lionsgate’s Punisher: War Zone, which opens this fall and continues to have underdog status on the Nets, and next summer’s X-Men Origins: Wolverine from Fox.
Anyone have a cell phone grab of a DC Comics rep studying this at the expo?
Discuss: What do you think of the logos? With one massive hit under their belts, will all of these films pan out for Marvel? With the possibility of a creative controversy already brewing, what do you think the future holds?
UPDATE 06/11/08: Let’s just say that if you want Fav aboard for Iron Man 2, umm, it’s a good time to let Marvel know.
And everything was going so well! Today, Peter reported on director Jon Favreau‘s moderately disconcerting statement to fans regarding Marvel Studios‘ proposed 2010 release date for Iron Man 2. In summary: Sounds like a rush-job, there’s no script, and like a shady GF/BF in the summer Marvel hasn’t called him in weeks! We haven’t speculated on the reasons for why Fav is not yet signed for a sequel, but after consulting with inside sources IESB just called out the studio for being cheap (and crazy).
“So bottom line, Jon Favreau has not been locked in to direct Iron Man 2 for the simple reason that Marvel is being cheap – this is 100% accurate folks, no bullshit.”
Bold statement. Their latest source (who is said to work for Marvel) says that Marvel Studios Chairman, David Maisel, believes that a sequel to the smash hit (and top 3 comic book movie all time imo) will be a huge success with another director, no big deal. So…is Fav asking for the world (and all its sushi and eight Jacuzzi limos)? Apparently not, he just wants a reasonable “bump” in his paycheck, the “regular standard director’s fee.”It’s well known that Fav, coming off the disappointment of the big budget Zathura, didn’t receive major moolah for the first film, so a bump would be common sense and totally warranted in most eyes.
It’s too early and the info is too vague to send the Net’s dark fanboy cloud to hover over Marvel, but Fav continues to go public, thereby sending out code to the studio, with his feelings about the situation. There’s already pro-Fav thunder in the Slashfilm comments. Marvel announced the release date for the sequel without consulting him, and they also revealed their intricate plans for The Avengers, a flick that Fav had expressed interest in directing, without his knowledge as well. One of the many enjoyable aspects of Iron Man was that it felt effortless, and the tonal balance—light but badass to speak plebe—was perfect. When one thinks Marvel Studios, one instantly thinks quality/summer fun because of Fav’s vision and labor. Why go against the grain? More as it develops…
Discuss: Who do you side with (we know, it’s rhetorical)?
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