Posted on Monday, December 12th, 2011 by Angie Han
Each December since 2004, studio executive Franklin Leonard has compiled the best unproduced screenplays of the year, as voted by hundreds of execs, agency guys, and high-level assistants. Titled The Black List, the compendium highlights both established screenwriters and up-and-comers, and has served as a launching pad in the past for projects like Juno, Lars and the Real Girl, and (500) Days of Summer. Last year’s list included Margin Call, Crazy, Stupid, Love, The Hunger Games, and Snow White and the Huntsman.
It should be noted that the headline is somewhat misleading — some of these screenplays have already been acquired and are already in development, though according to Leonard none will have entered principal photography by December 31, 2011. Also worth pointing out is that, as in previous years, there have been rumors that some of the participants have been accused of using the Black List to promote their own clients or friends. Finally, as Leonard reminds us each time, “The Black List is not a ‘best of’ list. It is, at best, a ‘most liked’ list.”
Regardless, we can always rely on the Black List to stir up conversation among both industry insiders and outside spectators alike, so without further ado, hit the jump for the complete 2011 list.
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Posted on Tuesday, April 12th, 2011 by Angie Han
It was reported a few weeks back that Wanted director Timur Bekmambetov was set to produce John Scott 3‘s teen zombie spec script Maggie, with title sequence designer Henry Hobson directing. Apparently, that’s not quite the case. Bekmambetov never actually closed the deal, and Maggie is now back on the market.
Several bidders were interested when the spec was originally auctioned off, and multiple parties are said to be circling the project already, so it’s likely that a new producer will be picking up Maggie shorty. With its $5 million budget and trendy zombie subject, it’s got to be looking pretty good to potential producers.
Maggie isn’t exactly your typical zombie film, though. The story revolves around a 16-year-old girl from middle America who becomes infected by a zombie. In this universe, however, it takes six weeks for a zombie victim to fully transform. The movie deals with Maggie’s relationship with her family as she undergoes this horrific process. Granted, some shorter version of this story takes place in just about any zombie movie, but the slight shift in focus means it could have quite a different feel from most of the other zombie fare out there. [Deadline]
After the jump, Paramount acquires L.A. Rex for distribution.
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