One of the most disappointing elements of The Bourne Legacy was its score (Germain was a fan of the film overall, but I was not). John Powell had created such a rich, unique sound in the first three Bourne films and it was sad for me to see James Newton Howard deliver a lackluster soundtrack (and even more sad that that was probably one of the least of the film’s problems).
I decided to take a look back and see if the scores still held up. Below the jump, you’ll find a brief audio retrospective on John Powell’s work in this series of films. Questions/comments/agreements/disagreements? Leave them below or shoot me an email at slashfilmcast(AT)gmail.com.
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Where’s Jonah Hex? We saw footage from the film at last year’s Comic Con, but aside from a few reshoot reports and word of Mastodon sharing scoring duties, there’s been basically nothing to report on the film since then. Few pics, no trailer. Earlier this week, as part of a rumor that suggested Lobo was dead at WB, there was a report that the studio isn’t happy with the film.
Then Vulture talked to Brent Hinds of Mastodon, and based on his description of the scoring process and one comment in particular, many read the piece as saying “the film is delayed!” Reps for the movie, meanwhile, insist that we’ll see a trailer on April 29, and that it will be attached to prints of A Nightmare on Elm Street. Meanwhile, Hinds’ comments are still a window into the process of finishing the film. Read More »
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If you’re a regular reader of /Film, then you know that we’re big fans of movie soundtracks and film scores (if you haven’t yet, listen to the bonus /Filmcast movie score episode). So I thought I’d fill you in on some of the latest cinematic music developments.
After the jump we’ll tell you about how Linkin Park is working on the score for Transformers: Revenge of the Fallen with Hans Zimmer (who isn’t even the composer on the film!?), how the Twilight sequel New Moon scored the composer from Fincher’s Benjamin Button, how Jon Brion appears on screen but not behind the music in Apatow’s Funny People, and the just announced composers for Sherlock Holmes, Centurion and How To Train Your Dragon.
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