Darren Aronofsky‘s wish to make his Bible-based fantasy epic Noah an “event” film is about to take one step closer to coming true. The project has been seeking a studio to pay half of its $150 budget — New Regency, which has been with Noah since early on, will cover the other half — and it looks like Paramount will be stepping up to fork over the cash. Though the deal is not yet official, the studio is said to be “close” to signing a deal. Read more details after the jump.
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Posted on Monday, June 20th, 2011 by Russ Fischer
The precise choice for Darren Aronofsky‘s follow-up to the award-winning audience favorite Black Swan has been a bit question mark over the past six months, and especially since the director walked away from Fox’s The Wolverine. (Which is now looking to James Mangold to direct.)
We know that he’ll helm the pilot episode of HBO’s very intriguing-sounding show Hobgoblin, which Michael Chabon and Ayelet Waldman are writing and producing. But he’s also been shopping Noah, the $150m take on the biblical tale of Noah and the Ark that has been percolating in his mind for many years. New Regengy is on board to pay for half of the project, but a studio is needed for the balance. No one has stepped up yet, but that hasn’t stopped people from asking Darren Aronofsky about the project. His latest statements, which reveal that he wants to play down the religious aspect of the story and heighten the tentpole potential inherent in it, are below. Read More »
In November of 2006, when I interviewed Darren Aronofsky for the US release of The Fountain, he dropped a little bomb. Asked about his next project, he said he was working on “a biblical epic.” That turned out to be a new take on the tale of Noah and the flood, and it has been a project in various stages of development ever since.
Now there is a report that Darren Aronofsky has put together a package for Noah that has John Logan rewriting Aronofsky’s own script, New Regency thinking of co-financing, and several studios looking at proving the rest of the cash. With Black Swan recently crossing the $300m line worldwide, there may be no better time than now to get an ambitious project like Noah off the ground, and it looks like he’s seizing the chance. Read More »
Briefly: We still don’t know very much at all about the twenty-third James Bond movie, other than that it will shoot this fall with Daniel Craig and Judi Dench reprising their roles as James Bond and M, respectively, under the direction of Sam Mendes. Neal Purvis, Robert Wade and John Logan are writing, and there may be parts for Javier Bardem and/or Ralph Fiennes, but those are not confirmed.
The latest report is that Naomi Harris, famous for 28 Days Later and the Pirates of the Caribbean films, is in talks for Bond 23. The first report came from the UK tabloid News of the World, but was later confirmed by EW and other outlets. We know nothing about what character she might play — ‘Bond girl’ being the only tag right now — but it’s a start. The still untitled twenty-third James Bond film will be released on October 26, 2012 in the UK and Ireland, and November 9 in the rest of the world.
Posted on Thursday, June 2nd, 2011 by Russ Fischer
Briefly: Daniel Craig is all over the place this week thanks to the new posters and trailers for The Girl With the Dragon Tattoo, but he is still the star of another massive franchise with a global fanbase. Today there is a tiny bit of James Bond news, as Sony, EON Productions and MGM have announced a pair of release dates for the twenty-third Bond film. The as-yet untitled movie, just Bond 23 for now, will hit the UK and Ireland on October 26, 2012, and then open in the rest of the world on November 9, 2012. The worldwide date is about when we expected to see the film; the earlier date is just a bonus for those in Britain.
We know very little about the film at this point. Daniel Craig will return as James Bond, under the direction of Sam Mendes. The screenplay is by Neal Purvis, Robert Wade and John Logan. Javier Bardem could end up in the film, and Judi Dench will very likely return. Beyond that, it’s almost all up in the air.
Posted on Monday, April 18th, 2011 by Russ Fischer
Just last week, Cloverfield and Let Me In director Matt Reeves signed to direct a new film based on the story 8 O’Clock in the Morning, which was once turned into the John Carpenter film They Live. Now he’s signed to adapt another prose property. This time it is Justin Cronin‘s novel The Passage, in which science accidentally creates a host of vampires that nearly wipe out mankind. Ridley Scott was once attached to direct, and he was a more obvious choice than Matt Reeves, whose films so far have told stories on a smaller scale than this.
More details on the book and the deal are after the break. Read More »
Paramount Pictures has released the first movie trailer for Pirates of the Caribbean helmer Gore Verbinski’s computer animated feature film Rango. Based on an original idea by Verbinski, Rango is scripted by The Aviator scribe John Logan. Johnny Depp stars as an “chameleon with an identity crisis.” PRevious information has stated that Rango is “a oddly charismatic household pet that goes on an adventure to discover its true self.” The movie co-stars Isla Fisher, Abigail Breslin, Alfred Molina, Bill Nighy, Harry Dean Stanton, Ray Winstone, and Timothy Olyphant as The Spirit of the West.
But the most interesting thing about this new project is that Industrial Light & Magic will be doing the animation using “cutting edge techniques” that Verbinski has said, “will allow us to capture and translate every aspect of Johnny’s performance, using it to drive the computer-generated character in a way that has yet to be seen in an animated feature.” Basically it sounds like Verbinski has gone the way of Robert Zemeckis.
The trailer, embedded after the jump, doesn’t really show us much. It’s more of a “what the fuck did I just see” kind of teaser trailers. Watch it now after the jump and please leave your thoughts in the comments below.
Back in March,Academy Award-winning filmmaker and historian Martin Scorsese announced his approval of Digital 3D filmmaking, stating “We see in depth, for the most part. We go to the theater — it’s in depth. Why couldn’t a film like `Precious’ be in 3-D? It should be.” Scorsese even admitted that he’d love to make a 3D film himself.
And it was only a few months earlier, we heard that Scorsese’s next film might be an adaptation of Brian Selznick‘s novel The Invention of Hugo Cabret (one of the projects that has been on the director’s slate since 2007). For the last few months, it has been rumored that Scorsese might be making the 3D plunge with Hugo Cabret. But Variety now confirms that this will be a 3D production.